Christina Rossetti’s poem The Birthday or My Heart is Like a Singing Bird was published in 1857 and was the subject of at least a dozen musical settings before Hubert Parry. Parry had developed the habit by this point of memorizing a text and ‘cogitating’ on it before beginning composition.In this song Parry employs rippling semiquaver movement in both hands to establish the ecstatic nature of the piece which he only pauses at the climactic ‘Because my love is come to me’ most effectively. It remains one of his best-loved songs.

for Upper Voices and Orchestra. The Lost Words by composer James Burton takes its inspiration and text from the award-winning ?cultural phenomenon? and book of the same name by Robert Macfarlane and Jackie Morris: a book that was, in turn, a creative response to the removal of everyday nature words like acorn, newt and otter from a new edition of a widely used children?s dictionary. Both the book and Burton?s 32-minute work, which is written in 12 short movements for upper-voice choir in up to 3 voice parts (with either orchestral or piano accompaniment), celebrates each lost word with a beautiful poem or ?spell?, magically brought to life in Burton?s music. At its heart, the work delivers a powerful message about the need to close the gap between childhood and the natural world. Burton?s piece was co-commissioned by the Hallé Concerts Society for the Hallé Children?s Choir and the Boston Symphony Orchestra. The piano accompaniment version was premiered at the Tanglewood Festival in 2019 by the Boston Symphony Children?s Choir, of which Burton is founder and director. The Hallé Children?s Choir will premiere the orchestral version of the full work in Manchester, UK, post-pandemic.