Sixteen songs and seven arias for high voice and Piano composed over a fifteen-year period from 1989 to 2004 with texts in English French German and translations from German Portuguese and Russian. Texts from theBible Shakespeare Mozart Rimbaud Fernando Pessoa and Paul Celan and by living writers Roger Pulvers Kevin Power Victoria Hardie and Michael Hastings. While the original text-free version of Life's Chaos appeared aspart of the musical accompaniment to Dziga Vertov's Man With A Movie Camera there are songs from three of his film scores: The Cook the Thief His Wife and Her Lover Prospero's Books and The Diary OfAnne Frank and from four song cycles: L'Orgie Parisienne Six Celan Songs Cycle of Disquietude and Acts Of Beauty. There are arias from two stage operas Facing Goya and Man and Boy:Dada and a TV opera Letters Riddles and Writs.

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lessons and accompaniments which are available to stream online. / Date parution : 2023-06-01/ Recueil / Voix Haute et Piano

pour voix élevée-The melodies of Maurice Ravel (1875-1937) span the entire chronology of his creative output from his earliest song BALLADE DE LA REINE MORTE DAIMER (1893) written during his student years at the Paris Conservatory to the cycle DON QUICHOTTE ÀDULCINÉE (1932-33) his last compositions in any genre. In his songs Ravel?s text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined classical in their phrase structure.In his treatment of rhythm Ravel finds subtlety within traditional meters and dance forms-minuet waltz folk dances (especially Spanish dances)-also shape the rhythm in many of his songs.

Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.

Liriche del XIX e XX secolo per voce acuta. A cura di Ilaria Narici-Designed for students teachers and professional singers. Ideal for competition use by soloists university students and professional singers it includes songs both in the original key or transposed. In addition the edition includes an historical introdu

Dans cette belle collection il est rendu hommage aux chefs-d'oeuvre de la poésie américaine par l'un des meilleurs compositeurs parmi ceux qui se sont fixés la tâche difficile de mettre la poésie en musique. Y sont jointes des études détaillées qui permettront un regard neuf sur ces chefs-d'oeuvre.

This is the first volume in a five-volume set of the complete songs and vocalises of Gabriel Fauré the only complete critical edition. Based on the study of hundreds of manuscript and printed sources Roy Howat and Emily Kilpatrick have tested the edition internationally in masterclasses workshops seminars concerts and recordings with the participation of professional singers students teachers coaches and specialists. This first volume contains all songs written up to 1882 encompassing many of Fauré’s most well-known and loved songs including Après un rêve Le papillon et la fleur and Au bord de l’eau. The volume includesa preface in French English and German and translations into English and German of the original poetry.

This volume brings together a collection of Donizetti's songs, some of which were published in several editions during his lifetime and in the years just following, while others have never been in print. Professor Paton has once again produced a collection that will be a valuable tool both for students of singing, and for professionals looking for fresh recital material.

The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano