Hymns of Beauty and Strength. Par BAY WILLIAM. This book in the Guitar Picking Tunes series presents 29 favorite hymns arranged for guitar solo. The material spans the centuries, but reflects a deep faith, including lyrically-beautiful hymns such as ?Just as I Am?, to the powerful ?Crown Him with Many Crowns?. These solos work well as preludes, offertories, communion hymns and even recessionals, or simply for enjoyment. All solos are written in standard notation and tablature. Includes access to online audio. / Date parution : 2022-05-03/ Tablatures / Guitare

Par . This book is the third release in William Bay?s Christmas guitar solo series, which includes Guitar Picking Tunes - Christmas in the British Isles and Guitar Picking Tunes - An Early American Christmas. This volume contains lyrical carols from many nations, and an original piece, ?Star in the Night?. All the arrangements are written in notation and tablature and are arranged for the flatpick or plectrum guitarist.. Recordings by the author of each carol are available for download. Includes access to online audio. / Date parution : 2022-04-09/ Recueil / Guitare

Dans le cadre de guitare atelier Audio série Stefan Grossman cette collection complète et approfondie des leçons de guitare de fingerpicking contient des conseils précieuses et instruction mis en oeuvre dans l'ensemble les arrangements dans ce livre. Les trois CD audio donnent 3 heures complets d'enseignement note par note, phrase par phrase. Une leçon : chansons: ' les champs verdoyants de l'Amérique ', et' Angeline le Boulanger '. Leçon deux : chansons comprennent: ' duc de Fife ', ' mars du roi', et 'roi de Laosie'. La leçon trois : chansons: ' Temperance Reel ', et ' la Wagoner ivre'. / Guitare (Fingerpick) / 24 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

La cueillette de forte et mélodique de Eric Thompson a mis un point de référence pour les goûts et ton pendant près de quatre décennies. Eric enseigne 16 de ses mélodies préférées fiddle Old-Time, qui sont le socle sur lequel repose la guitare acoustique flatpicking. Ils sont tous inclus dans le livre de 32 pages et compagnon de trois CDs d'instruction note par note, phrase par phrase. Certains des classiques inclus sont ' Blackberry Blossom ', ' Ragtime Annie', ' Texas Gals ', ' Billy dans les basses terres ' et beaucoup plus. Dans trois leçons faciles, Eric auront vous jouer des airs de violon et construire votre répertoire en peu de temps ! / Guitare (Flatpick) Et Plectre / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

In these lessons for the intermediate fingerstyle guitarist Dave Van Ronk presents his arrangements of blues and a classic rag. The book includes a conversation with Dave, a discography, 6 tunes in notation and tablature, and 3 CDs teaching each tune phrase by phrase. LESSON ONE: A blues in 12/8 with Leroy Carr's Midnight Hour Blues. Blood Red Moon follows played in a dropped D tuning. The lesson ends with Blind Lemon Jefferson's One Kind Favor. LESSON TWO: Sunday Street is an original Dave Van Ronk song and is an excellent example of Dave's arranging skills. Four choruses are taught demonstrating how this tune can develop. Bessie Smith's classic blues You've Been A Good Old Wagon is taught in the key of E. LESSON THREE: Dave's arrangement of St. Louis Tickle was the first great challenge for fingerpickers interested in classic ragtime. This four sectioned rag is played in the keys of C and F. It is an excellent example of contemporary ragtime guitar. / Guitare (Fingerpick) / 32 pages / niveau : Intermédiaire / Partition/3-Cd Set - Format: 11,75 X 8,75

Avec la série de la Brad Davis' Flatpick Jam vous êtes jamais sans un brouillage partenaire ! Ce DVD de deux heures est rempli de flatpicking jam session favoris (11 tunes sur chaque DVD). Brad joue chaque Branchez-vous à quatre tempos différents (lents, ralentir/support, support/fast et rapides) afin que vous pouvez travailler sur votre ton, calendrier, note clarté et de fluidité dans le rythme plus lent et puis travailler à développer votre vitesse à la cadence plus élevée. À chaque tempo, Brad prend un solo puis joue rythmique de sorte que vous pouvez prendre votre solo. Dans les trois supérieures tempos Brad permute solos et rythmique avec vous deux fois. Cela vous donne l'occasion d'exercer votre solo et rythmique sept fois sur chaque morceau ! Sur chaque morceau, Brad joue une variété de styles rythmiques et de plomb. Une basse moulée de ligne et de la mandoline accompagner chaque chanson à chaque tempo, et les changements de corde sont indiqués à l'écran (pour le tempo lent). Chansons comprennent : Annie Ragtime, Redwing, Lonesome Road Blues, liberté, Katy Hill, au fil de la cascade, Coo nid, Cherokee Shuffle, bovins dans la canne du Coo un... / Guitare (Flatpick) Et Plectre

For Flatpicking Gtr Vl.3-This collection of fiddle tunes originally appeared in ?Kaufman?s Collection of American Fiddle Tunes for Flatpicking Guitar? (MB 95748) but the book was so large and heavy that they couldn?t put all the songs on CDs to includewith the package so it was divided into four great melody-packed volumes. This third volume contains delightful American fiddle tunes brilliantly arranged for flatpicked guitar. All of these tunes are written in guitar-friendlykeys in notation and tablature. Intermediate in difficulty the book includes an explanation of the guitar tablature system and the execution and notation of essential techniques such as bends slides hammer-ons and pull-offs.The tunes are thoughtfully printed in alphabetical order and include both standards and lesser-known fiddle melodies. Teachers take note-- this book is a great source of sight-reading material as well as a departure point forimprovisation. Companion audio downloads are available for use with this title.

In Scottish Folk Tunes for Guitar Hugh Burns presents a beautiful collection of traditional Scottish melodies arranged for Guitar. Included in the selection are strathspeys jigs waltzes slow airs and reels and are tunes provided in both music and tab notation. The introduction and notes on the individual tunes provide explanations of plectrum and finger styles. A CD of all pieces performed by Hugh Burns accompanies the publication which is suitable for grade 3 and above.

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Classic Rags and Cakewalks Book/3-Cd Set-Fiddle Tunes Classic Rags and Cakewalks covers well-known tunes in each style taught by the professional fingerpicking guitarist?Leo Wijinkamp Jr. ?Included with the 28-page book arethree companion CDs featuring 3 full hours of note-by-note phrase-by-phrase instruction. Lesson 1 covers Open G tuning for the songs Buffalo Gals Red Wing and Flop Eared Mule lesson 2 looks at standard tuningwith At A Georgia Camp Meeting and Drop D tuning with Fig Leaf Rag while lesson 3 is guaranteed to give the guitarist some performance-worthy pieces with Ravel???s Pavane For The Sleeping Beauty andDebussy???s Golliwog???s Cakewalk.

Par GROSSMAN STEFAN. A collection of 16 hot, intermediate-level flatpicking guitar solos from five of the leading exponents of this technique. David Bromberg is known as the leader of one of the most successful acoustic bands of the 1970\'s and 1980\'s. The Kitchen Girl, a fine Kentucky tune, is an example of Bromberg\'s good taste in choosing material. Dick Fegy is a master picker of fiddle tunes and is the most heavily-featured player in the collection. San Francisco Bay area favorite Eric Thompson crosses old-time with traditional Irish playing. Michael Aumen contributes three tunes associated with Clarence White and a very interesting version of Soldier\'s Joy, with a flair that pushes the limits ofthe hot country style. Richard Lieberson is a fine bluegrass picker who has developed a convincing swing jazz style with exciting results, and a touch of humor. Written in notation and tablature. Includes access to online audio featuring performances of all the tunes in the book. / Niveau : 3 / Tablatures / Guitare Fingerpicking