Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

Les Beatles furent certainement l'un des groupes les plus influents ayant jamais existé. Ceci est toujours vrai aujourd'hui, avec des tubes des années 90 contenant des similarités avec leur son. Tous ceux ayant touché une guitare ont très certainement appris à jouer un titre de l'énorme répertoire de chansons, écrites par le légendaire binôme Lennon et McCartney.Ce TP de guitare est un outil d'apprentissage puissant qui vous aidera à développer votre stock de lignes mélodiques et rythmiques et vos capacités d'improvisation. La combinaison de notation musicale et de tablature de guitare dans ce livre et les accompagnements du CD vous offre la possibilité d'apprendre huit titres des Beatles, note à note et de faire des boeufs avec un groupe professionnel. La liste de morceaux reflète quelques-uns des morceaux les plus populaires du groupe, offrant aux guitaristes des morceaux sur lesquels ils peuvent s'amuser et improviser. Le CD se divise en deux sections. Sur la première retrouvez les accompagnements sans la guitare et les chants. La deuxième contient les accompagnements avec toutes les parties à la guitare, ainsi en plus de la tablature écrite, vous pouvez entendre le rythmes et les solos tels qu'ils doivent être joués. La collection Jam With.. vous permet de recréer precisement les chansons originales, ou d'utiliser les transcriptions du livre avec les accompagnements en tant que bases pour votre propre improvisation. / Guitare Tablatures / 64 pages / Partition + Cd

Toutes les chansons du second album d'Oasis (What's The Story) Morning Glory. en tablatures pour Guitare, avec les paroles complètes et 2 CD contenant les démos complètes et les pistes d'accompagnements. Cette nouvelle édition Deluxe comprend des arrangements entièrement nouveaux, comme les enregistrements des CD. Sont inclus les hits Don't Look Back In Anger, Wonderwall, Champagne Supernova et Roll With It. / Guitare

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare

Par SOKOLOW FRED. Mel Bay Publications, Inc. is proud to present this new series of lessons as part of Stefan Grossman's highly successful Guitar Workshop Audio Series. In support of the book's contents, the three companion CDs contain three full hours of note-by-note, phrase-by-phrase instruction. Focused lessons address: 12-bar blues, blues scales, triplets, shuffles, licks and more. All of these elements are then utilized in solos designed to implement the techniques learned. Each solo is presented in standard notation and tablature. / Niveau : Intermédiaire / Blues - Solos / Tablatures / Guitare Tablatures

Par OASIS. The Oasis For Easy Guitar Tab book enables you to learn the guitar licks and chords by one of Britain's biggest bands! These simplified tab arrangements of melodies from 18 classic Oasis hits are closer to the original recordings than chord songbooks, yet allow developing guitarist to play their favourite songs. This revised edition has been updated to include The Hindu Times and Little By Little as well as classic like Cigarettes and Alcohol, Don't Look Back In Anger and Stand By Me . All the songs are arranged here as easy-to-read guitar tablature and standard notation, complete with guitar chord boxes and lyrics. / Niveau : Assez Facile / Rép International / Tablatures / Guitare Tablatures

Par . The ultimate learning tool to go from zero to hero in no time! -Guitar World magazine Get started quickly and easily, and with songs you want to play! This method introduces notes with riffs like Crazy Train and Smoke on the Water, power chords with classics by AC/DC and the Who, chord-strumming with songs by Neil Young and Nirvana, and much more. The method\'s unique, well-paced, and logical teaching sequence will get students playing more easily than ever before, and music from popular artists like the Eagles, Van Halen, and Green Day will keep them playing and having fun. This special Combo Edition includes Books One, Two, and Three of the series, online audio access, plus tons of bonus material. Method features: · Easy-to-follow guitar tablature · Hundreds of riffs and songs · Variety of music styles · Basic music theory · Online audio access with demos of every example Lessons include: · How to hold the guitar · Notes and riffs starting on the low E string · Tempo and time signatures · Understanding notes and rests · Power chords, open chords, and seventh chords · and much, more more! Bonus material: · Fretboard atlas · Warm-up exercises · Worksheets · Tuning tips · How to change strings · Gear info · Rhythm tab legend / Date parution : 2022-09-15/ Méthode / Guitare

Par MONTGOMERY WES. In his brief career, Wes Montgomery completely revolutionized jazz guitar. On the Riverside recording Boss Guitar Wes demonstrates why he is still considered as one of the finest artists of the jazz guitar. Studies of Wes' incredible solos, his melodic, rhythmic and harmonic approaches will prove beneficial to any guitarist with interest in jazz. It is no wonder that he has influenced so many of today's great artists, and continues to inspire the future jazz guitarists. This note-for-note guitar transcription of Wes Montgomery's legendary recording Boss Guitar, contains not only the melody lines and solos, but also Wes' chord choices during organ solos. This gives you authentic transcriptions of six of the finest tunes on this record. Every single note played by Wes is transcribed in both standard and tablature notation. Includes: 'The Trick Bag” - 'Fried Pies” - a beautiful interpretation of 'Days of Wine and Roses” - and more. / Niveau : Intermédiaire / Jazz - Transcribed Solos / Tablatures / Guitare Tablatures

Guitar Tab. Par BENNETT STEPHEN. This book features twelve of Stephen Bennett's favorite fingerstyle solos for the six-string acoustic guitar. Perhaps best known for his work with the harp guitar, Stephen shows the same relaxed, sharp-witted spirit he exudes on stage in his insightful performance notes for these inspired guitar solos. Written in standard notation and tablature with a few altered tunings and partial capo indications, this book is recommended for the intermediate to advanced player. The companion performance CD includes all of the selections in the book. / Niveau : Avancé / Acoustic Music - Solos / Tablatures / Guitare Tablatures

Par MARTIN JUAN / CAMPBELL PATRICK. The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco Guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these, occupying the whole of the first DVD, is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second DVD is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Martin's solo playing is complemented by demonstrations of the Guitar's role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo Guitar is transcribed in standard notation and tablature (cifra) and the two DVDs contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay, shown below. These provide progressively graded solo material to extend the repertoire, from beginner to concert level./ Tablatures / Guitare Tablatures

Perfect for the student of Jazz. --Michael Brecker ?I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!? Fred Hamilton, professor of jazz guitar, University of North Texas ?These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.? Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

Note For Note Transcribed Solos From Tommy'S Album 'Only'. Par EMMANUEL TOMMY. Tommy Emmanuel is one of the hottest fingerpicking guitar stars today. This complete transcription offers not only a look at his music, but insight to his style and techniques. The performance notes help players over potential hurdles in the pieces. In standard notation and tablature. / Niveau : Intermédiaire à Avancé / Acoustic Music - Transcribed Solos / Tablatures / Guitare Tablatures