SKU: HL.49046946
ISBN 9783795785055. UPC: 196288087601. 9.0x12.0x0.118 inches.
Whether for lessons or the first little concerts - 'Easy Concert Pieces' for guitar contains easy and well-known solo pieces, carefully selected according to technical and musical demands: Vol. 1 easy, Vol. 2 intermediate. Apart from original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor, or Carcassi, this edition also contains easily playable arrangements of classical masterpieces such as Vivaldi's 'Four Seasons', Handel's 'Fireworks Music', Mozart's 'Magic Flute' or Verdi's 'Chorus of Hebrew Slaves'. The arrangements want to provide access to the masterpieces of concert literature and encourage the joy of classical music.All pieces are recorded and are available for download.
SKU: BT.SINF440
ISBN 9788884003515.
A Selection of Classical Guitar Concert Music Vol. II (+ CD) Suoni nella notte prima Suoni nella notte seconda Guru Purnima Chitarrista: Ganesh Del Vescovo.
SKU: BT.SINF441
ISBN 9788884003522.
A Selection of Classical Guitar Concert Music Vol. III (+ CD) Dhyana Fluttuazione per ch. a 8 e più corde Reminiscenze 7-8-9 Cinque risonanze Per chitarra chikari Tre pezzi Caratteristici su temi Popolari abruzzesi. Chitarrista: Ganesh Del Vescovo.
SKU: BT.SINF439
ISBN 9788884003508.
A Selection of Classical Guitar Concert Music Vol. I (+ CD) Etereo Sette frammenti Fluttuazione versione per chit. a 6 corde Specchio cangiante - Ricordi di Nagasaki Reminiscenze 4-5-6 - Scherzo. Chitarrista: Ganesh Del Vescovo.
SKU: HL.49044752
ISBN 9783795749576. UPC: 841886023826. 9.0x12.0x0.14 inches.
Giving your first concert is a special occasion for any young musician, motivating players to keep working at their instrument and music making. Making this a positive experience involves choosing pieces that are technically and musically manageable, so we have chosen 44 easy and well-known solo pieces, all tried and tested in lessons and youth music competitions. This selection of works mainly written for the guitar is arranged in periods of composition, providing a little window on the history of guitar and lute music. TEXT IN GERMAN AND ENGLISH.
SKU: HL.48184017
Francis Kleynjans: 8 Etudes de Concert (Guitar solo).
SKU: HL.48188089
Sanz Robert Concert Instrumental Pj168 2 Pieces Guitar Book.
SKU: HL.48187953
Campion Robert Concert Instrumental Pj20 Suite In B Minor Guitar Book.
SKU: HL.48188361
Milanoda Sanvoisin Concert Instrumental Pj384 Spagna 2 Guitars Parts.
SKU: HL.48187994
Dowland Concert Instrumental Pj65 Lord Chamberlane's Galliard 2gtr Bk.
SKU: IS.G6129EM
ISBN 9790365061297.
Carcassi was born in Florence, Italy, and first studied the piano, but learned guitar when still a child. He quickly gained a reputation as a virtuoso concert guitarist. He moved to Germany in 1810, gaining almost immediate success. In 1815, he was living in Paris, earning his living as a teacher of both the piano and the guitar. On a concert tour in Germany in 1819, he met his friend Antoine Meissonnier for the first time. Also a famous guitarist, Meissonnier published many of Carcassi's works in his Paris publishing house. For Meissonnier he also arranged a number of popular songs for guitar that were originally written for piano, including works by Théodore Labarre and Loïsa Puget. From 1820 on, Carcassi spent the majority of his time in Paris. In 1823, he performed an extremely successful series of concerts in London that earned him great fame, both as a performing artist and as a teacher. However, in Paris, a long time passed before his talents were truly recognized, partly because of the presence of Ferdinando Carulli. Carcassi was in Germany again during autumn 1824. Afterwards he performed in London, where his reputation now gave him access to more prestigious concert halls. Finally he returned to Paris. For several years, he made concert trips from here to the most important cultural towns of Europe, including London. After a short return to performing in 1836, he quit his concert practice around 1840 and died in Paris in 1853. His most famous works are collected in his 25 Etudes op. 60. In these, he managed to blend technical skills and brilliant romantic music. This is the reason his music is still played by so many classical guitarists today.
SKU: DY.DO-1522
ISBN 9782897963026.
Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
SKU: MB.30829
ISBN 9781513465753. 8.75x11.75 inches.
This publication presents a lightly modernized, fully corrected, reliable edition of Francisco T?rrega?s more idiomatic transcriptions and arrangements for the classic guitar. T?rrega, who was also an able pianist, chose works by diverse composers such as Ludwig van Beethoven, Fr?d?ric Chopin, and Robert Schumann to arrange for his own guitar performances, greatly expanding the concert guitar repertoire of his time.This publication provides today?s players with a dependable edition of these works that can be seamlessly incorporated into any modern concert program. Written in standard notation only for the intermediate to advanced guitarist, this collection features pieces that were less commonly heard on the guitar and sound remarkably fresh to this day.
SKU: HL.49047483
UPC: 196288300670.
With the latest addition to the Guitar Music Collection series, author and composer Thomas Fellow (including Fellow Guitar Book) offers the most comprehensive and sophisticated selection of works to date in his own modern, stylistically open sound language. Fingerfood XXL Vol. 2 includes several multi-track âsuitesâ as well as longer concert pieces in the style of his üextremely successful first work Medusa. And so fingerstyle influences can be recognized as well as Mediterranean or Brazilian sounds, jazz or pop music - for the greatest joy of playing and intense listening pleasure. As a guitarist who has performed all over the world (European Guitar Quartet, Friend `n Fellow, Hands on Strings), Fellow concludes this issue with his solo arrangement of the 70s classic September by the band Earth, Wind and Fire, a celebrated highlight at many of his concerts. Fingerfood XXL Vol. 2 is aimed at performing guitarists, students and ambitious amateurs. The pieces are all complex, set at a higher level of difficulty (4-5) and offer an ideal addition to the modern guitar repertoire.
SKU: UT.CH-209
ISBN 9790215322837. 9 x 12 inches.
Gian Paolo Luppi: AlcorMarco Reghezza: Fuga DodecatonaleAlessandro Spazzoli: Sarabanda all'albaRoberto Tagliamacco: Concerto per la notte di CorelliIn 2013, to celebrate the second centenary of the death of Arcangelo Corelli, I played in an official concert held in his memory in Fusignano, his hometown. Corelli did not write for the guitar, but a few of his compositions were transcribed by some contemporary guitarist and certainly his name has always been associated in the history of music with the theme of the very famous <> (although the origins of this theme go back a long way before Corelli). In the guitar repertoire, well-known cycles of variations on this theme exist. My long history of friendship and working together with important Italian composers has made it possible for me to build a concert program with some new guitar compositions dedicated to Corelli, to which others have been added. They are all together in this anthology, with the exceptions of Corelliana by Davide Anzaghi, Per Arcangelo by Gilberto Cappelli and Corelliana Seconda by Paolo Ugoletti, published separately. The cover picture, specially created by Norma Lutzemberger for this publication, celebrates this meeting between the modern guitar and Arcangelo Corelli.(Piero Bonaguri)
SKU: HL.49047072
UPC: 196288115038.
Thomas Fellow, author of the successful standard work Fellow Guitar Book and guitarist who gives concerts worldwide (European GuitarQuartet, Friend `n Fellow, Hands on Strings), expands his Guitar Music Collection with this and the following volume by an extensive number of compositions in his own modern, stylistically open tonal language. This booklet with 18 DELIGHTFUL CROSSOVER PIECES is aimed at interested students, concert guitarists as well as ambitious amateurs. The pieces are demanding (level of difficulty 4 - difficult) and, thanks to the additional notation in TABS, are a perfect addition to the repertoire of modern guitar literature, even for players who are not familiar with music. FINGERFOOD XXL Vol. 1 includes shorter compositions (STARTER) and a whole series of ballads (SWEET). All pieces are concertante, buteach in its own way. And so fingerstyle influences can be recognized as well as Brazilian sounds, sometimes Fellow approaches jazz, sometimes pop music and always conveys joy of playing and listening pleasure.
SKU: HL.49046397
ISBN 9781540086600. UPC: 840126910216.
In Children's Corner, experienced teacher and virtuoso concert guitarist Thomas Fellow presents great new music for the first years of guitar playing, characterised by his unmistakable combination of concert music and modern elements. All pieces are easy to play with fingering and additional tablature. In addition, there are valuable tips and methodical exercises for all pieces. Contents: Crispy Nachos, Sweet Muffins, Living Doll, Flying Carpet, Black Sheep, Pony Rodeo.
SKU: DZ.DZ-4300
ISBN 9782898522178.
Sonata No. 2, commissioned by Bokyung Byun and composed in 2024, represents the most extensive solo guitar sonata I have created to date, comprising four movements. This sonata is characterized by its flashy, mysterious, dark, and highly virtuosic nature, making it an ideal piece for both competitions and concert performances. While the Scherzo and Finale can be performed independently, or the first, third, and fourth movements can be paired for time-constrained concerts, it is advisable to perform all movements together due to their interconnectedness.«La Sonate n°2, commandée par Bokyung Byun et composée en 2024, représente la plus vaste sonate pour guitare solo que j'ai créée à ce jour, comprenant quatre mouvements. Cette sonate se caractérise par sa nature flashy, mystérieuse, sombre et hautement virtuose, ce qui la rend c'est une pièce idéale pour les concours et les concerts. Bien que le Scherzo et le Finale puissent être interprétés indépendamment, ou que les premier, troisième et quatrième mouvements puissent être associés pour des concerts limités dans le temps, il est conseillé d'exécuter tous les mouvements ensemble en raison de leur caractère. interconnectivité. ».
