Par . Here is an economical collection of 15 complete arrangements in a variety of styles. Perfect for quickly building a library of great sounding charts. Playable with 3 saxes, 2 trumpets, 1 trombone, piano, drums. Includes: Ain't No Mountain High Enough; Baby, It's Cold Outside; Blue 'n' Moody; Blue Train; Come Fly with Me; Final Countdown; Green Onions; Hawaii Five-O Theme; Livin' on a Prayer; Puttin' on the Ritz; Sesame Street Theme; Sway (Quien Sera); 25 or 6 to 4; What'd I Say; and You've Got a Friend in Me. Full-band demo recordings are included. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-04-05/ Recueil / Jazz Ensemble

The Hal Leonard Jazz Combo Paks are a versatile and inexpensive way to put four fantastic charts in front of your high school or college combo. The flexible instrumentation provides many options for covering theparts; the arrangements are absolutely top notch; and at $45.00 for four standards you will never find a better value.Instrumentation:- Line 1 (lead or harmony): Alto Sax Trumpet Soprano Sax Clarinet Flute Vibes- Line 2 (lead or harmony): Alto Sax Bari Sax Trumpet Soprano Sax Clarinet Trombone- Line 3: Bari Sax Tenor Sax Trumpet TrombonePak #33 includes: All of You • Easy to Love(You'd Be So Easy to Love) • Ev'ry Time We Say Goodbye • I Love You. (Note: CD includes tracks for two paks.)

Includes: Soulful Mr. Timmons James Williams £ Ms. B.C. Pamela Watson £ A Bittadose Robert Watson £ Little Man Charles Fambrough £ What Do You Say Dr. J. James Williams £ E.T.A. Robert Watson.

Jazz Ensemble Library - Grade 4 From David Sanborn's CD Hearsay comes this funky rock feature for alto sax. This authentic-sounding arrangement features alto and guitar on the melody tight horn writing and requires a fairlymature rhythm section. A great way to add a contemporary edge to any concert or festival.

Nothing says good ol' rock and roll quite like Elvis Presley's version of this great tune. This chart is written with a strong shuffle groove and features the familiar stop-time opening followed by a swinging chorus. A solosection featuring Tenor and Trumpet and a shout chorus round it all out. Hot!

In Tempo, sur l'album du big band Lumière Yesternow était la deuxième partie d'un arrangement que j'avais écrit sur un thème signé Miles Davis, Tout de suite. J'ai eu par la suite le désir de faire cette partie une pièce autonome. C'est ainsi qu'elle est devenue In Tempo. Elle est presque entièrement écrite. Le conducteur est ainsi pratiquement une partie de piano dont il est difficile de s'éloigner, de même qu'il l'est de juxtaposer plusieurs instruments harmoniques. J'ai employé ici une technique de composition que j'utilise rarement, en tout cas de façon aussi systématique. La trame harmonique consiste en une suite d'accords de trois ou quatre sons à basse étrangère, qui s'enchaînent le plus souvent de façon arbitraire. On ne trouvera donc aucune logique tonale ou modale. Le solo (par Philippe Sellam au saxophone alto sur Yesternow et Flavio Boltro sur In Tempo) est rendu assez ardu par ce système. C'est pourquoi la partie de soliste reproduit purement et simplement le conducteur. Il ne faut surtout pas essayer de coller à chaque accord, mais tâcher de jouer le plus librement possible sur ces fonds un peu complexes. (Laurent Cugny) / Big Band / Partition

From the driving rock style to the familiar call and response refrain this easy arrangement of the Ray Charles classic will be fun to play and easy to learn. (Remember the John Belushi Beethoven skit from Saturday Night Live?) (Includes full performance CD)

Here's the catchy Motown hit recorded by the Jackson 5 in a solid chart for young players. A solo alto sax is featured on the melody but there is also plenty of solid tutti scoring throughout.

Originally recorded in 1984 by Stevie Wonder here is a smooth version in a cha-cha style that provides a very appealing setting for vocalist. Michael uses some harmonic twists and turns interesting and creative background figures and includes solospace for trumpet.