Transcribed for Baroque Harp-The Toccata con Fuga in D minor BWV 565 is a piece for organ composed by Johann Sebastian Bach between 1703 and 1707. It is one of the most famous classical pieces and has now been arranged for harp by Floraleda Sacchi.

Compositeur de l'époque baroque, Johann Sebastian Bach a été un acteur majeur et influent dans le développement de la musique occidentale. Il a inspiré les plus grands. C'est ainsi que vous retrouverez tout son génie à travers cette partition 6 SUITES VOLUME 2 : SUITES III-IV qui a été écrite pourGrande Harpe. Les éditions Billaudot qui ont éditées cette oeuvre l'ont répertoriée sour la référence GB8518. / Grande Harpe / Partition

Each one of Bach?s Six Partitas features seven great single movements predominantly in the sequence: PrÀludium Allemande Courante Sarabande [two free dances] Gigue. These partitas canjustifiably be described as Bach?s ?ultimate? cycle of suites. As regards the artistic and manual demands it goes far beyond its ?English? (HN 100) and ?French? (HN 71) siblings that are also frequently played. It is nocoincidence that Bach only had these six partitas printed (1731) and what is more as ?Opus 1?.

Six Partitas BWV 825-830-Each one of Bach?s Six Partitas features seven great single movements predominantly in the sequence: PrÀludium - Allemande - Courante - Sarabande - [two free dances] - Gigue. These partitas canjustifiably be described as Bach?s ?ultimate? cycle of suites. As regards the artistic and manual demands it goes far beyond its ?English? (HN 100) and ?French? (HN 71) siblings that are also frequently played. It is nocoincidence that Bach only had these six partitas printed (1731) and what is more as ?Opus 1'.

 (Par essence encore plus contrainte à la monodie que les Sonates and Partitas pour violon seul et les Suites pour violoncelle seul, l'unique Partita pour flûte seule semble poser au transcripteur pour clavier le problÚme maximum de l'extrapolation harmonique, Mais comme l'écriture de Bach ne se départit justement jamais de la contingence harmonique, quel que soit le nombre de voix qu'il met en jeu, il ne s'agissait plus que de 'reconstituer' ses intentions, au sein de son propre langage,Le principe adopté ici étant de ne pas avoir modifié une seule note de la partition originale (hormis la transposition nécessaire de La mineur en Mi mineur), et d'avoir procédé à l'ajout d'un soutien harmonique et contrapuntique, afin de faire accroire à l'existence d'une véritable Partita pour clavier,Jean Rondeau, brillant jeune claveciniste (1er Prix de Bruges 01/01/12), qui fut mon élÚve en écriture dans ses années d'apprentissage, est forcément le dédicataire de cette 'reconstitution', Celle-ci figure sur son premier CD Bach Imagine (Warner Classics Erato), / Clavecin

English Suites BWV 806-811-These six suites for keyboard are thought to have been the earliest set that Bach composed. Available here is a highly accurate Urtext edition of J.S. Bach's English Suites BWV 806-811 as edited with critical commentariesby Rudolf Steglich and fingered by Hans-Martin Theopold.

Par BACH JOHANN SEBASTIAN. / Date parution : 2023-06-01/ RĂ©pertoire / Clavecin

Little Preludes and Fugues-An authoritative edition featuring 26 short melodic works for Keyboard by J.S. Bach brimming with melodic invention and Baroque elegance - required repertoire for the accomplished Pianist. This Urtext edition has been editedwith critical commentaries by Rudolf Steglich and fingered by Hans-Martin Theopold.

Bach - Presto; Chaconne; Scarlatti - Sonatas K61 and K66; Sweelinck - Bergamasca; HĂ€ndel - Air and Variations on 'The Harmonious Blacksmith' (for harp or celtic harp solo)

This New Collection Of Baroque Music Arranged By Renowned Harpist Deborah Friou Includes Selections By Bach Corelli Handel Pachelbel Scarlatti Telemann Vivaldi And Other Renowned Composers. Includes Playing Tips On Accidentals Lever And Pedal Changes Biographical Sketches Of The Composers A Glossary Of Terms And Tempo Markings And More.

Jean-Henri d'Anglebert (1629-1691) was one of the foremost composers of Keyboard music of his day. Therefore the collection of his works Pieces for Harpsichord is essential to all players of early Baroque Keyboard music. D'Anglebert's Pieces for Harpsichord represents some of the finest achievements of the French Harpsichord school and shows the composer's mastery of counterpoint as well as his ability to experiment with texture to achieve orchestral sonority. Moreover d'Anglebert's collection contains a table of ornaments which formed the basis of those of J. S. Bach and other significantcomposers. The first volume of Pieces for Harpsichord comprises four Harpsichord Suites composed by d'Anglebert each of which consist of the usual dance movements together with transcriptions from Lully's operas. Furthermore the three unmeasured preludes included in Suites one two and three are truly remarkable examples of their kind. With a descriptive preface in French English and German volume one of d'Anglebert's Pieces for Harpsichord is a sublime addition to the repertoire of early Baroque Keyboard music.