SKU: BT.EMBZ20018
Hungarian-English-German-French.
This brand-new series is intended as a guide to the keyboard music of the 16th to 19th centuries for pupils of the piano and the harpsichord, as well as of other early keyboard instruments. Each volume contains pieces by well-known and lesser-known composers from one country or region. The main purpose of the series is to extend the repertoire and stylistic knowledge of both pianists and harpsichordists while also presenting fine pieces and typical genres based on original sources. Our edition retains the performance indications of the composers' manuscripts and contemporary editions. Each volume includes:- suggestions for stylistically appropriate performance bothon the piano and on period instruments- suggested elaborated versions of some pieces and excerpts- a fold-out list of ornamentation signs and the composers' own tables of ornamentation signs- biographies of the composers and the sources of the pieces- translations of foreign-language performance indications. The two volumes devoted to French keyboard music includes close to 50 showy and relatively easy works - preludes, dances, suites, rondeaux, and character pieces - from the early 16th until the late 18th century (ordered chronologically).This publication is printed on high-quality, age-resistant paper that is produced in an environmentally-friendly, climate-neutral manner using renewable raw materials. Cette toute nouvelle collection est un guide de la musique pour clavier du XVIe au XIXe siĂšcle adressĂ© aux Ă©lĂšves de piano et clavecin, ainsi que d'autres instruments clavier anciens. Chaque volume rassemble des Ă âuvres de compositeurs cĂ©lĂšbres et moins cĂ©lĂšbres dans un pays ou une rĂ©gion (prĂ©ludes, danses, suites, rondeaux et piĂšces de caractĂšre), ainsi que des suggestions de jeu, des versions Ă©laborĂ©es suggĂ©rĂ©es et extraits, une liste dĂ©pliante des signes d'ornement et les tables des compositeurs, des biographies des compositeurs et les sources des Ă âuvres. Cette publication a Ă©tĂ© imprimĂ©e sur du papier de qualitĂ©, rĂ©sistant au vieillissement, et produit dans le respectde l'environnement et du climat partir de matiĂšres premiĂšres renouvelables. Una nuova collana ideata per offrire una guida alla scoperta della musica per pianoforte e clavicembalo dal sedicesimo al diciannovesimo secolo. Ogni volume include brani di compositori di una specifica nazione o area geografica. L'intento Ăš amplicare la conoscenza e il repertorio di ogni musicista. Inoltre in ogni edizione sono riportati fedelmente i suggerimenti per l'interpretazione e le indicazioni presenti sui manoscritti originali. I due volumi dedicati alla musica francese includono circa 50 brani significativi - preludi, danze, suites, rondĂÂČ e altri - che risalgono all'inizio del sedicesimo secolo fino alla fine del diciottesimo secolo, rigorosamente inordine cronologico.
SKU: UT.DM-74
ISBN 9790215320659. 9 x 12 inches.
SKU: HL.51481381
UPC: 196288019442. 9.25x12.25x0.16 inches.
Johannes Umbreit (piano reduction); Michael Schneidt (fingering) Two copies needed for performance It is almost impossible to tell from listening to them that Bach's extremely popular concerti for harpsichord were probably his own transcriptions of solo concerti which had originally been composed for violin or a woodwind instrument. The outer movements of the second concerto, in E major, probably written around 1738, sparkle with joy, while the expressive melodic lines of the middle movement, the Siciliano in C-sharp minor, transport the listener to the realm of his Passion music. G. Henle Publishers presents this repertoire standard in an Urtext edition with an extensive commentary. The study edition (HN 7381) features the complete orchestral score; the piano reduction (HN 1381) contains the solo part as well as a very playable piano reduction of the score prepared by Johannes Umbreit for practical use.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: HL.14020226
8.25x11.75x0.077 inches.
A Harpsichord is a musical instrument played by means of a keyboard. It produces sound by plucking a string when a key is pressed. The instrument was widely used in Renaissance and Baroque music. During the late 18th century,it gradually disappeared from the musical scene with the rise of the Piano. In the 20th century, it made a resurgence, being used in historically informed performances of older music, in new (contemporary) compositions, and inpopular culture.
This piece is perfect for anyone who wants to discover this unique instrument. Composed in 1966 by Elizabeth Maconchy the upbeat allegro of Notebook For Harpsichord takesapproximately 8 minutes to perform.
SKU: HL.14023645
ISBN 9780711983281. 9.0x12.0x0.162 inches.
These three solo harpsichord pieces are a collection of recent compositions, each with an individual theme and idea. The first, The convertibility of Lute Strings, was first performed at the Purcell Room, London in 1992. The second, Tango for Tim was written in memory of a friend and composer Tim Souster, which was composed and first performed in 1994. The third piece, Elisabeth Gets Her Way, is an extended version of the cadenza which Elisabeth Chojnacka persuaded Michael Nyman to add to his Harpsichord Concerto, which includes material from the first two pieces in this album.
SKU: HL.14016902
ISBN 9788759854532. 12.0x8.0x0.438 inches. English.
This is the Harpsichord Part for Kaija Saariaho's Jardin Secret II for Saariaho's 1986 work for Harpsicord and Electronics. This hair raising and spatially aware piece from 1986 also contains detailed performance instructions and tape guides. Also available is a CD and CD-Rom package, with accompaniments and all the patches and files required for a real time performance (KP00291).
SKU: HL.265678
14.5x10.0x0.4 inches.
Anna Thorvaldsdottir's Impressions for prepared harpsichord. Written for Gudrun Oskarsdottir. The first performance was given on 30 January 2016 at Harpa Centre, Reykjavik, Iceland.
SKU: HL.48181261
UPC: 888680787110. 9.25x12.25x0.083 inches.
ĂąâŹĆBeing an unusual composer of his day, Ibert did not attach himself to any of the predominant genres of music of the time. Described as elicit, the composer's Deux Interludes for Flute, Violin and Harpsichord is pleasantly unusual in instrumentation, creating a worthy addition to the classical music repertoire. Ibert stands out as a composer who tackled all styles with equal success, his Deux Interludes for Flute, Violin and Harpsichord being no exception. With clear, separate parts, this edition is a must buy for aspiring musicians seeking to expand their repertoire.ĂąâŹÂ.
SKU: HL.49005300
ISBN 9790001056984. UPC: 884088023904. 9.0x12.0x0.086 inches.
Piano or harpsichord.
SKU: HL.48188259
UPC: 888680906825. 0.258 inches. French.
Lessons fot the Clavecin (pieces de clavecin) (lp49). Par Jones aux editions Leduc. Partition / Livre de chansons pour Clavecin.
SKU: HL.49008078
ISBN 9790001114790. 9.0x12.0x0.102 inches.
Though technically not too difficult, these 3 pieces by Hans-Martin Linde demand an acute awareness of their rhythmical complexities from the player. The title also contains programmatic allusions: the tonal and rhythmical structural subtleties require a heightened perception from the listener. The pieces are suitable for competition as well as concert performance.
SKU: HL.49008182
ISBN 9790001123495. 8.25x11.75x0.093 inches.
In an idiom far removed from the melodic, harmonic and structural approach usually associated with the harpsichord these pieces are particularly individual and intriguing.
SKU: HL.49005850
ISBN 9790001063258. UPC: 842819105367. 9.0x12.0x0.159 inches.
SKU: HL.49006788
ISBN 9790001073028. UPC: 884088056018. 9.0x12.0x0.065 inches.
SKU: HL.49003712
ISBN 9790001037037. UPC: 073999265491. 9.0x12.0x0.129 inches.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version