Singing in English Instrument : high voice and piano Nombre de Pages : 128 The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual, and not filled with off-putting diagrams, this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself. Each volume is devoted to singing in one particular language or to singing in a specific context, such as musical theatre or oratorio. In each volume of the series, works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length, starting with the words ('Text' - including a literal translation as appropriate), moving to general advice about how the song might be approached ('Notes'), and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language, Mary King's approach is direct, practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies. Singing in English: Even for native speakers, the English language presents singers with particular difficulties. How do you manage diphthongs, for example? How do you make consonants clear without spoiling the vocal line? How do you make sense of the story-telling in a strophic folksong? These issues and more are covered in this book, which contains songs with texts in the English language, from Britain and elsewhere. Content : Introduction - Purcell/Britten: Music for a while - Purcell/Britten: Man if for the woman made - Purcell/Britten: Sweeter than rose - Handel: O sleep, why dost thou leave me? - Handel: Where'er you walk - Haydn: The mermaid's song - Haydn: The spirit's song - Haydn: My mother bids me bind my hair - Warlock: The countryman - Warlock: The baylyn berith the bell away - Warlock: There is a lady sweet and kind - Finzi: Rollicum rorum - Finzi: Fear no more the heat o' the sun - Traditional (arr. Britten): Oliver Cromwell - Traditional (arr. Britten): The salley gardens - Traditional (arr. Britten): The trees they grow so high - Copland: Why do they shut me out of heaven? - Copland: Heart we will forget him - Rorem: Orchids - Rorem: The serpent - Pronunciation guide

21 art songs, plus 4 arias in the High Voice volume, or 3 arias in the Medium/Low Voice volume. Art song contents for both High and Medium/Low Voice: Dirge in Woods ? Old Poel ? Pastorale ? Poet\'s Song ? Vocalise ? Four Early Songs; Night ? A Summer Vacation ? My Heart Is in the East ? Alone ? Twelve Poems of Emily Dickinson (complete; original keys retained for both High and Medium/Low). Arias in the High Voice edition: Laurie\'s Song (The Tender Land) ? Martin\'s Song (The Tender Land) ? The sun is coming up (The Tender Land) ? Queenie\'s Song (The Second Hurricane) ? Arias in the Medium/Low edition: Ma\'s Song (The Tender Land) ? Fat\'s Song (The Second Hurricane) ? Gyp\'s Song (The Second Hurricane).
A Summer Vacation
Alone
Dear March, come in!
Dirge in Woods
Going to Heaven!
Heart, we will forget him
I felt a funeral in my brain
I\'ve heard an organ talk sometimes
Laurie\'s Song from The Tender Land
Martin\'s Song from The Tender Land
My Heart Is in the East
Nature, the gentlest mother
Night
Old Poem
Pastorale
Poet\'s Song
Queenie\'s Song from The Second Hurricane
Sleep is supposed to be
The Chariot
The sun is coming up from The Tender Land
The world feels dusty
There came a wind like a bugle
Vocalise
When they come back
Why do they shut me out of Heaven?
/ Partitions classique / Vocale - chorale / Voix solo - piano / BOOSEY

Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Grade 6 to Grade 8, for high voice. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix Haute et Piano

Instrumentation : High voice - Pf

(Ger.) Music Partner backing CD available, see MP 3927b

Content :
Du mein einzig Licht; All' mein' Gedanken; Mein Mädel hat einen Rosenmund; Vor dem Fenster; Wach auf, wach auf, du junger Gesell; Schwesterlein; Maria ging aus wandern; Feinsliebchen; Jungfräulein, soll ich mit euch gehn; Es wohnet ein Fiedler; Erlaube mir, feins Mädchen; Wie komm ich denn zur Tür herein; Och Moder, ich well en Ding han; In stiller Nacht; Es steht ein' Lind'; Ich weiß mir'n Maidlein; Schöner Augen schöne Strahlen; Sagt mir, o schönste Schäf'rin mein; Trennung / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / EDITION PETERS

One dozen spirituals arranged for solo voice with accompaniment. Preserved in Burleigh's arrangements are the essential characteristics of these songs that generally derived from spontaneous outbursts of intense religious fervor. Includes: Couldn't Hear Nobody Pray * Were You There * Deep River and others.

Par PARRY BEN. Ben Parry presents a trio of Christmas classics from the 60s 70s and 80s. I'm Gonna Be Warm This Winter, the ever-popular, I Wish It Could Be Christmas Every Day, and  Band Aid's compelling Feed The World; here arranged for upper voices with piano accompaniment. The Choral Programme Series is now a well-established programming tool for many choirs as it offers a wealth of fresh material from many eras and in many styles.  Please view sample pages below. / Choral Music / Répertoire / Voix Hautes et Piano

Selected art songs by prominent American composers in the G. Schirmer and AMP catalog, including songs by Samuel Barber, John Duke, Lee Hoiby, Charles Ives, John Jacob Niles, William Schuman, and others.Includes works from Ernst Bacon: It's all I have to bring - Samuel Barber: The Crucifixion- The Daisies- Hey nonny no!- The Monk and His Cat- Mother, I cannot mind my wheel- A Slumber Song of the Madonna- Sure on this shining night - Paul Bowles: Cabin- Heavenly Grass- Sugar in the Cane - Theodore Chanler: The Lamb - Ernest Charles: When I Have Sung My Songs - John Duke: Loveliest of Trees - Richard Hageman: Do not go, my love - Lee Hoiby: Where the Music Comes From - Carles Ives: In the mornin'- Serenity - Herbert Kingsley: The Green Dog - Charles Naginski: The Pasture - John Jacob Niles: Black is the color of my true love's hair- Go 'way from my window- The Lass from the Low Countree - Gladys Rich: American Lullaby - William Roy: This Little Rose - John Sacco: Brother Will, Brother John - William Schuman: Holiday Song- Orpheus with his lute. / Voix Hautes Et Piano

- Lieder im Umfang einer Oktave: - J. Haydn: Liebes Mädchen, hör mir zu (Dichter unbekannt) - Italienisches Volkslied: Die Sorglose (deutscher Text: H. Möller) - Volkslied: Es ist auf Erd kein schwerer Leiden - R. Schumann: Jasminenstrauch, op. 27/4 (Rückert) - Erstes Grün, op. 35/4 (Kerner) - W.A. Mozart: Im Frühlingsanfang (Sturm) - G.Ph. Telemann: Die Jugend - R. Schumann: Freisinn, op. 25/2 (Goethe) - J. Brahms: Mädchenlied, op. 107/5 (Heyse) - R. Franz: Gute Nacht!, op. 5/7 (Eichendorff) - . - Parlando und leichte Tongebung: - Italienisches Volkslied (Venedig): Lässt sich Amor bei euch schauen (deutscher Text: H. Möller) - R. Schumann: Volksliedchen, op. 51/2 (Rückert) - J. Haydn: Der Gleichsinn (Eschenburg) - F. Schubert: Liebhaber in allen Gestalten, Nachlaß (Goethe) - W.A. Mozart: Das Veilchen (Goethe) - F. Schubert: Seligkeit (Hölty) - G.Ph. Telemann: Das Glück (Stoppe) - J.A.P. Schulz: Der Schmetterling (André) - J. Brahms: Feinsliebchen, du sollst mir nicht barfuß gehn - . - Legato-Lieder: - J.S. Bach: Die güldne Sonne voll Freud und Wonne (Gerhardt) - A. Krieger: Nun sich der Tag geendet hat (Krieger) - K.Fr. Zelter: Der König in Thule (Goethe) - W. Baumgartner: Kein Hälmlein wächst auf Erden (Brachvogel) - W.v. Rügen: Weh, ich hab gedacht - F. Schubert: An die Musik, op. 88/4 (Schober) - Lochheimer Liederbuch: All mein Gedanken - Ch.W. Gluck: Die Sommernacht (Klopstock) - F. Schubert: Im Abendrot, Nachlass (Lappe) - R. Franz: Für Musik, op.10/1 (Geibel) - J.S. Bach: Komm, süßer Tod (Dichter unbekannt) - M. Reger: Glück, op.15/1 (Rohrscheidt) - . - Piano-Lieder: - F. Schubert: Wiegenlied, op. 98/2 - P. Cornelius: Angedenken, op. 3/2 (Cornelius) - J. Brahms: Wiegenlied, op. 49/4 - J. Brahms: Sandmännchen - F. Schubert: An die Laute, op. 81/2 (Rochlitz) - J.A.P. Schulz: Wiegenlied im Mai (Bruun) - H. Wolf: Anakreons Grab (Goethe) - H. Wolf: Auf ein altes Bild (Mörike) - R. Stephan: Abendlied (Falke) - R. Schumann: Mondnacht, op. 39/5 (Eichendorff) - . - Ernste Lieder: - Norwegisches Volkslied: Ich legte mich zur Ruh (deutsch: H. Möller) - Fliegendes Blatt: Schnitter Tod - A. Jensen: Letzter Wunsch, op. 14/1 (Hertz) - J.S. Bach: Bist du bei mir (Dichter unbekannt) - J. Brahms: In stiller Nacht - J. Brahms: Schwesterlein - L.v. Beethoven: Nur wer die Sehnsucht kennt (Goethe) - R. Franz: Ein Stündlein wohl vor Tag, op. 28/2 (Mörike) - P. Cornelius: Zum Ossa sprach der Pelion, op. 5/5 (Droste-Hülshoff) - H. Wolf: Das verlassene Mägdlein (Mörike) - J. Haydn: Das Leben ist ein Traum (Gleim) - . - Heitere Lieder: - G. Rhaw: Herzlich tut mich erfreuen - J. Krieger: Wer die Musik in Ehren hält (Weise) - V. Rathgeber: Von der edlen Musik - F. Schubert: Erntelied (Hölty) - Franz. Volkslied: Geh ich zum grünen Hain (deutsch: H.Möller) - R. Schumann: Vom Schlaraffenland, op. 79/5 (Fallersleben) - J. Brahms: Wie komm ich denn zur Tür herein - H. Wolf: Der Schäfer (Goethe) - H.K. Schmid: Wiegenlied für meinen Jungen, op. 31/3 (Dehmel)

High Voice. Par RODGERS / HAMMERSTEIN. Quarante-cinq de plus grandes chansons de la Richard Rodgers. Les symboles de la corde. / Rép International / Recueil / Voix Haute et Piano

63 songs, with extensive historical introductory notes. Includes all art songs originally composed for voice and piano published by Boosey and Hawkes. Available for for High Voice as well as for Medium/Low Voice, with newly published transpositions as necessary. / Voix Haute Et Piano