SKU: HL.1447614
ISBN 9781574244212. UPC: 196288207351. 8.5x11.0x0.341 inches.
Get ready to develop your performance skills and musicianship, and take your playing to the next level with Solos and Duets for Classical Guitar! This book has a little something for every guitarist, but mainly, it is an opportunity for creative musicians to take their guitar skills to the next level. If you are new to classical guitar, you will find manageable, memorable classics as well as new arrangements of modern masters. If you are an experienced guitarist, you will find many works to challenge your technical performance and reading abilities. If you need additional help of tablature and/or audio recordings, these are available to you for every piece. On these pages, you will find music by master educators and musicians, including J.S. Bach, Béla Bartok, Domenico Cimarosa, Hamza El Din, George Heussenstamm, William Allaudin Mathieu, Nelson Montalvo, W.A. Mozart, Alessandro Scarlatti, and Robert Schumann. Many of the included selections are transcriptions from works for toher new instruments and some are original guitar works that now appear in print for the very first time! You will find many beautiful solos and duets, and even some guitar quartet exercises to lead you into ensemble playing.
SKU: MB.WBM15
ISBN 9780988832732. 8.5 X 11 inches.
The guitar has so many moods and colors. I have always loved the expressive, lyrical pieces written for this unique instrument. This book is a collection of 19 solos of medium difficulty which present a colorful array of moods, harmonies and tonal textures. Each piece gives the guitarist ample opportunity for reflection, interpretation and expression. The solos should be played freely with maximum use of dynamics and tone color. The harmonies are rich and often contemporary. I hope you enjoy playing these compositions as I certainly enjoyed writing them.
SKU: AP.EL02796
UPC: 038081554990. English.
Many students are attracted to the guitar because of hearing the lead guitar solos by their favorite group or artist. Most of them in their early teens come into the teaching studio for their first lesson expecting to be shown a lead guitar solo off a newly released album. However, this brings up some problems. Most beginning students have not yet developed the skill in their hands to play such a solo, do not read music, or have not had music theory training. Because of this, beginning students entering a studio do not get the full benefit from the music because they are unable to apply the examples presented to them. It's because of these problems this book came about. Guitar Technique stresses from the beginning control of the instrument and basic music theory. After completing this book, a student will have the necessary musical background and skill to pursue any direction of guitar playing he/she chooses with success.
SKU: UT.CH-321
ISBN 9790215326293. 9 x 12 inches.
Dediche is a series of short miniature pieces for solo guitar written in 1991 by Chiara Benati, an authoritative exponent of what can be called the School of Bologna, and who has devoted many pages of her catalogue to the guitar (Chiara won a first prize in 1986 at the Competition for Guitar Composition organized by the historic magazine Il Fronimo).From the point of view of the guitar idiom, it is striking how the compositional research of Chiara Benati (who does not play the guitar) has penetrated deeply into the nature of the instrument. In my job of adding the fingering to the pieces, I started from the precise indications concerning the strings already provided by the Composer, who meticulously imagined the instrumental result created by the play of resonances and the consequent precise distribution of the parts on different strings (let us think of the tremolos superimposed on different strings in the second Dedica and the counterpoint in three parts each written on its own musical stave), with a skilful use of glissandos and other instrumental effects.From the musical point of view, a similar meticulousness in writing is evident, shown, for example, by indicating the temporal separation between the figures by means of their spatial distance indicated in the score.The result is an instrumentally and musically rigorous writing which also helps the performer by appealing to his ability to empathize, following the indications written in the score and in the key, with the expressive atmosphere of the work, and through that specific aspect of controlled performance flexibility and sound sensitivity necessary to render it properly.These delicate miniatures, suffused with mystery and melancholy, and so masterfully written for the guitar, are in my opinion an important addition to the contemporary repertoire of the instrument. (Piero Bonaguri).
SKU: BT.RSK200115
ISBN 9781789360905. English.
Rockschool Acoustic Grade 5 is for students who have acquired the intermediate skills and techniques and have developed an increasing sense of stylistic conviction. This is demonstrated through instrumental techniques, increasing rhythmic complexity and convincing solo and improvisation work.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonance of their instrument. The remaining tracks aresession style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: BT.RSK200118
ISBN 9781789360936. English.
Rockschool Acoustic Grade 8 is for students who have mastered advanced technical control and have a thorough grasp of extended stylistic techniques. At Grade 8 this is shown through mature stylistic conviction, consummate execution of rhythmic complexity, mature and creative stylistic solo and improvisation work as well as a commanding sense of communication and performance.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track,exploring the sound and resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: BT.RSK200116
ISBN 9781789360912. English.
Rockschool Acoustic Grade 6 is for students who have begun to develop advanced technical control and a competent grasp of stylistic techniques. At Grade 6 this is shown through mature stylistic conviction, execution of rhythmic complexity, creative and stylistic solo and improvisation work as well as a secure sense of communication and performance.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the soundand resonance of their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.
SKU: BT.RSK200114
ISBN 9781789360899. English.
Rockschool Acoustic Grade 4 is for students who have been learning approximately two to two and a half years and have mastered the basic skills, preliminary techniques and have acquired the beginnings of stylistic awareness. Grade 4 develops further stylistic conviction and understanding through developed solo and improvisation work.
The 2019 Acoustic syllabus is a refreshed approach to acoustic guitar. The syllabus features six tracks for each grade that have been meticulously benchmarked to support students as they learn the instrument. At each grade two of the pieces ask the students to perform without backing track, exploring the sound and resonanceof their instrument. The remaining tracks are session style backing tracks that include vocal accompaniment. We've also included the vocal melody lines in the grade books for students who sing and play at the same time.