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High voice, Piano
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TCL Sight Reading Singing: Grades 6-8 (high voice)
High voice, Piano
[Sheet music]
Trinity College London
Par . This progressive method, written by Ralph Allwood and Andrew Morris, provi...
(+)
Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Grade 6 to Grade 8, for high voice. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix Haute et Piano
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The Boosey Voice Coach: High Voice: Vocal Tutor
High voice, Piano
Boosey and Hawkes
Singing in English-The Boosey Voice Coach is an entirely new concept in vocal tr...
(+)
Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.
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The Boosey Voice Coach: High Voice: Vocal Tutor
High voice, Piano
[Score]
Boosey and Hawkes
Singing in French-French is a language beset with problems especially for non-n...
(+)
Singing in French-French is a language beset with problems especially for non-native speakers. Where should there be a liaison between one word and the next? What mouth shape is needed to produce a tricky vowel sound? What about nasal vowels - or all those silent consonants? This book contains all the tricks of the trade: the singer need never fear singing in French again.The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself.Each volume is devoted to singing in one particularlanguage. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.
19.99 GBP - Sold by Musicroom UK
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The Boosey Voice Coach
High voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
(+)
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano
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Franz Schubert: Lieder Volume 6: Voice: Vocal Album
High voice, Piano
Barenreiter
Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clear...
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Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146
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Hear The Sweet Lark Sing - Choral Edition
High voice, Piano
Helbling Verlagsgesellschaft m.b.h
Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux...
(+)
Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux choeurs de femmes et des voix aiguës de tous âges, qui aiment re-capturer l'esprit et la beauté de ces mélodies traditionnelles de Grande-Bretagne et en Irlande, et sont un must pour ceux qui recherchent de nouveau, mais répertoire traditionnel.Ils sont situés dans deux ou trois parties vocales et sont dans une gamme de difficulté de facile à avancé. En conséquence, il ya beaucoup dans le 13 qui sont à portée de la plupart des choeurs qui aiment travailler sans aucun accompagnement instrumental, dans la tradition des chants populaires. Cependant, les symboles d'accords ont été ajoutés à chacun de ces arrangements habiles afin de répondre à ces chorales qui jouissent d'un certain appui improvisée instrumentale à la guitare ou au piano dans la performance. / Voix Elevée(s) Et Piano
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Hear The Sweet Lark Sing - Choral Edition
High voice, Piano
Helbling Verlagsgesellschaft m.b.h
Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux...
(+)
Hear The Sweet Lark Sing contient Chantez 13 chansons folkloriques destinés aux choeurs de femmes et des voix aiguës de tous âges, qui aiment re-capturer l'esprit et la beauté de ces mélodies traditionnelles de Grande-Bretagne et en Irlande, et sont un must pour ceux qui recherchent de nouveau, mais répertoire traditionnel.Ils sont situés dans deux ou trois parties vocales et sont dans une gamme de difficulté de facile à avancé. En conséquence, il ya beaucoup dans le 13 qui sont à portée de la plupart des choeurs qui aiment travailler sans aucun accompagnement instrumental, dans la tradition des chants populaires. Cependant, les symboles d'accords ont été ajoutés à chacun de ces arrangements habiles afin de répondre à ces chorales qui jouissent d'un certain appui improvisée instrumentale à la guitare ou au piano dans la performance. / Voix Elevée(s) Et Piano
13.70 EUR - Sold by LMI-partitions
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