This book and audio teaches excellent techniques to use for walking bass lines on guitar when playing in a duet format either with another Guitar player or with a Singer or other instrumentalists.The idea of this bookis to give a few answers to the question 'How do I harmonize walking bass lines when I've never done it before?'. We will take the principal chords major 7 6 dominant 7 minor diminished and minor 7 flat 5 and walk basslines on the sixth or fifth string. Written in notation and tablature. Includes access to online audio.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Jazz Number of pages : 56 This book and CD teaches excellent techniques to use for walking bass lines on guitar when playing in a duet format, either with another guitar player or with a singer or other instrumentalists. The idea of this book is to give a few answers to the question, How do I harmonize walking bass lines when I've never done it before?. We will take the principal chords, major 7, 6, dominant 7, minor, diminished, and minor 7 flat 5 and walk bass lines on the sixth or fifth string. Written in notation and tablature.

Les lignes de basse marche pour guitare Jazz par Stephan Badreau est un guide étape par étape à l'harmonisation des lignes de basse à la guitare. Ce livre vous montrera comment connecter les formes de corde familier avec les notes de bass appropriées. Il est plein d'idées, exemples, voicings corde et substitutions, ainsi que des progressions de corde courte que vous essayez de vos nouvelles compétences. Tous les exemples sont joués sur le CD qui l'accompagne à vitesse lente et normale, mais aussi une version batterie uniquement à des fins de jeu-le long. / Guitare / 64 pages / Partition Cd

Full bass guitar transcriptions for this classic album in standard notation and bass tablature. Also includes melody line lyrics and chord symbols.

Ce recueil est une approche de la technique guitaristique du Finger Picking. Il propose l'étude de dix morceaux instrumentaux, écrits dans des genres musicaux variés : blues, ragtime, bluegrass, ballade, country-waltz... Ces dix morceaux sont extraits de deux CD Country Picking in Nashville - Vol.1 et Vol.2, tous deux enregistrés avec les plus grands musiciens de Nashville. Pour chaque titre, ce recueil propose la partition et la tablature ainsi qu'une analyse détaillée du morceau avec exemples commentés et exercices progressifs sur les différentes techniques du Finger Picking : basses alternées, basses étouffées, pulling-off, hammering-on, doigt en pivot, slide, blocking, harmoniques, roll... Le CD contient d'abord les dix morceaux enregistrés (index 1 à 10), puis les exercices correspondants à chaque titre (index 11 à 26). Chaque exercice est proposé trois fois au ralenti, puis trois fois à vitesse réelle. Ainsi le guitariste peut s'entraîner progressivement à l'exécution des différentes techniques et des passages délicats avant d'entamer l'étude du morceau. Dans le recueil, les exercices enregistrés sont notés avec un numéro d'index dans un petit rond permettant de repérer facilement la plage correspondante sur le CD. Jean-Marc Versini : guitares acoustique et électrique Charlie McCoy : harmonica et vibraphone Buddy Spicher : fiddle Wanda Vick : dobro, banjo, fiddle et mandoline Jean-Yves Lozac'h : pedal steel guitar et banjo Bob Patin : piano Andy Reiss : guitare électrique Marcel Azzola : accordéon Olivier Versini : guitare électrique Anny Versini : guitare électrique Mark Casstevens : guitare acoustique Larry Paxton : basses acoustique et électrique 5 cordes Bob Mater : batterie et percussions Musiques : Jean-Marc Versini Partitions et tablatures guitare : Jean-Marc Versini Sommaire : Katy Trail Rag - Two dollars blues - Another track for ragging - Game Over blues - A Waltz for Anny - Flight 400 - A beer for Charlie - Sunday with Charlie - Crazy fingers - Who's the best Discipline / Instrument : guitare Genre : Variété - jazz Média : Partition + CD Nombre de pages : 48 Date de parution : 29/03/2010

Par GUNS N'ROSES. Partitions pour chant, basse (solfège et tablatures) et accords guitare, de l'album Lies des Guns N'Roses / Rép International / Tablatures / Guitare Tablatures

For this unique lesson Fernando Perez composed an instrumental piece titled Jazz Manouche which encompasses many gypsy jazz guitar techniques.Besides teaching you how to play this exciting instrumental Fernando willexplain how to understand this style of music in order to create your own compositions in this style. You will learn:Different techniques i.e such as playing 'abanico' - a flamenco technique very useful forfingerstyle guitarPlaying ornaments on arpeggiosFingerpicking with your index middle and ring fingersStrumming a perfect groove for Jazz ManoucheStrum variations Breaking down basslines chords and melodies in order to know how they work Positions for harmonic movementsOriginal ideas for turning your guitar into a Jazz band and taking solos for guitar bass or even drums

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

Wilkins performs featured tunes with an upright bassist and a rhythm guitarist. Solos and examples are primarily of the single-line type with fine improvised sections and lightning-fast runs. Covers soloing over 2-5-1progression through circle of 5ths. Introduces arpeggios that fit this progression.Fast paced with many examples. On-screen numbers help correlate examples with monologue and performance. The tritone substitution isdemonstrated. Introduces 5 basic arpeggios: major 7 dominant 7 minor half-diminished and diminished. Wilkins encourages starting from any finger in any position and addresses the concept of contrary motion - bassline/melody.The booklet download is detailed and very helpful. Wilkins recommends the use of a metronome to improve over all ability. Wilkins plays an arch-top jazz Guitar played with a flat pick occasional hybrid technique using the flat pick and finger of the hand are shown as well as fingerstyle technique. Dorian mode and scales in general are briefly discussed. Includes a beautiful rendition of Here's That RainyDay in melody/chord style.

A very well-written book teaching the popular fingerstyle bass/chord 'walking' jazz Guitar technique. This book is made to order for the novice fingerstyle jazz Guitarist who wants to tie chord progressions together with greatsounding bass lines.Through short exercises and original compositions Paul Musso establishes theoretical ground rules for a systematic approach to playing creative bass lines. Technical and harmonic concepts aregradually introduced with the goal that students are able to lay down authoritative bass lines of their own invention. In notation and tablature. Includes access to online audio.