Par CALTHORPE NANCY. An illustrated guide to harp playing for the beginning by Nancy Calthorpe. For the folk or non-pedal harp. Learn traditional tunes such as Baptist Johnston - Blow the Wind Southerly - and more. Walton Mfg. and UK product #WM1075. / Niveau : Débutant / Celtic/Irish - Methods / Méthode / Harpe Folk ou Celtique

A hand-picked collection of the finest old airs and dance tunes from the Celtic tradition. The music has been arranged for easy Harp but it is suitable for Piano and Keyboard or most other melody instruments. A wide variety of styles and flavours are included in this book and it is a perfect addition to the repertoire of any musician who has interests in Harp Music. This represent the various fashions and approaches of musicians in Ireland Brittany England Wales Cornwall and the Isle Of Man.This edition is complete with a CD of professional demonstration recordings to further help you capture that authentic Celtic character.

Two solos in jazz idiom for pedal or non-pedal harp-Two solos in the jazz idiom for Pedal or Non-Pedal Harp by Stewart Green. Stewart Green began writing music for the Piano at an early age. Taking up the Viola and Oboe in his teens he later went to the University College of North Wales (Bangor) where he studied composition with among others William Matthias and Reginald Smith Brindle. Gaining a B. Mus. (hons) degree in 1960 he returned to his old school in Richester to teach class and instrumental music. Four years later he enlisted as oboist to the Band of HM Coldstream Guards which opened many doors including performances of his compositions and arrangements in many National venues on discand broadcast by the BBC on Radios 2 & 3. His years at Bangor had enabled him to fulfil a childhood dream of learning the Harp which he was later able to develop when he left the army and moved with his wife Sue and young family to Lowestoft as a peripatetic woodwind tutor for Suffolk County Music Service. His Flights Of Fancy and Blistering Along! appear on ABRSM and Trinity College Harp examination syllabuses while the Spartan Press publication Saxofun is on Suffolk's own exam syllabus. Since 1999 Stewart has been senior Woodwind Tutor for Suffolk and since 2002 Harp tutor as well! Stewart's recent publication She'll Be Comin' Round The Mountain was written for the North Suffolk String Orchestra as was Haunted House. Spookily this received its first performance at Lowestoft accompanied by a July Thunderstorm!

Theme from Walt Disney's Beauty and the Beast for solo harp harp duet and Ensemble

Lynne Plowman's The Mermaids' Lagoon for Harp. First Performed by Elinor Bennett in the Go West festival Merlin Theatre Haverfordwest Wales 26th September 1995. Duration: 6 minutes

The composer writes: 'This volume constitutes new works written for pedal harp alongside some pieces reworked from my earlier volume of the same name for lever harp which lended themselves equally well to the pedal environment. As with the the former works these aim to exploit the idiosyncrasies of the instrument while opening up new technical challenges to the player within a stylistically familiar environment. Nocturne 2 for example explores rolled chords and balance of melody over an active accompaniment whilst Sunny Sunday plays with irregular time signatures and shifting accents and Tara???s Dream Waltz challenges your pedaling and explores more exotic sonorities. Ihope you enjoy them as much as I enjoyed writing them !'

Bonnie Goodrich's books are for very young children (or even adults!) with little or no musical training. The 55 imaginative character pieces encourage a secure development of note and rhythm skills as well as an understanding ofstructure and phrasing. The books feature a progressive use of single notes 2-finger chords scales triads intervals and arpeggios with exciting dynamics and phrasing to make the music fun! Kids will also love some of thetitles such as Dancing Dinosaurs The Ice Cream Waltz Hiccups Sneezing Rabbits Somersaults and Broccoli. Pieces are in the key of C or 1 flat or 1 sharp with fingerings and placing brackets indicated. No pedalor sharping lever changes within the pieces. 34 pages paperbound.

The Harpsicle Harp Method book is an excellent tool for learning to play the Harpsicle Harp or any size Harp from the very beginning. No musical knowledge is necessary to use this method. All the music is written inthe keys of C Major and A minor so no sharping levers or pedals are needed. The Guitar chords are displayed above the staff so the students can add to the written music or other instruments can accompany the Harp. The music isgraduated from two fingers to playing with both hands. The music is labeled to allow the students to gradually learn the notes and fingering without stress or frustration.The method contains lessons on the parts of theHarp tuning stringing and taking care of your instrument. Also included in the method are reading music time signatures and counting placing and bracketing finger drills and much more. There are also eighteen songs starting from very easy and continuing to add to the music as the student progresses. All songs have labeled notes to help the students learn notes and fingering. Online video compliments the book and follows up the writteninstructions with video footage so the student can visually see the method. 

Par CALTHORPE NANCY. / Niveau : Intermédiaire / Celtic/Irish - Solos / Recueil / Harpe Folk ou Celtique

Par CALTHORPE NANCY. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Solos / Recueil / Harpe Folk ou Celtique

Par WAGNER RICHARD. Sämtliche Harfenstimmen Für 1 Instrument Eingerichtet / Date parution : 1980-01-09/ Répertoire / Harpe