SKU: BT.MUSAM1008040
ISBN 9781783058228. English.
The Complete Guitar Player Rock Songbook features a massive collection of 50 hard-rocking hits from the best of classic and contemporary rock music for Guitar. Each song includes full lyrics and Guitar chords as well as strumming and picking patterns, making this songbook great for the aspiring rock rhythm or lead Guitarist. Each and every tune included in this Guitar songbook is a true rock classic, perfect for cranking the amp up to 10, or should that be 11?. Old favourites like All Day And All Of The Night by The Kinks and Hey Joe by Jimi Hendrix are matched by modern classics such as Radiohead's Creep and Use Somebody by Kings Of Leon. The rock songbook presents the best in music to plug in and rock out to. It's designed to be accessible and enjoyable, showcasing the best songs by the best rock bands and songwriters like The Clash, AC/DC, Eric Clapton and David Bowie. Past and present tunes are included, ensuring there's something for everyone in this complete rock songbook. Each song has been carefully arranged for Guitar and Voice, including the melody in standard notation,lyrics and Guitar chord shapes. Not only this, but there are also suggested strumming and picking patterns to help you dial up the volume and nail the exact sound of the song straight away. This rock Guitar songbook is ideal for beginners and intermediate Guitarists looking to expand their repertoire with powerful songs new and old, whereas absolute beginners new to the Guitar will find that the four books of the famous Complete Guitar Player series by Russ Shipton will help them out with the basics. With these 50 rock Guitar songs, you'll be singing, strumming your power chords, and soloing your way through the best rock songs of the past half-century in no time at all. The Complete Guitar Player Rock Songbook would make a sterling addition to any guitarist's bookshelf, and each of these superb songs is guaranteed to make everyone stop and listen.
SKU: HL.14030881
ISBN 9781900428255. English.
William Percy French was one of Ireland's favourite sons and his influence on traditional Irish Music can still be felt today. His lyrics are still humorous, ironic and perceptive, but never mocking or scornful, and these exemplify his love of his motherland. Representing some of the finest examples of this genre, this volume contains forty-seven of his most famous and enjoyed songs all lovingly arranged by James Nealy, with melody-line, complete lyrics and chords. Includes notes on the inspiration and background of each of the songs and a commentary on the life and talents of French himself. This is a wonderful reference book as well as a compilation of his magnificent works for enjoyment. Songs include Eileen Oge, The Emigrants Letter and 'Who said the Hook Never Hurted the Worms?'.
SKU: HL.14025762
ISBN 9780946005628. 6.0x8.25x0.14 inches. English.
The second book in this Duncle's Collection provides another 50 songs which can be addded to your repertoire. The book contains the words and music for some of Ireland's popular songs and ballads. Illustrated with period photographs from the 1920's and 1930's from the Father Brown collection. Play them all with only six chords!
SKU: HL.14025761
ISBN 9780946005611. 5.75x8.25x0.14 inches. English.
This book contains the words and music for Ireland's popular songs and ballads. Illustrated with period photographs from the '20's and '30's from the Father Brown collection. Play them all with only six chords!
SKU: HL.275865
ISBN 9781540026569. UPC: 888680744960. 9.0x12.0x0.729 inches.
45 roots favorites in arrangements for piano, voice and guitar. Includes: Broken Halos (Chris Stapleton) • Copperhead Road (Steve Earle) • Hurricane (The Band of Heathens) • If I Had a Boat (Lyle Lovett) • If We Were Vampires (Jason Isbell and the 400 Unit) • Live and Die (The Avett Brothers) • Mykonos (Fleet Foxes) • Pancho & Lefty (Merle Haggard & Willie Nelson) • The Story (Brandi Carlile) • Wagon Wheel (Old Crow Medicine Show) • and many more.
SKU: DZ.DZ-4308
ISBN 9782898522253.
Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.FRANCESCO BIRAGHIAu lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'à Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'à Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'à Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'à Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des à Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'à Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.FRANCESCO BIRAGHI.
SKU: MB.22154
ISBN 9780786682560. UPC: 796279111102. 8.5 X 11 inches.
This book is an attempt to capture the highlights of twenty-eight years of composing. Each of these 32 compositions is an expression, and as such -- an exposure, of a genuine part of myself which I present within the framework of jazz; my beloved art form. When I listen to this music I hear shades of my early classical and rock influences. It also brings to my mind my birth place, a small neighborhood outside of Haifa, Israel. I really hope that you will listen to these pieces come alive on my CDs All The Way To Sendai.
SKU: UT.CH-395
ISBN 9790215328587. 9 x 12 inches.
Il grande larice rosso; Piccole vite; Requiem per un boscoNever before have I felt the urgency within myself to communicate with my instrument something which goes beyond just the notes, a desire to embrace with music parts of the world which I see as being so neglected and abandoned, as if man were no longer able to see beyond the narrow confines of his home and work spaces. The environment which surrounds us, free and pure, seems to bow more and more to the base instincts of abuse which man brings into play... the destruction of centuries-old forests and glaciers, the construction of harmful and disturbing, useless and polluting elements... and I wonder what we can do, what I, as a musician, can do, at least to show my disapproval of these situations. I have no straight answer but I know that writing the music I love to play, often born in natural and wild environments can help to dream of, or imagine a present time which is more on a human scale, thanks to the strong evocative power which music possesses and emanates.This is the meaning of these compositions, dedicated to a tree, a 700-year-old specimen of the Stura Valley, Lu Merze Gros (The Big Larch), to the small beings which inhabit it, in the bark, among its foliage, in the surrounding soil and to my sense of frustration at seeing a forest of fir trees razed to the ground to allow the construction of a bobsleigh run.This action of mine has been useless and nostalgic perhaps, but it has given me intense moments of emotion in the writing and moves me enormously during its performance.Giorgio Signorile.
SKU: HL.287559
ISBN 9781540043313. UPC: 888680904715. 9.0x12.0x0.299 inches.
This one-of-a-kind collection presents accessible, must-know songs from the Beatles and Bob Dylan to Dave Matthews Band and Tom Petty for those who have been learning 12-string guitar and are eager to put their new skills to work. You'll find a combination of tab, chords and lyrics for 50 great songs, including: California Dreamin' • Carry On • Closer to the Heart • Do You Believe in Magic • Free Fallin' • Give a Little Bit • A Hard Day's Night • Hotel California • Leaving on a Jet Plane • Life by the Drop • Like the Way I Do • Melissa • Mr. Tambourine Man • More Than a Feeling • The One I Love • Over the Hills and Far Away • Solsbury Hill • Space Oddity • Still the Same • Turn! Turn! Turn! (To Everything There Is a Season) • The Waiting • Wish You Were Here • You Wear It Well • and more!
About First 50
You've been taking lessons, you've got a few chords under your belt, and you're ready to buy a songbook. Now what? Hal Leonard has the answers in its First 50 series. The First 50 series steers new players in the right direction. These books contain easy to intermediate arrangements for must-know songs. Each arrangement is simple and streamlined, yet still captures the essence of the tune.
SKU: BT.SY-2909
German-English.
With appealing melodies that would be right at home in catchy pop songs, Giuseppe Di Girolamoâ??s Guitar Poems indulges in the overwhelming beauty of the sound of the acoustic guitar. This publication contains all twelve pieces from Letters for You, supplemented by eight newly-composed titles that complete the collection. The pieces are presented progressively and contain comprehensive fingerings to make them as technically accessible as possible. Guitar Poems also includes first-rate demo recordings of all the pieces, performed especially for this edition by the young concert guitarist and international prize-winner Julia Trintschuk.Man schwelgt in der ganzen Klangschönheit der akustischen Gitarre und in eingängigen Melodien, die aus guten Pop-Songs stammen könnten: Das ist Guitar Poems von Giuseppe Di Girolamo. Die Ausgabe enthält sämtliche zwölf Stücke aus Letters for You, ergänzt um acht neu komponierte Titel, welche die Sammlung ideal abrunden. Alle Stücke wurden progressiv angeordnet und mit Fingersätzen versehen, um sie technisch noch leichter zugänglich zu machen. Ein zusätzliches Bonbon von Guitar Poems sind die erstklassigen Demo-Aufnahmen aller Stücke, die von der jungen Konzertgitarristin und mehrfachen internationalen Preisträgerin Julia Trintschuk eigens für diese Ausgabe eingespielt wurden.
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