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High voice, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Franz Schubert: Lieder - Volume 5: Voice: Vocal Album
High voice, Piano
[Sheet music]
-
Advanced
Barenreiter
Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schu...
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Hohe Stimme / High Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch?s Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. The firsteleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg?s ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104 /Lied aus der Ferne D 107 (1st version) / Lied aus der Ferne D
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César Franck: Panis Angelicus - Voice/Piano: Voice: Vocal Work
High voice, Piano
[Sheet music]
-
Easy
Peters
Includes versions for High Medium or Low Voice (G F or E flat) with Piano acco...
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Includes versions for High Medium or Low Voice (G F or E flat) with Piano accompaniment. Performance note by Gordon Stewart.Preface:The words for Panis Angelicus are from a longer hymn text Sacris Solemnis written by St Thomas Aquinas in the thirteenth century for the newly established Feast of Corpus Christi and would originally have been sung to a plainchant. César Franck set this verse of seven lines in 1872. His deep religious feelings fashioned a memorable melody one which is within the scope of all singers - its range is only a seventh and if you follow the word patterns the breathing sits comfortably. It is in its way simple and direct but with the chance to use the voice to its full. The Latin words are not hard to sing but if you prefer to perform it in English the translation conveys the essential meaning. Franck originally wrote Panis Angelicus for Tenor Cello Harp Organ and Double Bass but it slips easily into the Keyboard arrangement. The colours of the original scoring are evident the Organ's sustained chords the semi-staccato notes for the Harp and the Cello's countermelody beginning in bar 38 (which could be transferred to another melodic instrument if that suits the occasion). Some discreet repetition of the long tied notes and doubling of the bass at the octave can give the Piano more resonance. The accompaniment probably works best with a minimum pedalling and an Organist's style of fingering. The dynamics ask for a triumphant final statement of the words 'pauper servus' in bar 53. It makes complete musical sense to make a diminuendo for the word 'humilis' in bar 56 leading to a thoughtful postlude.
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Robert Schumann: Liederkreis (Heine) Op.24: Voice: Vocal Album
High voice, Piano
[Sheet music]
Barenreiter
After a long time spent writing only for piano Schumann produced a true outburs...
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After a long time spent writing only for piano Schumann produced a true outburst of lieder inspired by the poetry of Heinrich Heine: ?What a blessing it is to write for the voice!? Schumann wrote to his beloved Clara. It is as though a knot was untied while he was writing the Heine-Liederkreis Op.24. Retrospectively Schumann wrote that this new poetic spirit had inspired the composition of lieder to such an extent that it had become the only genre to make significant progress since the time of Beethoven.Indeed these nine songs which represent the only complete setting of the underlying Heine cycle came so close to the spirit of the poet that a new epoch of liedcomposition was founded. This new edition of Schumann?s first collection of lieder is based primarily on the first publication under consideration of the autograph manuscript.All songs in their original keyComprehensive foreword (Eng/Ger) and critical commentary (Ger)Includes an English translation of the lied texts by Richard Stokes (The Book of Lieder) printed separately
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28 Italian Songs and Arias (Medium High): Medium Voice: Vocal Album
High voice, Piano
[Sheet music]
Schirmer
of the 17th & 18th Centuries-28 Italian Songs and Arias of the Seventeenth and E...
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of the 17th & 18th Centuries-28 Italian Songs and Arias of the Seventeenth and Eighteenth centuries for Medium High Voice and Piano accompaniment.Most Voice teachers and singers still prefer the pianistic wonderfully gratifying arrangements of thisearly Italian material made by Alessandro Parisotti in the 1880s. This new edition newly researched and engraved includes the original Schirmer 24 plus four additional songs: Sento nel core (A. Scarlatti) Oleggiadri occhi belli (Anonymous) Intorno all'idol mio (Cesti) Delizie contente che l'alma beate (Cavalli). With IPA word for word translations and historical information on each song andcomposer. A version with accompaniment CD is also available: HL50485630.
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Pop Standards: Vocal Solo: Mixed Songbook
High voice, Piano
[Sheet music + Audio access]
Hal Leonard
with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exc...
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with Recorded Piano Accompaniments Online. The Singer's Jazz Anthology is an exciting new series providing aspiring jazz vocalists and pianists with staples of the jazz repertoire. The singer's portion, matching the original sheet music, is paired with fresh, unique accompaniments arranged in an authentic jazz style and designed to enable the singer to sound like they're being backed by an accomplished jazz pianist. The accompaniments can be performed as written but include chord labels for pianists who are comfortable playing their own chord voicings. This book also includes access to recordings of the series arranger, Brent Edstrom, playing the piano accompaniments for use in rehearsal or performance. This edition features 25 must-know pop standards, including: Alfie · Blackbird · Bridge over Troubled Water · Dream a Little Dream of Me · Every Breath You Take · Fire and Rain · Goodbye Yellow Brick Road · Isn't She Lovely · Rolling in the Deep · (Sittin' On) The Dock of the Bay · Three Times a Lady · What the World Needs Now Is Love · Yesterday · and more.
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Richard Straus: 40 Songs (STRAUSS RICHARD)
High voice, Piano
[Sheet music]
Hal Leonard
Par STRAUSS RICHARD. Special advisor to the edition: Evelyn Lear, renowned Strau...
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Par STRAUSS RICHARD. Special advisor to the edition: Evelyn Lear, renowned Strauss interpreter. A newly researched, edited and engraved edition of this major, standard art song literature. There are historical notes included for each song describing pertinent circumstances of composition and first performances. Line by line literal translations are given at the head of each song. This is the best, most informative edition of Strauss songs ever assembled. / Date parution : 2021-12-09/ Recueil / Voix Haute et Piano
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Franz Schubert: Lieder Volume 6: Voice: Vocal Album
High voice, Piano
Barenreiter
Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clear...
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Hohe Stimme / High Voice-Based on the New Schubert Edition.Newly engraved clearly presented musical layout.Foreword by Walther Dürr on the history and genesis of the work as well as an explanation of the sources for each individual lied (Eng/Ger).Includes English translations of lieder texts by Richard Wigmore.The lieder in this sixth volume were composed during the period between autumn 1814 and spring 1815. With Nachtgesang (D 119) and Trost in Tränen (D120) Schubert turns to the Strophenlied in its stricter sense for the first time. He develops an interest in this form parallel to his first involvement with Goethe.Schubert during this period an assistant teacherat his father?s school orientated himself towards the so-called Berliner Liederschule particularly the songs of Johann Friedrich Reichardt. By the beginning of the year 1815 he drew his inspiration mainly from the texts of Theodor Körner; however he regularly still produced settings for the poetry of Goethe and Schiller.Also available:Medium Voice & Piano BA 9126Low Voice & Piano BA 9146
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The Art of Song Grade 7 High Voice: High Voice: Vocal Album
High voice, Piano
[Sheet music]
-
Intermediate/advanced
Peters
Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of...
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Revised & Expanded Edition-Revised and expanded edition of Edition Peters Art Of Song Grade 7 for High Voice and Piano. This revised and expanded edition of the long-established The Art of Song series includes all the songs in the original edition together with a considerable amount of new material all presented in a new larger format. Drawing on the comprehensive Edition Peters vocal catalogue and incorporating new editions of many songs The Art of Song series provides: an extensive selection of songs and arias from the new ABRSM singing syllabus (valid from 2009). new editions of a wide-ranging repertoire covering composers from Purcell andByrd through Brahms and Schubert to Verdi and Sullivan. New versions of songs in different keys to suit different voice-types.
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Gabriel Fauré: Complete Songs Volume 3 -: High Voice: Vocal Work
High voice, Piano
[Sheet music]
Peters
The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Faur...
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The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 “Venetian” Songs and the magnificient cycle La Bonne Chanson. With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.
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The Art of Song Grade 8 High Voice: High Voice: Vocal Album
High voice, Piano
[Sheet music]
Peters
Revised & Expanded Edition-Drawing on the comprehensive Edition Peters catalogue...
(+)
Revised & Expanded Edition-Drawing on the comprehensive Edition Peters catalogue and incorporating new editions of many songs The Art of Song series provides: an extensive selection of songs and arias from the new ABRSM singing syllabus (valid from 2009). new editions of wide-ranging repertoire covering composers from Purcell and Byrd through Brahms and Schubert to Verdi and Sullivan. new versions of songs in different keys to suit different voice-types. This revised and expanded edition of Edition Peters Art Of Song Grade 8 for High Voice and Piano contains selection of songs from the ABRSM singingsyllabus for High Voice.
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The Boosey Voice Coach
High voice, Piano
Boosey and Hawkes
The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-...
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The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text'), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in GERMANGerman can seem like an awkward language to sing - there are just too many consonants! And there are lots of regional differences in accent: is there a 'correct' pronunciation? What exactly is an Umlaut? Why is 'ss' sometimes written 'ß' and does it make a difference? This book addresses all these points and more, giving singers the confidence to approach repertoire in German. / Voix Haute Et Piano
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Samuel Barber: 65 Songs: Voice: Vocal Album
High voice, Piano
[Sheet music]
-
Intermediate/advanced
Schirmer
A new edition of art songs by Samuel Barber including the entire contents of th...
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A new edition of art songs by Samuel Barber including the entire contents of the Collected Songs and Ten Early Songs plus many songs never before published with extensive introductory commentary. Thisedition is for high voice.
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Wilberg: Carol Songbook - High Voice: High Voice: Vocal Album
High voice, Piano
Oxford University Press
This wonderful collection brings together seven well-loved carols all newly arr...
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This wonderful collection brings together seven well-loved carols all newly arranged by Mack Wilberg for high voice and piano. Featuring a range of Christmas texts including 'Bring a torch Jeannette Isabella' 'Deck the hall' and 'The Twelve Days of Christmas' it also offers two carols with alternative original foreign-language options (French and Catalan). With a delightful variety of musical styles and moods this volume is perfect for recitals services and concerts at Christmas time.Also available in a volume for low voice.
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Wolfgang Amadeus Mozart: Complete Songs for High Voice & Piano: Voice: Vocal
High voice, Piano
[Sheet music]
Barenreiter
Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to ...
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Mozart's lieder reveal him to be a dramatist in miniature. Even if he failed to cultivate this genre systematically he nevertheless directed his creative powers toward the lied at all stages of his career. His first effort (now lost) was written at the age of six or seven and he took up the genre again and again at irregular intervals down to the final year of his life. None the less Mozart usually chose to write a lied only when there was a special occasion for doing so. Even the preface to the firt complete edition of his lieder published in 1799 by Breitkopf & Härtel refers to them as 'occasional pieces' as does the Leipzig Allgemeine Musikalische Zeitung inthe same year. Mozart himself doubtless regarded these ingenious little works as 'pieces for friends' and was not disposed to think of them as particularly significant. Urtext of the New Mozart Edition Singing score with piano reduction English translations of the texts
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30 Spirituals: High Voice: Vocal Album
High voice, Piano
[Sheet music + CD]
Schirmer
Never before available in high and low voice versions this new edition of Johns...
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Never before available in high and low voice versions this new edition of Johnson's classic spiritual arrangements features new music engravings Johnson's original preface and notes on the pieces a guide to modified Englishtexts for the spirituals and a CD of piano accompaniments recorded by Laura Ward.
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Spiritual And Gospel For Aspiring Singers
High voice, Piano
Schott
This edition is suitable for lessons and for preparing for entrance exams in the...
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This edition is suitable for lessons and for preparing for entrance exams in the subsidiary subject of singing for school or church music as well as for concert performances. The pieces impart the specific techniques of gospel singing. / Voix Haute Et Piano
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Gerald Finzi: 44 Collected songs: High Voice: Vocal Album
High voice, Piano
Boosey and Hawkes
Including 7 cylces or sets-For the first time the lovely songs of British compo...
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Including 7 cylces or sets-For the first time the lovely songs of British composer Gerald Finzi (1901-1956) are collected together in one volume in two keys. This new collection includes some first time transpositions as well.
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The Boosey Voice Coach: High Voice: Vocal Tutor
High voice, Piano
Boosey and Hawkes
Singing in English-The Boosey Voice Coach is an entirely new concept in vocal tr...
(+)
Singing in English-The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and thenaddressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.Singing in English: Even for native speakers the English language presents singers with particular difficulties. How do you manage diphthongs for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book which contains songs with texts in the English language from Britain and elsewhere.
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César Franck: O Lord Most Holy: High Voice: Vocal Work
High voice, Piano
[Sheet music]
-
Intermediate
FJH
Cesar Franck’s Panis Angelicus is presented here in its original piano/vo...
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Cesar Franck’s Panis Angelicus is presented here in its original piano/vocal form newly edited with both Latin and English lyrics. The fluid piano score often uses four-part choral voicing to support the angelic melody. This arrangement is written here for high voice well within a mezzo-soprano’s range.
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Franz Schubert: 100 Songs - High Voice: Vocal and Piano: Vocal Album
High voice, Piano
Hal Leonard
The most useful collection of Schubert songs available! Unlike international edi...
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The most useful collection of Schubert songs available! Unlike international editions these new songbooks contain only a few favourite songs from Die Schöne Müllerin and Die Wintereisse rather than the rarely-used entire song cycles; this leaves room for many more wonderful individual songs not normally found in Schubert collections.As in the other volumes in The Vocal Library each song features introductory notes including information about the composition the song's biographical context in Schubert's life early performances and comments about poets. The contents for the High Voice and Low Voice editions are almost the same: theHigh Voice volume uniquely includes Der Hirt auf dem Felsen (with removable clarinet part) and Auf dem Strom (with removable horn part); the Low Voice volume uniquely includes Das Abendrot and Romanze. The cover is adorned with a charming 1821 watercolour depicting Schubert and friends at a summer gathering in Atzenbrugg.All songs have been newly edited and researched based on the most current historical material available. German singing text.
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The French Song Anthology: Vocal Solo: Vocal Album
High voice, Piano
Hal Leonard
The Vocal Library High Voice. The largest, most comprehensive collection of Fren...
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The Vocal Library High Voice. The largest, most comprehensive collection of French art songs ever published, with 60 songs by 24 composers. This wonderful anthology, with newly researched editions in clean new engravings, includes interesting notes about thecomposers, poets, facts about the composition and performance history
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6 Elizabethan Songs
High voice, Piano
Boosey and Hawkes
This new edition of Argento's Six Elizabethan Songs includes a composer commenta...
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This new edition of Argento's Six Elizabethan Songs includes a composer commentary and access to companion recorded piano accompaniments online for download or streaming. / Voix Haute Et Piano
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The Boosey Voice Coach: High Voice: Vocal Tutor
High voice, Piano
[Score]
Boosey and Hawkes
Singing in French-French is a language beset with problems especially for non-n...
(+)
Singing in French-French is a language beset with problems especially for non-native speakers. Where should there be a liaison between one word and the next? What mouth shape is needed to produce a tricky vowel sound? What about nasal vowels - or all those silent consonants? This book contains all the tricks of the trade: the singer need never fear singing in French again.The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself.Each volume is devoted to singing in one particularlanguage. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.
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Leonard Bernstein: Art Songs And Arias: High Voice: Vocal Album
High voice, Piano
[Vocal Score]
Boosey and Hawkes
29 Selections-These exciting collections feature new transcriptions previously ...
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29 Selections-These exciting collections feature new transcriptions previously unpublished material and some selections never before published separately from complete vocal scores. This High Voice edition features 29 songs.
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Antonín Dvo?ák: Gypsy Songs Op.55 (High Voice & Piano): High Voice: Vocal Tutor
High voice, Piano
Barenreiter
Op. 55-Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet A...
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Op. 55-Dvorák’s song cycle Gypsy Songs Op.55 on words by the Czech poet Adolf Heyduk were written at the beginning of 1880 at the request of the Bohemian tenor Gustav Walter a member of the Vienna Court Opera and the work’s dedicatee. For this Urtext edition the editor Veronika Vejvodová has taken the original print as her main source. The edition appears in two volumes one for high voice and another for low voice. Third volume from the new five-volume Urtext edition of Dvorák’s complete songs One of the most popular and best-known song cycles of the romantic repertoire Extensive Foreword (Cz/Eng/Ger) andCritical Commentary (Eng) by the editor Vocal texts in three languages (Cz/Eng/Ger)
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Nigel Hess: Benedictus.: Mixed Choir: Vocal Score
High voice, Piano
Faber Music Limited
This joyful setting of the Benedictus was commissioned by St Catharine’s ...
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This joyful setting of the Benedictus was commissioned by St Catharine’s College Cambridge in 2009 for their newlyformed girls’ choir. Its theatrical exuberance made it instantly popular and it is now also available in an orchestral version (commissioned by the City of Birmingham Symphony Orchestra Chorus: contact hire@fabermusic.com for more information).An exciting addition to Faber's Choral Signature Series Nigel Hess' Benedictus is arranged for accompanied SSA voices.
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