A jazz waltz that swings at 170 BPM. A great hook melody by the great Mingus that grabs you, written solos for alto and trombone 1, and trumpet 1 range is to written G top space. All the ingredients you need for a fine chart. (3:30) / Ensemble De Jazz

Le génie de Cole Porter brille à travers dans la présente norme familier. Graphique de tempo modéré de Roger est un fouet qui va ensemble facilement. Grands sons ! / Jazz Band

Great vocal chart! A samba treatment of this popular song, the vocalist range is G below the staff to middle line B. With great horn parts, lead trumpet range to written A, and a tempo around 104 BPM in cut time, this is an excellent vocal chart. Includes optional lead parts for B-flat, E-flat, and bass clef instruments. (3:19) / Ensemble De Jazz

Par BERG KRIS. It's the annual chicken chart! No Harm / No Fowl by Kris Berg is a very accessible rock groove played around 146 BPM, and features written-out solo opportunities for all saxes and all brass, and lead trumpet range is to written G on the staff. This chart has a catchy melody, is fun to play, and will please the band and the audience---we promise! (4:30) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Jazz Ensemble

A fine vocal chart of a wonderful standard treated as a moderate swing. Arranged in two keys for flexibility, the low female key is C, and the vocal range is G below middle C to third line B. The high male key is F, and the range is middle C to top space E treble clef. Lead trumpet range is to written B above the staff. Includes a written-out tenor solo. / Ensemble De Jazz

Par MONTGOMERY WES / WHITE TERRY (Arr.). Naptown Blues arranged by Terry White is an accessible straight-ahead swinger played around 150 BPM, with a nice sax soli, written-out solos for alto 1, tenor 1, trumpet 1, and trombone 1. Trumpet 1 range is to written E top space with optional G, plus check out the hot shout chorus. Plenty of optional instruments plus vibes. Everything you need to succeed! (3:16) This title is available in SmartMusic. / Date parution : 2022-10-12/ Répertoire / Jazz Ensemble

Vous cherchez un tableau de vacances savoureux et facile à monter? Découvrez cette balançoire moyenne à 120 BPM avec des solos écrits pour ténor sax et trompette 2 avec la gamme de trompette plomb jusqu'à G écrit sur ??le dessus du personnel. Toutes les sections obtenir un morceau de l'amusement dans ce tableau, parfait pour n'importe quel concert de vacances. Digne d'un roi! / Ensemble De Jazz

It's funky and accessible---it's a Gordon Goodwin tune arranged for young band. The tempo is around 180 BPM with written-out solos available for any saxophone. The lead trumpet range is to written G on top of the staff. Great chart! (2:38) / Ensemble De Jazz

A vocal chart and slow swing ballad at 70 BPM. The vocal range is G below middle C to A-flat second space. Lead trumpet range is to written A and includes a written-out solo for trombone 2 and optional lead parts for B-flat, E-flat, and bass clef instruments. Great tune, fine chart. (4:44) / Ensemble De Jazz

Composed by brothers Cannonball and Nat Adderley, this straight-eighth groove will captivate. At 120 BPM, the lead trumpet range is to written G on top of the staff, solos are written-out for alto and tenor, and check out the stop-time section followed by the big shout chorus. Includes an optional vibraphone part, too. Highly recommended chart. / Ensemble De Jazz

Jazzin' the World is a superb holiday medley featuring 'Joy to the World,' 'Silent Night,' 'Deck the Halls,' and 'Greensleeves.' This chart can be performed with each tune played individually or as the full medley with a variety of styles and tempos. Features include the lead trumpet range to written G on top of the staff, an auxiliary percussion part, and optional parts for flute, clarinet, and vibraphone. This arrangement by Victor López will cover all your holiday needs, it will sound great! (4:19) / Ensemble De Jazz

Ce morceau, destiné à alimenter le répertoire du 1er Orchestre National de Jazz, fut composé en novembre 1985. Les influences africaines que l'on peut repérer à son écoute sont indéniables, surtout lorsque l'on sait qu'il a été composé à partir de chants pygmées. Kalimba est d'ailleurs l'un des noms que l'on donne en Afrique de l'Ouest à un petit instrument à lamelles métalliques et caisse de résonance généralement en bois, le piano à pouce.Enchevêtrement de petits motifs mélodiques, permettant une grande diversité dans l'instrumentation, liberté dans l'organisation de la forme, succession de différentes signatures rythmiques, travail sur l'harmonisation des motifs, tel a été le schéma directeur de cette composition.Je souhaite que vous ayez plaisir à le jouer. (François Jeanneau) / Big Band