One of the hottest Beatles' tunes of all time for beginning jazz ensemble? You bet! Chris Sharp has done an excellent job of retaining the flare that made this one of the world's most beloved songs. No solos - just straight ahead ensemble writing with an easy shout chorus.

Often recorded by jazz artists this standard is famous for its distinctive harmonic structure and flowing melody. Beautifully adapted in an easy version Roger's chart is written in a slow swing ballad style.

George Shearing's classic from the 50's is arranged here in a moderate Latin style which is actually closer to the original version. Mainly scored for the full ensemble Mark includes a few meter changes to spice things up andthere are solos for alto trumpet and drums. (Flute is optional)

Accompanied by drums on brushes saxes take the first round followed by the brass on this tasty bop-style original from Mark Taylor. Plenty of nice ensemble work and section feature spots spice up this winner. Solos are for trumpet and tenor.

Professional Editions-Jazz Ens-This Beatles classic is treated to a creative and varied setting in this production number from Richard Tuttobene. The lush chorale-like opening leads to a jazz waltz setting of the main theme featuring a flugelhorn soloist. Thefull ensemble isfeatured in a straight ahead swing section and the slow chorale style from the opening makes a brief yet effective return near the end. A unique tour de force for mature ensembles.

Written to feature former Hoosier Jeff Hamilton on drums this John Clayton arrangement gives this standard tune a few new twists and turns. While serving primarily as an accompaniment for the drummer on brushes it's a wonderfulstudy in ensemble playing in a medium swing tempo. Tasty! Recorded by the Clayton-Hamilton Jazz Orchestra on “Explosive!”