SKU: KN.52095S
This medium-tempo blues for proficient groups gives solos to soprano sax and piano, followed by a solo chorus that can be opened up for tenor, trumpet and/or trombone according to your band's strengths.
SKU: KN.52745
Recorded in 1998 by the Monday Night Big Band on their Thanks To Thad album, this is Part 3 of Thad's larger Return Journey Suite. It features lots of powerful writing for the full ensemble and abundant solo opportunities -- an open solo section for alto, tenor, trumpet and/or trombone, and piano and/or guitar. After a loud shout, a series of short drum solos lead to a strong finish. Duration 5:30.
SKU: FJ.HX9001
UPC: 713289261061. English.
A driving samba with modest ranges and a fiery sax soli section, Porto Alegre features carefully notated rhythm section parts, suggested piano voicings, a transcribed solo for trombone and/or trumpet, and great input from every section. The entire ensemble gets in on the action and there are optional parts for flute/violin, clarinet and F horn, with the lead trumpet range to written F top of staff. A fresh approach to jazz for developing ensembles!
SKU: KN.43255
UPC: 822795432558.
Commissioned by the Jazz Division of the Illinois Music Educator's Association, this Basie-style swing chart is based on the chord changes to the jazz standard Sunday. Rich voicings and solid swing figures combine to create outstanding ensemble work for the entire band. Though chord changes for the solo section are provided for alto, tenor, trumpet and trombone, guitar or piano may also substitute for any of the horn solos. Rhythm section parts are notated with chords cued. Duration 4:50. Available in SmartMusic.
SKU: PE.HX9015S
Brimming with optimism, this original chart from Jamie Roth pulls from gospel tradition in a bright and cheerful full-band setting. After a straight-eighth-note introduction builds to a huge plagal cadence, the band emerges in shuffle swing time with each section featured in turn. Solo changes are provided for Piano, Alto 1, Tenor 1, Trumpet 2, Trombone 2, and Guitar. A transcription of the Tenor Sax solo from the recording is provided. Detailed rhythm section parts include written bass lines and suggested piano voicings. Great writing with lots of tasty lines for every part in the band! (Top trumpet note: C6).
SKU: PE.HX9015
SKU: PE.HX9001
SKU: KN.52418
ISBN 9786540277478.
Recorded by the University of North Texas One O'Clock Lab Band on their Lab '95 album, the opening piano solo is a rubato, out-of-tempo intro fashioned after the music of Bill Evans. When that ends, the band enters in a relaxed, medium swing groove. Solo choruses for tenor and trumpet (or flugelhorn) and strong ensemble work provide the finishing touches. Duration 5:30.
SKU: AP.1-ADV31007-1
English.
St. Louis Blues is a true big band classic that features solos for alto sax (reed 1), trombone, trumpet, and piano. Recorded by the legendary Thad Jones-Mel Lewis Jazz Orchestra and arranged for big band by Bob Brookmeyer.
SKU: AP.1-ADV31007
UPC: 805095310078. English.
SKU: KN.41790
UPC: 822795417906.
The great Count Basie was the master at short solo fills that were beautifully crafted musical statements. This medium swing chart in the Basie style features a piano, with written piano fills. Scored for 4 horns with rhythm section and expandable to full big band, written or ad lib solos for all are included, along with optional parts for flute, clarinet and horn in F.Trumpet Range = Eb5Trombone Range = Eb4.
SKU: KN.63310S
UPC: 822795633108.
Based on the chord changes to Bye Bye Blackbird by Ray Henderson, this swinging chart is a workout for the full ensemble. Written for beginning groups, it's a great chart to introduce swing figures on a jazz standard. Brass ranges are accessible with trumpet up to G5 and D4 for trombone. Rhythm section parts provide the drummer with a solid concept of what to play, and notated piano voicings and bass lines are provided. The solo section is written out with solo sheets provided in all keys along with scales to assist students in improvisation. Duration 3:25.
SKU: AP.41141S
UPC: 038081471006. English.
An excellent swing chart for a strong band. At 184 BPM, the chart opens with a small group contrafact and includes some solo space for alto, trombone, and piano, followed by a kickin' sax soli and a shout. Lead trumpet range is to written high D. A quality chart top to bottom. (4:52) This title is available in MakeMusic Cloud.
SKU: KN.SN70160
UPC: 822795701609.
As recorded on the SWR Big Band Basie-cally Sammy CD, this updated arrangement stars tenor sax, trombone and piano in the solo roles. The tempo is bright, the ensemble work is designed for more mature players, and trumpets double on flugelhorn.
SKU: AP.50950
ISBN 9781470669874. UPC: 038081591766. English.
This chart is a very hip funky rock with a driving groove. Played around 92 BPM. Solos are provided for trombone 1 and alto 1. Lead trumpet range is to written G on top of the staff. This chart will really work best with electric bass and piano. The band will dig it! (4:15).
SKU: AP.41171S
UPC: 038081479460. English.
A fine chart for a concert, a festival, or a dance gig. A medium swing at 114 BPM, written solos are provided for alto, trombone 1, and piano. With great dynamics, sax solis, and a sweet shout chorus, this chart swings all by itself, and you'll love its voicings, too. Optional vibes. (4:04).
SKU: AP.50950S
ISBN 9781470669881. UPC: 038081591773. English.
SKU: AP.1-ADV32102
UPC: 805095321029. English.
Avocado by Klaus Ignatzek and arranged by Greg Yasinitsky, is a breezy calypso that features very reasonable brass ranges, written ad lib solos for trumpet and trombone, and a fully-notated piano part for players with limited jazz experience.
SKU: CL.032-3633-01
This is one very cool and tasty ballad. After a short 4 bar piano intro, the melody is played by a quartet made up of your strongest players - trumpet, alto, tenor and trombone. The whole Band joins in for some great ensemble work (trumpets never leave the staff) which leads into an easy but very hip piano solo. Then more great ensemble, and finally the piano is again featured at the end. The piano part is completely written out, and the right hand has a single note line throughout. There's nothing high, loud or fast here - but what a great way to impress and audience by showcasing your band's ability to play with A Gentle Touch.
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