Guitar - intermediate to advanced

SKU: M7.GHE-702-96

Composed by Manuel Ponce. Edited by Stefano Grondona. This edition: Saddle-wire stitching. Sheet music with Online material. Critical Edition. MDS (Music Distribution Services) #GHE 702-96. Published by MDS (Music Distribution Services) (M7.GHE-702-96).

ISBN 9783890447056. English.

HIS IS THE FIRST CRITICAL EDITION OF THESE WORKS AND IT OFFERS WE HOPE A STANDARD READING WHICH EXAMINES, WITH SOLUTIONS, MANY UNEXPLAINED DIFFERENCES BETWEEN THE COMPOSER'S MANUSCRIPTS, OUR EDITED MUSIC TEXT, AND PREVIOUS EDITIONS. 70 years after Ponce's death in 1948, we celebrate his life with a new critical-performing edition of his 24 Preludios newly prepared from the original manuscripts by Stefano Grondona. We proudly present a totally new edition with audio files of the 24 Preludios para guitarra. This is the first critical edition of the 24 Preludios para guitarra. The audio files of all 24 Preludios are played by Stefano Grondona and for download with a code printed in the book. This edition is really two editions in one. Not only is it a performing edition meticulously fingered by Stefano Grondona, but as well it is also an Urtext edition of the original manuscripts. Our pragmatic critical apparatus permits the player simply and clearly to see also what was in the original manuscripts, and what was not. With this publication it is now possible to clarify some long-standing issues relevant to our aim of presenting an accurate final music text; it is now possible to see where previous publications of this repertoire have varied with the manuscripts and how we have treated these situations in our edition, and how these were treated differently in previous editions. A comprehensive critical commentary is included together with copious historical and informative notes about the selection of the works and how and why our edition took its present form and content. At last we believe to have an edition which takes the form which the composer intended and new source material is also included, such as the Ramaugé ms for Prelude no. 6.

Piano/Vocal/Guitar

SKU: HL.256650

Composed by Various. Piano/Vocal/Guitar Songbook. Children, Disney, Movies. Softcover. 288 pages. Published by Hal Leonard (HL.256650).

ISBN 9781540015303. UPC: 888680723699. 9.0x12.0x0.78 inches.

This updated 7th edition coffee table collection is a Disney lover's dream come true! It is a guided tour through the many legendary years of Disney music. The book begins with an extensive musical history of Disney, followed by beautiful piano/vocal arrangements of 70 Disney classics. Printed on deluxe stock with more than 100 stunning full-color illustrations accompanying the text and music, this book is a keepsake to treasure for years to come! Songs include: Bibbidi-Bobbidi-Boo (from Cinderella) * Circle of Life (from The Lion King) * Evermore (from Beauty and the Beast) * How Far I'll Go (from Moana) * I See the Light (from Tangled) * Let It Go (from Frozen) * Under the Sea (from The Little Mermaid) * When You Wish Upon a Star (from Pinocchio) * You've Got a Friend in Me (from Toy Story) * and more.

Guitar - intermediate to advanced

SKU: M7.GHE-801

Advanced Studies. Composed by Fernando Sor. Edited by Erik Stenstadvold. This edition: Saddle-wire stitching. Sheet music. New Critical Edition. 68 pages. MDS (Music Distribution Services) #GHE 801. Published by MDS (Music Distribution Services) (M7.GHE-801).

ISBN 9783890448015. English.

We proudly present a new critical edition of the collected guitar works by Fernando Sor. Some titles in this edition may be new to some readers, eg the contents of volume 10. This new edition is the biggest new publishing undertaking for the music of Sor since the 1970s. Our editor Erik Stenstadvold is a noted expert on 19th century guitar music and publishes regularly in leading professional journals such as 'Soundboard' and 'Early Music'. His life-long preoccupation with Sor and his music, both as a performer and researcher, has resulted in an unsurpassed edition in terms of scholarly accuracy and practical usefulness. All relevant early sources have been consulted, often several different printed editions and manuscripts of a particular work. In each case the most dependable source has been chosen as copy text, on the basis of historical evidence and textual reliability. Variances and errors in the original scores are corrected and discussed in the comprehensive critical commentaries. All volumes contain detailed introductory notes that place the individual works in their historical context and discuss particular notation problems. Suggestions for the interpretation of ornaments are also provided. In Volume 1 and 2 (Studies), Sor's likely purpose of each individual study is discussed in relation to the technique and fingering principles he describes in his 1830 Méthode. The music scores are produced at 'concert size' with clear and accurate music engraving and high-quality German printing. Original fingering is retained, but in order to make the music more accessible to players in general, editorial fingering has been judiciously added in works with little or no indications in the original editions. Added fingerings are easily distinguishable from the original ones by their different typefaces. The guitar duos come with full-size study scores and separate parts. As an optional extra we offer a 'pocket' size score with all the duos (188 pages, 17 x 24 cms). Each volume has its own thematic index with incipits and the pages include headers to assist navigation. We offer, at a special low price, an optional thematic index volume referenced to the complete edition, which is of practical use (product number GHE 896).

Chamber Music Guitar

SKU: PR.GHE0801

Advanced Studies, Op. 6 & 29. Composed by Fernando Sor. Edited by Erik Stenstadvold. Collection. Theodore Presser Company #GHE0801. Published by Theodore Presser Company (PR.GHE0801).

We proudly present a new critical edition of the collected guitar works by Fernando Sor. Some titles in this edition may be new to some readers, eg the contents of volume 10. This new edition is the biggest new publishing undertaking for the music of Sor since the 1970s.Our editor Erik Stenstadvold is a noted expert on 19th century guitar music and publishes regularly in leading professional journals such as ‘Soundboard’ and ‘Early Music’. His life-long preoccupation with Sor and his music, both as a performer and researcher, has resulted in an unsurpassed edition in terms of scholarly accuracy and practical usefulness.All relevant early sources have been consulted, often several different printed editions and manuscripts of a particular work. In each case the most dependable source has been chosen as copy text, on the basis of historical evidence and textual reliability.Variances and errors in the original scores are corrected and discussed in the comprehensive critical commentaries. All volumes contain detailed introductory notes that place the individual works in their historical context and discuss particular notation problems. Suggestions for the interpretation of ornaments are also provided. In Volume 1 and 2 (Studies), Sor’s likely purpose of each individual study is discussed in relation to the technique and fingering principles he describes in his 1830 Méthode.The music scores are produced at ‘concert size’ with clear and accurate music engraving and high-quality German printing. Original fingering is retained, but in order to make the music more accessible to players in general, editorial fingering has been judiciously added in works with little or no indications in the original editions. Added fingerings are easily distinguishable from the original ones by their different typefaces.

Everything a Girl Needs to Know About Playing Guitar!. Composed by Tish Ciravolo. Guitar Method or Supplement; Method/Instruction; iParenting Media Award. Girl's Guitar Method. Book; DVD. 140 pages. Alfred Music #00-27650. Published by Alfred Music

Guitar Solo

SKU: IS.G6761EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM).

ISBN 9790365067619.

This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret.

Guitar Solo

SKU: IS.G6766EM

Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6766EM. Published by Metropolis Music Publishers (IS.G6766EM).

ISBN 9790365067664.

This sonata (WeissSW No. 52, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXXIII is a unique copy. It comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXXIII is in the fifth volume. It belongs to a group of large and mature Sonatas of the late â??productiveâ?? period of Weissâ??s life, probably after 1740. The Sonata has six movements: Ouverture , Courante assai moderato, Bourée, Siciliana (a slow dance, but more cheerful than a Sarabande), Menuet, and it ends with a Presto. The Ouverture substitutes the traditional Allemande. It is more complex in structure, and includes a Largo, an Allegro (in the style of a Fugue), and a Vivace. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. Originally, the Sonata is written in C minor, a key appropriate for playing a Baroque lute tuned in the D minor chord. However it is rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to A minor. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.

Christmas, Saddle-stitched. World. Eook/online audio. Mel Bay Publications, Inc #30917M. Published by Mel Bay Publications, Inc

By Various Composers. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 112 pages. Published by Hal Leonard.

Lead Sheets for 200 Jazz Standards. Composed by Various. Guitar Book. Softcover. 382 pages. Published by Hal Leonard

6 inch. x 9 inch. Performed by Billy Joel. Guitar Chord Songbook. Size 6x9 inches. 200 pages. Published by Hal Leonard.

By Various. Edited by Trevor de Clercq. Fake Book. Softcover. 224 pages. Published by Hal Leonard