Einstein on the Beach was a seminal work of opera that broke all the rules being non-linear non-narrative episodic dreamlike and five hours long. A collaborative creation between Glass and theatrical director Robert Wilson it was described by one critic as ‘a mixture of mathematical clarity and mystical allure’. The subject of the play is the life of Albert Einstein. The subject of this book is the complete libretto as well as a description ofthe creation of the work biographies discographies lists of works photographs and complete credits for the original work. For any admirer of Philip Glass Robert Wilson or modern opera this book is a necessity.Americancomposer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music withrepetitive structures.’ His operas including the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his ownperforming group The Philip Glass Ensemble.

The Libretto to Nicholas Maw's opera in four acts based upon the post-war dramatic novel by William Styron.

The Palace is an Opera in a prologue and three acts with music by Aulis Sallinen and libretto by Irene Dische and Hans Magnus Enzensberger. This work was commissioned by the Savonlinna Opera Festival and was first performed in Olavinlinna Castle Finland on 26 July 1995. This libretto includes a Finnish translation.Duration: approx. 2 hours.

Libretto for Caritas an Opera in Two Acts.Caritas’ is in two acts the first consisting of 12 short scenes the second being a continuous scena.The overall form of the opera retains the architecture of Wesker’s stageplay but alters the proportions in order to create a musically dynamic form. While each scene of the first act is centred around a specific pitch the second act is a Passacaglia whose ‘ground’ is a Cantus Firmus eachrepetition of which begins on a different note from those of its previous statements. These large-scale architectural features are both reflected in and derived from the musical material itself.

Andrew Porter says '. . . a stirring and beautiful adventure. . . He has written some of the most ardent love music since Messiaen's and love music finds its place in the opera. . . There is also music of pain and despair. Bell sounds chants choruses electronics swelling harmonies sharp-focus solo lines fill the theatre with deep ever-changing ever-stirring music.' The Observer 13 June 1993

Par GILBERT W.S.. Libretto of the popular comic opera, Trial By Jury, composed by Arthur Sullivan and W. S. Gilbert, which premiered at the London Royalty Theatre in March 1875. / Date parution : 2023-03-11/ Livre / Chant

The Libretto for Simon Holt's The Nightingale's To Blame Co-commissioned by Opera North Huddersfield Contemporary Music Festival and Munich Biennale