SKU: PR.114401720
UPC: 680160004850.
A melodic, tonal-modal suite based on folk themes. Varying colors and moods make it an accessible recital piece which performers as well as audience will enjoy. In 4 sections. PRELUDE FANTASY ON AN ENGLISH TUNE BALLAD, SQUARE DANCE. Some odd meters and metric changes. C. 10 min. For adv. secondary, college,conservatory, recital, professional, amateur. Easy-med. to Medium.
SKU: GI.G-4005G
This is the guitar version. There's a style here for everyone: robust metrical hymns like When the Lord in Glory Comes, the lyrical Joyful Is the Dark, Come to Me O Weary Traveller with a beautiful early American flavor, and the classically influenced Jesus on the Mountain Peak. In addition to Bob's original texts, works by Timothy Dudley-Smith, Brian Wren, and Sylvia Dunstan are also included. CONTENTS: LIVING WATERS (G-3630) • ENTER IN (G-3837) • THE WORD IS IN YOUR HEART (G-3838) • WHEN THE LORD IN GLORY COMES (G-3841) • JOYFUL IS THE DARK (G-3845) • GOD BE IN MY HEAD (G-3854) • PSALM 103: OUR GOD IS RICH IN LOVE (G-3858) • ALL WHO HUNGER (G-3859) • COME TO ME, O WEARY TRAVELER (G-3860) • WE GATHER IN WORSHIP (G-3861) • WE ARE A CHOSEN PEOPLE (G-3875) .
SKU: MB.97884
ISBN 9780786652808. UPC: 796279075428. 8.75 x 11.75 inches. By Bret Willmott.
Many polyrhythms and polymeters simultaneous combinations of more than one rhythmic pattern exist in todays music, with some being so common they could be referred to as rhythm licks. This book presents a unique and comprehensive approach to polymetric applications of various rhythms over common chord progressions and song forms in 3/4 and 4/4, written primarily for instruments with chordal capabilities. Non-chordal instrumentalists interested in rhythmic development and contemporary phrasing may also benefit. Polymetric rhythms will force a variety of harmonic anticipations and delays which can have a profound and beneficial effect on harmonic, melodic, and improvisational phrasing. In addition, the focused attention and expanded awareness needed to master these exercises can also help in your sensitivity and response to the surrounding environment and your interactions with other musicians and audience.
SKU: PE.EP68489A
ISBN 9790300758879.
The image series involves brief complimentary works for a variety of instruments. imagE/ ... is 'evocative', lyrical, symmetrical, continuous, and even tender than image/A ... , which is 'articulate', sectional, tending towards assertion and variety.
SKU: PE.EP68489B
ISBN 9790300758886.
SKU: BT.MUSME0184
English.
No more trouble with whole- and half-tone calculations, no more bother with scale transpositions and visualizations either! This coursebook provides fretboard diagrams (24 frets) for every existing scale (be it major, minorpentatonic, major pentatonic, blues, melodic minor, harmonic minor, exotic or symmetric) and what’s more, for every existing key. It also provides sample chords over which these scales (solos, improvisations or riffs) may beplayed and brief instructions for their use.
The DVD attached to the coursebook makes learning even easier. It shows you all the positions of the different scales and the essential points of reference in the 12 keys.Theabove-average backing tracks provided on the CD give you the opportunity to put the newly-learned scales into practice in every key and in every musical style(!)
SKU: BT.SINF545
ISBN 9788884004697. Italian.
Lo scopo principale di questo testo è di costruire massima velocit ed efficienza attraverso meccaniche della mano sinistra convenzionali e non convenzionali. All’interno di alcuni esercizi sono presenti degli esempi di pennata alternata, pennata ibrida e sweep picking. Questo libro offre trenta esercizi, chiamati anche “licksâ€, ed è diviso in quattro capitoli: Scale maggiori e minori; Scale minori melodiche e minori armoniche; Scale pentatoniche; Scale ed esercizi simmetrici (scale diminuite, aumentate, esatonali, cromatiche ed esercizi cromatici). I principali argomenti trattati in questo metodo sono: Frasi basate su diteggiature a tre e quattro note per corda patterns; licksbasati su gruppi di note dispari (5, 7, 10, 11, etc.); arpeggi; “superimpositions†utilizzando scale pentatoniche e arpeggi ;consigli utili per l’improvvisazione e l’outside playing; consigli su come sviluppare un metodo di studio positivo ed efficace.
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