SKU: SU.80101352
Keyboard Duration: 5' Composed: 2014 Published by: Zimbel Press The formal inspiration for this piece came from early Italian keyboard toccatas (those of Frescobaldi are probably the most famous today, though there are certainly many others). However, the early influences do not come exclusively from a single source. The toccatas of Hassler, the ricercari of Steigleder, the fantasias of Cornet and Kerckhoven, the fugues of Couperin, and anonymous late medieval keyboard music all are thrown into the mix, and blended with a contemporary use of mixed modality. This piece may be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard).
SKU: HH.HH451-SOL
ISBN 9790708146582.
At the heart of George Berg's oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg's sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.
SKU: HH.HH450-SOL
ISBN 9790708146575.
At the heart of George Berg’s oeuvre are his seven collections of keyboard music. His sonatinas for harpsichord were a by-product of his teaching, appearing in three volumes between 1759 and 1762. Technically fairly simple, these are lively, inventive and finely polished works. Berg’s sonatinas are as well suited to the piano as the harpsichord sonatas of Domenico Scarlatti from which they draw so much inspiration, provided that the player makes sparing (or no) use of the sustaining pedal and avoids over-fussy dynamic variation.
SKU: SU.80101322
A set of 24 three movement sonatas that can be played on any keyboard instrument (organ, piano, harmonium/reed organ, harpsichord, clavichord, or electronic keyboard). The composer writes the following: My inspiration for composing these sonatas comes as a direct result of the music of the Renaissance and early Baroque. It is an attempt by this composer to capture in his own musical vocabulary some of the 'essence' that pervades the music of these past centuries. These pieces are easy to play and extremely useful for services, recitals, or teaching. Instrumentation: Keyboard. Composed: 2012 Published by: Zimbel Press.
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