By Mark Shepperd. For 4-6 octave handbells. Thanksgiving. Level 3. Handbell score. 8 pages. Published by MorningStar Music Publishers

By Iverson. Arranged by R. Herbek. For handbell choir (2 octaves). Published by National Music Publishers

By Douglas E. Wagner. For handbells (3 octaves) / handchimes (3 octaves). Level: Level 1 . Handbell collection. Published by Lorenz Publishing Company. (20/1441L)

Arranged by Susan Geschke. For 3-5 octaves handbells. General. Level 3-. Handbell score. 8 pages. Published by Hope Publishing Company

(Contemporary Service Music for Bells or Chimes). By Michael Ryan. For handbells (4-5 octaves) / handchimes (4-5 octaves). Sacred. Level 2. Handbell sheet

Handbells, 3-5 oct. Handbell Setting - Level 2

SKU: HP.2913

Composed by Keith Getty and Stuart Townend. Arranged by Lloyd Larson. Piano with Optional Cello (Included). Handbell score. 8 pages. Hope Publishing Company #2913. Published by Hope Publishing Company (HP.2913).

UPC: 763628129132.

Familiar praise song by Keith Getty & Stuart Townend This Keith Getty and Stuart Townend song is useful anytime of the year and especially for Pentecost Sunday. Lloyd Larson's masterful setting features an elegant piano accompaniment and optional cello part. Set in three verses, the first is a prayer for personal renewal, the second is a prayer for the gifts of the Spirit to show Christ in all I do, and the third is for the universal church to hunger for your ways.

Handbells 3-5 octave handbell choir - Level 3

SKU: HP.2097

Composed by Thompson Scruggs. Arranged by Patricia Cota. Contemporary, General Worship, Sacred. Handbell score. Hope Publishing Company #2097. Published by Hope Publishing Company (HP.2097).

UPC: 763628020972. By John Thonpson & Randy Scruggs. 1 Corinthians 3:16, 1 Corinthians 6:19, 1 Peter 2:4-5, 2 Corinthians 6:16, Philippians 4:4-7.

Contemporary Christmas tune by John Thonpson & Randy Scruggs The text of this Contemporary Christian tune ask the Lord to make the singer (ringer) a living sanctuary for God. A pulsating, flowing 16th-note accompaniment pattern with melody in octaves opens the work before going onto a section marked, deliberate, slow gospel feel. Later on mallet rolls are scored and specialty effects with the Ring Touch technique are used.