Par ROBERT-DIESSEL L.. / Niveau : Fin Du 2ème Cycle / classique / Répertoire / Harpe

Par AUBER CHANTAL. / Niveau : Début 2ème Cycle / classique / Répertoire / Harpe

This book is the second volume of arrangements for the Celtic harp by MonikaMandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type of music is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, followsPlayford's tradition by arranging parts of the collection for Celtic harp. Thereby, Mandelartz points out that her arrangements constitute a 'snapshot in time'. Her workemphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, Scot Cap (Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), Jenny Pluck Pears, Remember Me My Deir, Enfield Common, The Sword Dance, and Drive the Cold Winter Away. This book is the second volume of arrangements for the Celtic Harp by Monika Mandelartz. The material encompasses diverse songs and tunes from the British Isles, commonly described as 'Celtic Music'. This type ofmusic is often associated with the English publisher John Playford. In the 17th century, he published The English Dancing Master, which contains traditional music as well as tunes of his day (up to the Renaissance). Author Monika Mandelartz, a specialist in historical performance practice, follows Playford's tradition by arranging parts of the collection for Celtic Harp. Thereby, Mandelartz points out that her arrangementsconstitute a 'snapshot in time'. Her work emphasizes the idea that lively music always allows for change and variation - it must in order to survive. The book includes tunes such as De`il Take the Wars, ScotCap(Edinburgh Castle), Upon a Summer's Day, Parson's Farewell, Welcome Home Old Rowland, Dissembling Love (The Lost Heart), An Italian Rant, Porter's Lament, Greenesleeves and Pudding Pies (Greenesleeves and Yellow Lace), JennyPluckPears, Remember Me My Deir, Enfield Common, The Sword Dance and Drive the Cold Winter Away./ Recueil / Harpe

This is the second part of the tutor for the celtic harp. Nowadays we prefer to call it the non-pedal harp because of its much larger range of models and possibilities. This album has the intention of helping harpists tounderstand and to elaborate upon old music symbols and ornamentations. Several special techniques possible on the non-pedal harp are given attention. Enjoy yourself!

Célèbres Études pour la harpe-Australian born Nicolas-Charles Bochsa (1789-1856) studied at the Paris Conservatoire before embarking upon a career as a harpist and composer. His Celebrated Studies for Harp 40 Easy Studies is well-informed and essential to progression on the instrument. The second volume comprises 40 easy exercises which focus on fingering countermelodies rhythms intervals chords articulation phrasing chromaticism dynamics and performance directions among other musical aspects. Celebrated Studies for Harp by Nicolas-Charles Bochsa is essential to accompany all Harp studies.

Edited by David Watkins Professor of Harp at the Guildhall School in London.CONTENTSBLOW John: Mortlack's GroundCROFT William: Ground; SarabandePURCELL Henry: Air (Z.T 676); Ground (Z.D 222); Hornpipe (Z.T 683); Hornpipe (Z.T 685); Round O (Z.T 684); Suite No. 1 in G (Z. 660); Suite No. 8 in F (Z. 669)

Par . Peut-on jouer des morceaux de musique actuelle sur un instrument traditionnel comme la harpe ? Bien sûr que oui ! Et pas seulement la harpe à pédales classique, mais aussi la harpe à crochets (ou « harpe celtique »), plus petite et plus maniable, dont l\'étonnante palette sonore ne cesse de gagner en notoriété. La harpiste et professeure de harpe Anne Kox-Schindelin propose ici 14 titres populaires de musique pop de ces dernières décennies. Ses arrangements sont parfaitement adaptés aux possibilités de la harpe à crochets à 34 cordes et conviennent tout autant à la harpe à pédales. Ils viennent ainsi combler une véritable lacune dans le répertoire de la harpe ! / Date parution : 2022-06-14/ Recueil / Harpe

Par SUZUKI SHINICHI. SUMSBM291S / Niveau : Débutant à Intermédiaire / Méthode / Méthode / Harpe