Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Media Type : Book/CD Set Level : Intermediate-Advanced Musical Genre : Brazilian Series : Popular Guitar Styles Number of pages : 52 Popular Guitar Styles: Samba and Bossa Nova reflects recent popular Brazilian styles as played with classical or fingerstyle technique. This collection of original pieces will delight both listeners and guitarists who want to add samba and bossa nova music to their repertoire. The playing level is intermediate to advance. Left-hand difficulties like barrés and stretches are minimized to make it easy to make the music groove. Written in standard notation and tablature.

Ten stylish ?performance ready? chord-melody arrangements in standard notation and tablature by Jake Reichbart, one of the busiest freelance guitarists in the business. This unique package also includes an instructional DVD, featuring him performing and teaching each song, to guide you through. Songs: Afternoon in Paris ? Fly Me to the Moon (In Other Words) ? Footprints ? Four ? I Remember You ? St. Thomas ? So Nice (Summer Samba) ? Very Early ? Watch What Happens ? Yesterdays.

The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY

Ce recueil vous propose 10 chansons de Francis Cabrel arrangées pour la guitare acoustique en solfège et tablatures. Une rencontre avec l'artiste, les paroles des chansons et des photos vous attendent dans le livret central. Livre + CD Existe aussi dans le collection : Georges Brassens, Jean-Jacques Goldman et Téléphone. Petite Marie, Encore et encore, Je l’aime à mourir, Il faudra leur dire, La corrida, Je m’ennuie de chez moi, Les murs de poussière, Les chemins de traverse, Question d’équilibre, La dame de Haute-Savoie, L’encre de tes yeux, Carte postale, Sarbacane, Samedi soir sur la terre

Voici votre chance d'obtenir vos mains autour des riffs et licks qui ont inspiré une légion de guitaristes à travers le monde, comme Stuart Bull vous donne un guide de note par note de cinq chansons de Santana. Avec une touche et sens du phrasé qui est indéniable, Carlos Santana a longtemps été célébré comme musicien capable de tenir le vocabulaire de blues de la guitare rock moderne inhabituelles et de nouveaux styles, commbining le blues avec des éléments latine et Afro-Cuban. Dans ce didacticiel de DVD, Bull fournit un guide étape par étape pour ces favoris de rock classique comme Black Magic Woman, lisse et la quintessence Santana Samba Pa Ti en solo. / Guitare

From Magic Sam and the 'Three Kings' to Eric Clapton and the Vaughan brothers take an inside look at the genesis of Blues Guitar. This book and CD compendium provides solo transcriptions in standard notation and tablature lessons on how to play them guitarist biographies equipment photos history and much more.The accompanying CD contains full-band demonstrations of every Guitar solo in the book. For PC and Mac users the CD is enhanced with Amazing Slow Downer software so you can adjust the recording to any tempo without changing pitch!Note: only solos are notated not complete songs.

Our matching folio to the debut release from this Christian alt rock/metal quintet hailing from Texas features notes and tab for all 11 tracks including: Cassie * Fully Alive * I'm So Sick * I'm Sorry * Red Sam * So I Thought * There for You * and more.

This book/online audio lesson is designed for the beginner and intermediate student. Basic fingerpicking styles are illustrated in all the major keys.The technique of the alternating bass is introduced in varioussettings (both in standard and open tunings). The styles and techniques of Mississippi John Hurt Rev. Gary Davis Blind Blake Blind Boy Fuller Sam McGee Skip James Willie Brown and Tommy Johnson are explored. Includes accessto online audio.

Méthode de 112 pages , 2CD, 50 Play-Backs 5 Scores complets Histoire, Guitares et matériels, Notions de bases, Harmonie, Rythmiques Riffs, Ballades, Groove et wah wah, 15 Solos CD1 Tous les plans de la méthode et les Play-Backs CD2 Exclusif ! ! 5 titres complets et 5 play-backs Accompagnez trois grandes chanteuses de soul Claudia Hoff , Sofia Nelson et Jean Carpenter. Titres : The Coasters Johnny Otis The Drifters Ray Charles Sam Cooke James Brown Aretha Franklin Otis Redding Al Green Stevie Wonder Marvin Gaye etc etc?

Learn the Guitar in a creative new way. Par PELLS TIM / FRANKE JENS. Learn the Guitar in a creative new way: Playing music that makes you feel good, right from the outset. Passport to Play Guitar is a tutor series which is focused on learning to play the guitar through listening, reading and playing together, and is suitable for both classical and acoustic guitarists. The sheet music includes TAB alongside the standard notation. The books use music drawn from styles and cultures from all around the world, including Blues and Jazz from North America; Folk and Traditional music from Europe, Africa and Latin America; and pieces inspired by the people and places that the authors have encountered on their travels. Audio files

Guitar Tab. Par BENNETT STEPHEN. This book features twelve of Stephen Bennett's favorite fingerstyle solos for the six-string acoustic guitar. Perhaps best known for his work with the harp guitar, Stephen shows the same relaxed, sharp-witted spirit he exudes on stage in his insightful performance notes for these inspired guitar solos. Written in standard notation and tablature with a few altered tunings and partial capo indications, this book is recommended for the intermediate to advanced player. The companion performance CD includes all of the selections in the book. / Niveau : Avancé / Acoustic Music - Solos / Tablatures / Guitare Tablatures