Published together with Three Japanese Lyrics-Two poems by Konstantin Balmont a poet from the Silver Age of Russian Poetry plus Three Japanese lyrics all set to music by Igor Stravinsky. This is the full Vocal Score of these five expressive pieces for High Voice with a Piano accompaniment and features complete lyrics in Russian French German and English.

A dramatic work for schools or young choir groups based on Mark Twain's much-loved stories. This hour-long production centres around the lives of Huckleberry Finn and his friend Tom Sawyer with parts for 12 upper solo voices as the characters from the depression-era deep south. Composed in 1956 as an Operetta for performance with Chamber Orchestra this vocal score is complete with a full Piano reduction of the Orchestral material.

High Voice in E-flat Major-Arranged for high voice in E flat. Malotte's choral work The Lord's Prayer is presented here with a freshly engraved score and a companion CD. The score contains two versions of the song in the designated key: voice withpiano accompaniment and voice with organ accompaniment. The CD features the orchestral accompaniment as well as a full performance with a professional singer. Also included is the history of Malotte's song and its publication.

Sixteen songs and seven arias for high voice and Piano composed over a fifteen-year period from 1989 to 2004 with texts in English French German and translations from German Portuguese and Russian. Texts from theBible Shakespeare Mozart Rimbaud Fernando Pessoa and Paul Celan and by living writers Roger Pulvers Kevin Power Victoria Hardie and Michael Hastings. While the original text-free version of Life's Chaos appeared aspart of the musical accompaniment to Dziga Vertov's Man With A Movie Camera there are songs from three of his film scores: The Cook the Thief His Wife and Her Lover Prospero's Books and The Diary OfAnne Frank and from four song cycles: L'Orgie Parisienne Six Celan Songs Cycle of Disquietude and Acts Of Beauty. There are arias from two stage operas Facing Goya and Man and Boy:Dada and a TV opera Letters Riddles and Writs.

Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again at irregular intervals down to the final year of his life. None the less Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder published in 1799 by Breitkopf & Härtel refers to them as 'occasional pieces' as does the Leipzig Allgemeine Musikalische Zeitung inthe same year. Mozart himself doubtless regarded these ingenious little works as 'pieces for friends' and was not disposed to think of them as particularly significant. Urtext of the New Mozart Edition Singing score with piano reduction English translations of the texts

Hohe Stimme / High Voice-Walther Dürr one of the most distinguished Schubert-scientists publishes a third addition to the new Urtext-edition of Schubert-songs in high middle and low range.

Robert Schumann's Songs Vol.3 comes complete with 82 Songs arranged for High voice with Piano accompaniment. Also includes 3 Byron Songs Op.94 with Harp Accompaniment

Song for High Voice in the Key of A Flat with Piano accompaniment by George Frideric Handel. With words by W.G Rothery.

Seven Lieder After Poems By Johann Wolfgang Von Goethe-Seven lieder for high voice and piano after poems by Johann Wolfgang von GoetheWith their very accessible style and expressive interpretation of the words these contemporary works continue in the tradition of classical and romantic song cycles