John Clayton penned this gorgeous ballad treatment for the great Joe Williams. With exquisite reharmonizations and carefully crafted accompaniment figures the mood starts out mellow then arcs beautifully to a full ensemble climaxbefore tapering to a quiet ending. (Altos double Flute Tenors double Clarinet Bari. doubles Bass Clar.)Recorded on “Smack Dab in the Middle” – The Hal Leonard Jazz Orchestra conducted by JohnClayton (07011581)

Carefully adapted for younger players this arrangement of Cannonball Adderley's classic is set in a jazz-rock style throughout. The style remains faithful to the original yet ranges and rhythms are moderate enough for young bands. Solos are provided for alto sax and trumpet.

Using a relaxed ?bolero? style Michael Mossmans inventive and sophisticated setting of this familiar standard is a refreshing addition to any program. Youll find cascading ensemble figures interweaving sax fills and solos for alto andtrumpet in this skillfully written arrangement.

Enregistré par Fitz and the Tantrums on retrouve cet air accrocheur souvent dans la culture pop sur les ondes ainsi qu?au hit-parade. Cet arrangement facile pour ensemble sera reconnu tout de suite et ne nécessite pas de solos.

Basée sur la version enregistrée par Clifford Brown avec un accompagnement de cordes cette ballade merveilleuse de 1930 permettra à votre trompette solo de jouer des lignes lyriques. La partie solo a une étendue modeste et des exemples de phrases adaptés de l?enregistrement de Clifford Brown.

This haunting ballad from the '40s received notoriety as the theme song for television's Mike Hammer. The saxophone section takes the spotlight here while the brass add background figures to spice things up. Also included is asolo or soli section for saxes. (Includes CD)

Trombones and saxes lead the way on this Billy Preston favorite from 1973 while the trumpets add the sassy answering figures. With the familiar melodies and funky groove this is sure to be a hit.