A new edition of art songs by Samuel Barber including the entire contents of the Collected Songs and Ten Early Songs plus many songs never before published with extensive introductory commentary. Thisedition is for high voice.

Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D

A superb collection of 45 Arias from the Operas and Oratorios of Handel across three volumes. This first volume is for High Voice with Piano Accompaniment as edited and selected by Sergius Kagen. This selection includes thepopular Let the Bright Seraphim from Samson.

50 Songs by 29 Composers-This comprehensive collection is the best one-volume source available on the topic with a mix of familiar recital standards and intriguing material awaiting discovery. Includes composers from c. 1900 into the 21st century. Somesongs make their first published appearance in American Art Song: Gian Carlo Menotti's moving “The Old Man's Song ” Michael Tilson Thomas' inspired “Grace ” dedicated to Leonard Bernstein and AaronJay Kernis' “A Good Boy ” as well a boogie-woogie art song by the editor “Blue Monday.” The same songs appear in High Voice and Medium/Low Voice.

46 songs for High Voice with Piano accompaniment.An die LeierDer LiedlerEllen's Gesang IIWillkommen und AbschiedLied des gefangenen JägersEllen's Gesang III (Hymne an die Jungfrau)Normans GesangCoronachBootgesangEllen's Gesang IAn die untergehende SonneNacht und TräumeDie junge NonneSehnsuchtDer AlpenjägerDer PilgrimDie BergeDer SchmetterlingDer EinsameDer Wanderer an den MondIm HaineDas ZügenglöckleinDie AllmachtDas HeimwehDieRoseAuf dem Wasser zu singenDrang in die FerneDer WachtelschlagAus Heliopolis IDer WandererLied eines Schiffers an die DioskurenGesänge aus 'Wilhelm Meister' IV: Lied der MignonDu liebst mich nichtIm FreienAn den MondGesänge aus 'Wilhelm Meister' III: Lied der MignonDes Mädchens KlageHektors AbschiedDass sie hier gewesenDu bist die Ruh'Lachen und WeinenGreisengesangDithyrambeGesänge aus 'Wilhelm Meister' I: Mignon und der HarfnerGesänge aus 'Wilhelm Meister' II: Lied der MignonAn Emma

Instrumentation : High Voice - Pf (Ger.) inc. Dichterliebe, Myrthen, Frauenlibe und Leben, Liederkreis Content : Widmung; Freisinn; Der Nußbaum; Jemand; Lieder (aus dem Schenkenbuch im Divan) No. 2; In der Fremde; Die Lotusblume; Talismane; Lied der Suleika; Die Hochländer-Witwe; Lieder (aus dem Schenkenbuch im Divan) No. 1; Im Rhein, im heiligen Strome; Ich hab' im Traum geweinet; Am leuchtenden Sommermorgen; Ein Jüngling liebt ein Mädchen; Hör' ich das Liedchen klingen; Das ist ein Flöten und Geigen;Schöne Fremde; Ich grolle nicht; Die alten, bösen Lieder; Ich will meine Seele tauchen; Wenn ich in deine Augen seh'; Die Rose, die Lillie, die Taube;Aus meinen Tränen sprießen; Im wunderschönen Monat Mai; Nun hast du mir den ersten Schmerz getan; Und wüßten's die Blumen, die kleinen; Frühlingsfahrt; Die Soldatenbraut; Marienwürmchen; Dein Angesicht; Flutenreicher Ebro; Blondels Lied; Ich wand're nicht;Allnächtlich im Traume;Die beiden Grenadiere; Aus alten Märchen;An den Sonnenschein;Sonntags am Rhein;Erstes Grün;Wanderlied;Mit Myrten und Rosen;Helft mir, ihr Schwestern;Volksliedchen; Zwei Venetianische Lieder No. 2;An meinem Herzen, an meiner Brust;Aus den östlichen Rosen;Du bist wie eine Blume;Im Westen;Niemand;Was will die einsame Träne;In der Fremde;Hauptmanns Weib;Intermezzo;Zwei Venetianische Lieder No. 1;Rätsel; Aus den hebräischen Gesängen;Hochländisches Wiegenlied;Hochländers Abschied;Lied der Braut No. 2;Weit, weit;Zwielicht;Lied der Braut No. 1;Du Ring an meinem Finger;Ich kann's nicht fassen, nicht glauben;Er, der Herrlichste von allen;Seit ich ihn gesehen; Frühlingsnacht;Zum Schluß;Im Walde;Süßer Freund, du blickest;Wehmut;Auf einer Burg;Mondnacht;Die Stille;Waldesgespräch;Der arme Peter Editor :Friedländer

With a companion CD of recorded piano accompaniments. Includes works by Samuel Barber Charles Ives and William Schuman.

The Vocal part with Piano accompaniment to this Bernstein favourite from the popular show Candide. Loosley based on Voltaire's 1758 satirical novella of the same name. with Lyrics by Richard Wilbur.

for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.

Par PARRY BEN. Ben Parry presents a trio of Christmas classics from the 60s 70s and 80s. I'm Gonna Be Warm This Winter, the ever-popular, I Wish It Could Be Christmas Every Day, and  Band Aid's compelling Feed The World; here arranged for upper voices with piano accompaniment. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Hautes et Piano

Soprano lirico/drammatico - Lyric to Full Soprano-A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.A selection of 36 arias for voice and piano with plot synopses and translations in Italian and English.

Reduction for Voice and Piano. Operatic and concert scenes. Includes 'Knoxville: Summer Of 1915' 'Three Scenes From 'Vanessa'' 'Andromache's Farewell' and 'Two Scenes From Anthony And Cleopatra'.