SKU: HL.48189407
Cobo Air Populaire Russe 3 Guitars & 2 Flutes Performance Scores.
SKU: M7.GHE-801
ISBN 9783890448015. English.
We proudly present a new critical edition of the collected guitar works by Fernando Sor. Some titles in this edition may be new to some readers, eg the contents of volume 10. This new edition is the biggest new publishing undertaking for the music of Sor since the 1970s. Our editor Erik Stenstadvold is a noted expert on 19th century guitar music and publishes regularly in leading professional journals such as 'Soundboard' and 'Early Music'. His life-long preoccupation with Sor and his music, both as a performer and researcher, has resulted in an unsurpassed edition in terms of scholarly accuracy and practical usefulness. All relevant early sources have been consulted, often several different printed editions and manuscripts of a particular work. In each case the most dependable source has been chosen as copy text, on the basis of historical evidence and textual reliability. Variances and errors in the original scores are corrected and discussed in the comprehensive critical commentaries. All volumes contain detailed introductory notes that place the individual works in their historical context and discuss particular notation problems. Suggestions for the interpretation of ornaments are also provided. In Volume 1 and 2 (Studies), Sor's likely purpose of each individual study is discussed in relation to the technique and fingering principles he describes in his 1830 Méthode. The music scores are produced at 'concert size' with clear and accurate music engraving and high-quality German printing. Original fingering is retained, but in order to make the music more accessible to players in general, editorial fingering has been judiciously added in works with little or no indications in the original editions. Added fingerings are easily distinguishable from the original ones by their different typefaces. The guitar duos come with full-size study scores and separate parts. As an optional extra we offer a 'pocket' size score with all the duos (188 pages, 17 x 24 cms). Each volume has its own thematic index with incipits and the pages include headers to assist navigation. We offer, at a special low price, an optional thematic index volume referenced to the complete edition, which is of practical use (product number GHE 896).
SKU: PR.GHE0801
We proudly present a new critical edition of the collected guitar works by Fernando Sor. Some titles in this edition may be new to some readers, eg the contents of volume 10. This new edition is the biggest new publishing undertaking for the music of Sor since the 1970s.Our editor Erik Stenstadvold is a noted expert on 19th century guitar music and publishes regularly in leading professional journals such as ‘Soundboard’ and ‘Early Music’. His life-long preoccupation with Sor and his music, both as a performer and researcher, has resulted in an unsurpassed edition in terms of scholarly accuracy and practical usefulness.All relevant early sources have been consulted, often several different printed editions and manuscripts of a particular work. In each case the most dependable source has been chosen as copy text, on the basis of historical evidence and textual reliability.Variances and errors in the original scores are corrected and discussed in the comprehensive critical commentaries. All volumes contain detailed introductory notes that place the individual works in their historical context and discuss particular notation problems. Suggestions for the interpretation of ornaments are also provided. In Volume 1 and 2 (Studies), Sor’s likely purpose of each individual study is discussed in relation to the technique and fingering principles he describes in his 1830 Méthode.The music scores are produced at ‘concert size’ with clear and accurate music engraving and high-quality German printing. Original fingering is retained, but in order to make the music more accessible to players in general, editorial fingering has been judiciously added in works with little or no indications in the original editions. Added fingerings are easily distinguishable from the original ones by their different typefaces.
SKU: MB.30667M
ISBN 9781513463971. 8.75 x 11.75 inches.
Johann Sebastian Bachâ??s arrangements of the â??69 Sacred Songsâ? from the Musical Hymnal by Georg Christian Schemelli (Leipzig, 1736) have long been part of the German language vocal concert repertoire and a mainstay in vocal pedagogy. Originally, only these 69 of the 954 hymns in the collection were published with a single bass line as the accompaniment. Bachâ??s contribution was to specify harmonies to be played over those same bass lines by adding figured bass numbers and symbols beneath each note.
A figured bass line can easily be turned into a relatively simple guitar accompaniment or a more elaborate setting, offering a range of possibilities that make working with this music both interesting and rewarding for the guitarist. While other period and modern editions of the â??69 Sacred Songsâ? offer accompaniments for keyboard instruments, this Mel Bay publication features intermediate to advanced transcriptions exclusively for the guitar.
Best suited to college-level players or advanced aficionados, this special Mel Bay Publications edition includes the vocal line with German lyrics and the guitar accompaniment transcribed from Bachâ??s figured bass lines. Written in guitar-friendly keys, 29 of the transcriptions employ a capo to achieve the original key designed for high voices. Without the capo, these same arrangements would be suitable to be sung by lower voices. The remaining 40 hymns are in their original guitar-friendly keys and so do not require a capo.
This volume contains accompaniment settings of all 69 of the sacred songs and arias for which Bach wrote figured bass annotation. For performance variety and convenience, this book includes â??Scores in their Original Keys,â? and stand-alone â??Guitar Accompaniment,â? and â??Bass Parts.
SKU: MB.94199
ISBN 9781562223526. 8.75 x 11.75 inches.
This book was written by one of Americaâ??s greatest studio guitarists, the late Tommy Tedesco. It details his approach to mastering the guitar and his reflections on his remarkable career playing for motion picture and television soundtracks. He includes solos, magazine articles he authored, his reflections on technical aspects of the guitar such as sight reading, and even several guitar scores from motion pictures. A wealth of knowledge and experience in the music industry is contained in this book. It is a valuable addition to the library of any guitarist.Â
SKU: HL.48183597
UPC: 888680869755. 9.0x12.0x0.128 inches.
“Written in 4 volumes, Technique for all guitarists is a progressive method for guitarists by Pierre Cullaz, a French professor who specialises in Jazz Guitar. This second volume focuses on medium beginners, with studies, exercises and explanations on improvisation and the use of chords. Written in French, it does include some tablatureand some scores with chords written in English. This Technique for all guitarists series is really useful to be able to play different style on the Guitar and to widen the possibilities of genres. They are definitely a must-have for those who are interested in playing Jazz for example.â€.
SKU: HL.50607050
UPC: 196288292401. 9.0x12.0x0.073 inches.
Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Ãditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.
SKU: HL.48183825
UPC: 888680858841. 9.0x12.0x0.127 inches.
“Written in 4 volumes, Techniques for all guitarists is a progressive method for guitarists by Pierre Cullaz, a French professor specialising in Jazz Guitar. This third volume focuses on upper beginners, with studies, exercises and explanations on scales in chords, how to phrase a standard, fillings, cadence, original piece and work with plectrum. Written in French, it does include some tablatures and some scores with chords written in English. These Techniques for all guitarists series is really useful to be able to play different style on the Guitar and to widen the possibilities of genres. They are definitely a must-have for those who are interested in playing Jazz for example.â€.
SKU: FZ.5878
ISBN 9790230658782. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. Francesco ALBERTI - Anonyme - Encyclopedie methodique - Guillaume-Pierre-Antoine GATAYES - L. GUICHARD - Jean-Benjamin de LABORDE - Antoine Marcel LEMOINE - Philippe MACQUER - Joseph-Bernard MERCHI (2) - Charles-Francois-Alexandre POLLET. Table of contents: Macquer Philippe: Dictionnaire raisonne - 1773. Pollet Charles-Francois-Alexandre: Methode pour apprendre - 1775. Merchi Joseph-Bernard: Traite des agrements de la guitare - 1777. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Alberti Francesco: Nouvelle methode - 1786. Encyclopedie: Encyclopedie methodique - 1788. Guichard L. : La guitare rendue facile - c. 1795. Lemoine Antoine-Marcel: Nouvelle methode de guitare - c. 1800. Gatayes Guillaume-Pierre-Antoine: Methode pour la guitare - 1800. Anonyme: Methode pour jouer de la guitare - s. d. n. l. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Municipal Library of Grenoble (France). - Nederlands Muziek Instituut of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the guitar.
SKU: FZ.5877
ISBN 9790230658775. 24.00 x 33.00 cm inches.
These early music methods are in facsimile in two books. ANCELET - Abbe Joseph CARPENTIER (1-2) - Francisque CORBETTA - Michel CORRETTE - Robert DE VISEE - Nicolas DEROSIERS - DON*** - Encyclopedie - Francois-Alexandre-Pierre de GARSAULT - Francois LECOCQ - Joseph-Bernard MERCHI (1) - Marin MERSENNE - Pierre TRICHET. Table of contents: Mersenne Marin: Harmonie Universelle - 1636. Trichet Pierre: Traite des instruments - c. 1640. Corbetta Francisque: La guitarre royale - 1671. De Visee Robert: Livre de guitarre - 1682. Derosiers Nicolas: Les principes de guitarre - c. 1690. Le Cocq Francois: Recueil des pieces de guitare - 1729. Encyclopedie: Encyclopedie ou Dictionnaire raisonne des sciences - 1751/1772. Ancelet: Observations sur la musique - 1757. Don***: Methode pour apprendre a jouer - 1760. Garsault Francois-Alexandre-Pierre de: Notionnaire ou memorial raisonne - 1761. Merchi Joseph-Bernard: Le guide des ecoliers - c. 1761. Corrette Michel: Les dons d'Apollon - 1762. Carpentier Joseph: Methode pour apprendre, 1e partie - 1771. Carpentier Joseph: Methode pour apprendre, 2e partie - 1773. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - National Library of Paris (France). - Sainte Genevieve Library of Paris (France). - British Library of London (England). - Nederlands Muziek Instituut of the Hague(Netherlands). - Royal Conservatory Library of Brussels (Belgium). - Library of Congress of Washington (USA). - Bayerische Staatsbibliothek of Munich (Germany). - In Private collection. Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the guitar.
SKU: FZ.50143
ISBN 9790049501439. 21.00 x 29.70 cm inches.
This facsimile of an original by Fernando Sor is part of our Facsimusic collection. Bonn et Cologne, N. Simrock, 2e edition (c. 1824-2825). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the British Library of London (England). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FG.55011-326-8
ISBN 9790550113268.
I met for the first time the refined Finnish composer Kai Nieminen in Milan (Italy), although we had been in touch for a while before. It was that very trip which provided the inspiration for this composition dedicated to Bruno Munari, one of the most renowned XXI century Italian artists, who lived and worked in Milan. In particular, the work that inspired this composition, displayed at Museo del Novecento in Milan and characterised by swirling lines enveloping torn-out music scores, suggested the mysterious atmosphere of this piece and the subheading Un telegramma dal paese dei sogni (A telegram from dreamland). The composition can be divided into four sections and displays a wide variety of harmonics, cleverly enhancing the polyphonic resources of the guitar. The very first bars introduce the main themes of the composition: particularly, at bar 7 it is possible to recognize a Bach quote from Das wohltemperierte Clavier (II book, ndeg24) recurring frequently in the piece and appearing also in the painting. Meno mosso (bar 51) opens with a ghostly song accompanied by drum-like effects that recall the primitive sound of the shamanic Finnish drum. Fast sixteenth cascades dotted by harmonic sounds open the fourth and last section at bar 66 (Capriccioso, movendo), alluding to a mysterious telegram sent from another dimension.
SKU: PR.114423660
UPC: 680160689255.
