By P.F. Sloan and Steve Barri. Edited by Aaron Stang. Arranged by Bob Morris. For Guitar. Guitar Method or Supplement. Warner Bros. Publications 21st Century Guitar Course. Level: Level 1. Full Score, Parts and CD. 28 pages. Published by Alfred Publishing.

Edited by Aaron Stang. Arranged by Goldsmith. Fretted instrument method/supplement. Level: 1. 32 pages. Published by Belwin.

Guitar - Intermediate

SKU: MB.99660M

Composed by Frank Vignola. Saddle-stitched, Improvising, Lines and Phrases, Jazz. Vignola Play Along. Style. Book and online audio. 40 pages. Mel Bay Publications, Inc #99660M. Published by Mel Bay Publications, Inc (MB.99660M).

ISBN 9780786693740. 8.75 x 11.75 inches.

In this book and online audio, master jazz guitarist Frank Vignola has taken eight different jazz standard chord progressions and recorded rhythm guitar parts so you can play along and learn these most commonly used chord progressions. He has also written out a jazz solo for each of the eight tunes. These are recorded at slow and faster tempos for practice. The first chorus of every track has both the solo and the rhythm guitar, and the rest of the choruses have just the rhythm guitar for you to jam along with. The notation for each tune includes a jazz solo written out in notation and tablature and also a chord chart. Includes access to online audio.

Guitar - difficult

SKU: HL.49010943

Composed by Joaquí and n Rodrigo. Arranged by Peter Jermer. This edition: Saddle stitching. Sheet music. Gitarren-Archiv (Guitar Archive). Classical. Score and Parts. Composed 1986. 24 pages. Duration 6'. Schott Music #EJR190248. Published by Schott Music (HL.49010943).

ISBN 9790001097765. UPC: 073999944730. 9.0x12.0x0.102 inches.

4 Guitars.

Guitar

SKU: UT.CH-321

Composed by Chiara Benati. Edited by Piero Bonaguri. Saddle stitching. Piero Bonaguri Collection. Classical. Ut Orpheus #CH 321. Published by Ut Orpheus (UT.CH-321).

ISBN 9790215326293. 9 x 12 inches.

Dediche is a series of short miniature pieces for solo guitar written in 1991 by Chiara Benati, an authoritative exponent of what can be called the School of Bologna, and who has devoted many pages of her catalogue to the guitar (Chiara won a first prize in 1986 at the Competition for Guitar Composition organized by the historic magazine Il Fronimo).
From the point of view of the guitar idiom, it is striking how the compositional research of Chiara Benati (who does not play the guitar) has penetrated deeply into the nature of the instrument. In my job of adding the fingering to the pieces, I started from the precise indications concerning the strings already provided by the Composer, who meticulously imagined the instrumental result created by the play of resonances and the consequent precise distribution of the parts on different strings (let us think of the tremolos superimposed on different strings in the second Dedica and the counterpoint in three parts each written on its own musical stave), with a skilful use of glissandos and other instrumental effects.
From the musical point of view, a similar meticulousness in writing is evident, shown, for example, by indicating the temporal separation between the figures by means of their spatial distance indicated in the score.
The result is an instrumentally and musically rigorous writing which also helps the performer by appealing to his ability to empathize, following the indications written in the score and in the key, with the expressive atmosphere of the work, and through that specific aspect of controlled performance flexibility and sound sensitivity necessary to render it properly.
These delicate miniatures, suffused with mystery and melancholy, and so masterfully written for the guitar, are in my opinion an important addition to the contemporary repertoire of the instrument.
(Piero Bonaguri).

Book/Online Audio Guitar

SKU: HL.350568

Hal Leonard Guitar Method. Guitar Method. Children, Classical, Instruction. Softcover Audio Online. 48 pages. Published by Hal Leonard (HL.350568).

ISBN 9781705105214. UPC: 840126935059. 9.0x12.0x0.125 inches.

The Hal Leonard Clssical Guitar for Kids Method is perfect for young beginners interested in learning how to play classical guitar. Created by esteemed classical guitarist and educator Paul Henry, this fun, easy-to-use, and thorough method covers all the basics. While the method is easy to follow, guidance from a teacher will make the learning experience even better, especially for the youngest of students. All examples in the book include accompanying audio for demonstration and play-along to help strengthen the learning experience. Includes pieces by Ludwig van Beethoven, Francesco Bathioli, Ferdinando Carulli, Joseph Kuffner, Fernando Sor, and Paul Henry, plus many traditional pieces! Includes lessons on: • Parts of the Guitar • Names of the Strings • Finger Names • String Position • Hand Position • Reading Music Notation • Playing Rhythms • Fretting the Strings • Plucking the Strings • Notes in First Position • Alternating Fingers • One-Part Music • Two-Part Music • Time Signatures • Playing with Dynamics • Arpeggios.

About Hal Leonard Guitar Method

The world-famous Hal Leonard Guitar Method is preferred by teachers because it makes them more effective while making their job easier. Students enjoy its easy-to-follow format that gives them a solid music education while letting them play songs right away. The Hal Leonard Guitar Method provides a complete system to playing success which includes three levels of instruction and a myriad of play-along supplemental songbooks that let students play great songs while they're still learning to play.

Guitar; Methods and Music for Children

SKU: UT.CH-157

Composed by Giorgio Signorile. Saddle stitching. Classical. Score and Parts. 40 pages. Ut Orpheus #CH 157. Published by Ut Orpheus (UT.CH-157).

ISBN 9790215320369. 9 x 12 inches.

Vals d'la Masca; Il racconto della Montagna; Sequenze sotterranee

The Alpinia Suite was commissioned and composed for the festival <> and is dedicated to my friend and colleague Elio Galvagno. It was performed for the first time on August 30, 2011, in the Church of San Giovanni in Saluzzo, by an ensemble of professional and student guitarists from all over Europe. This piece was written to commemorate the first ascent of mount Monviso, by William Mathews, Frederick Jacomb, Jean Baptiste Croz and Michel Croz, exactly 150 years before, on August 30, 1861.
The first movement is a small Waltz. I imagined a Masca (a sort of alpine pixie, a teasing sprite), dancing all around the house and playing tricks, mostly harmless and funny. The Masca is a legendary and very important character in the folklore of my valleys, and all rationally inexplicable events of everyday life are ascribed to her - such as objects that cannot be found anymore, holes in flour sacks, salt in sugar bowls...
The next two movements are a homage to the Mountains. The Tale is a sort of journal, a bright and peaceful chronicle of a hike uphill, in which the beauty of the place is highlighted by an easy harmony and a sweet melody. After this, Underground sequences evokes that same world in a darker and nocturnal way; the faster pace and the choice of repeated and varying patterns are meant to show the transformation of the former environment into something more complex and tormented. Here mountains are a metaphor of human life, warts and all: their sundrenched slopes and their green pasture grasslands, but also their icy and dangerous northern sides, which demand calm, training and caution.
(G. Signorile).