SKU: PE.HX9009
UPC: 241444409596.
This captivating ballad from Norwegian composer Lars Erik Gudim features the full woodwind section. Doubles for flute, clarinet, bass clarinet, and optional alto flute work together in a gorgeous ensemble setting. There is a brief open solo section for any instrument before the theme returns with expertly crafted orchestration and mesmerizing yet accessible harmonic twists. (6:00).
SKU: KN.52745
Recorded in 1998 by the Monday Night Big Band on their Thanks To Thad album, this is Part 3 of Thad's larger Return Journey Suite. It features lots of powerful writing for the full ensemble and abundant solo opportunities -- an open solo section for alto, tenor, trumpet and/or trombone, and piano and/or guitar. After a loud shout, a series of short drum solos lead to a strong finish. Duration 5:30.
SKU: KN.62310
UPC: 822795623109.
Kendor continues its tradition of publishing accessible charts that have integrity and style with this cleverly titled original for advancing groups. Set in a warm, contemporary feel, this straight eighth ballad features the pianist on written figures and a flugelhorn soloist that improvises over lush chord changes. Voicings are clearly notated for the pianist and bass lines are provided to assist student players. This piece should be approached like a wind chorale with bucket-muted brass playing smooth legato articulations. Strategically placed dynamic contrasts add to the appeal of this innovative work. A guitar chord chart by Jim Greeson is included in each set. Duration 4:50.
SKU: CL.SCM-1085-00
This one starts with a slow unison sax melody leading to a full sax soli restatement of the main theme. A change to Double Time leads to the tenor sax and trumpet solos, followed by a bass solo. A soft ensemble chorus leads to a chorus and a half in classic shout chorus style. Written suggested solos provided. Includes an optional flute part. Written ranges: Trp. 1 ( Bb) , Trb. (Gb) , Alto (C).
SKU: CL.SCM-1085-01
SKU: KN.52105S
Featuring a walking bass line and an easy swing groove, piano carries the solo work in this contemporary score by the great Thad Jones. In the final half, the sound of muted brass contributes to the intimate bluesy mood. A piano solo 'ala Basie' closes it all out beautifully. Duration 4:40.
SKU: KN.52325
This accessible ballad, penned during Thad's later years in Denmark, is a rubato study in full-band expression. It opens with fortissimo brass, transitions to a quiet midsection showcasing saxes/woodwinds, then recaps the strong opening before going out very quietly with soprano (or alto) sax and trombones only in the final bars. No improvised solos are required. Duration 4:00.
© 2000 - 2024 Home - New releases - Composers Legal notice - Full version
