Set in a distinctive medium swing/shuffle groove, Michaels version for young ensembles presents a contemporary styling of this classic song from Porgy and Bess®. Mixing a variety of ensemble textures, a stop time solosection, and briefly slipping into a new key during the final chorus, this is sure to be a standout for festival or casual concert use. Solos are included for tenor sax and trumpet. / Partitions variété - pop - rock / Musique films - comédies musicales / / HAL LEONARD

Discovery Jazz. Par SWEENEY MICHAEL. / Niveau : 1.5 / Pédagogie / Répertoire / Jazz Ensemble

First recorded by Michael McDonald and the Doobie Brothers back in 1976 this driving rock tune has stood the test of time for 3 decades. Here is a hard-hitting arrangement for jazz ensemble that has plenty of punch and energy but is easy to put together.

Always the experimenter looking for new ideas and sounds Michael Mossman has combined 2 Latin styles in this unique composition. Displaying a nice melodic sense and skill in orchestration Michael writes interesting parts for allsections and also includes a trumpet solo and trombone soli in this great-sounding chart.

With an aura of mystery and a sneaky medium swing style this original from the pen of Michael Mossman features skilled and effective writing for the entire ensemble. The trumpet section is featured at the top and there areflexible options in thesolo section.

Using a combination of the Brazilian styles Choro Partido Alto and Samba Michael Mossman has crafted this substantial work for mature bands. Solos for alto tenor and trumpet are intertwined with sizzling ensemble lines andpunches. The drum and percussion parts are carefully notated to insure the proper interpretation.

A medley of four spy themes featuring Goldfinger, James Bond, Soul Bossa Nova (Austin Powers), and Secret Agent Man. Another clever, fun-to-play, and educational chart from arranger Michael Story, this chart will help students learn the stylistic differences between Latin, swing and rock styles and have a ball doing it. No solos, easy rhythms, modest ranges, and plenty of fun ensemble playing. Yeah, baby!

One of the early hits from Michael Jackson  Bad featured a signature bass line and a strong melody. This instantly recognizable rock chart will sound great even with limited rehearsal time.

Recorded by Michael McDonald this bluesy tune features a moderate shuffle groove and a distinctive contemporary sound. Scored with plenty of variety this appealing chart also includes solo space for trumpet and/or tenor sax.

If you are looking for a little gospel rock to spice up your next concert check out this new original from Michael Sweeney. Featuring catchy riffs and a flexible solo section this hot chart is fresh-sounding and solidly scored.

Here's a fun original swing tune with a bit of an edge! Michael Sweeney again shows his understanding of this easy level in this well-written blues that features some minor dissonances for spice and a melody that really swings.Includes sample solos for alto and trumpet but you can have anyone solo. Your band will sound great playing this one!

Grade 1.5This enduring standard by Hoagy Carmichael continues to sound fresh year after year. The notable recording by Ray Charles with it's lush harmonies and bluesy ballad style is hinted at in this easy setting for jazzensemble. The short solos for trumpet sax and trombone may also be played as section features. Great for developing balances and ensemble playing. Dur: 1:45

Dave Barduhn has given this laid-back Hoagy Carmichael classic an inventive down and dirty treatment. It's a proven crowd-pleaser and with the impressive alto feature it's certain to become a favorite of all who play it.

As performed by the Carnegie Hall Jazz Band this Michael Abene chart opens in a relaxed swing style in a moderate tempo. Michael brings as much of himself to this chart as the original song itself as he weaves in new materialcreating an arrangement that builds to a hard-hitting full ensemble climax. Includes solos for piano and baritone sax.