Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Grade 6 to Grade 8, for low voice. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix Basse et Piano

Par . Edited by Ilaria Narici, Ricordi's Ausgewählte italienische Lieder (Essential Italian Art Songs) present songs from the 19th and 20th centuries. Available for high and low voice, Ausgewählte italienische Lieder is perfect for students, teachers and art song overs as the collection comes with biographical information, text translation in Italian, German and English, and recorded diction lessons and accompaniments which are available to stream online. / Date parution : 2023-06-01/ Recueil / Voix Basse et Piano

Liriche del XIX e XX secolo per voce grave. A cura di Ilaria Narici-Designed for students teachers and professional singers. Ideal for competition use by soloists university students and professional singers it includes songs both in the original key or transposed. In addition the edition includes an historical introdu

pour voix moyenne ou grave-The melodies of MAURICE RAVEL (1875-1937) span the entire chronology of his creative output from his earliest song BALLADE DE LA REINE MORTE D`AIMER (1893) written during his student years at the Paris Conservatory to the cycle DON QUICHOTTE ÀDULCINÉE (1932-33) his last compositions in any genre. In his songs Ravel’s text settings display a meticulous attention to detail. Ravel´s melodies are elegant and refined classical in their phrase structure. In his treatment of rhythm Ravelfinds subtlety within traditional meters and dance forms-minuet waltz folk dances (especially Spanish dance) -also shape the rhythm in many of his songs.

This graded songbook will help you develop the skills -required to sing in a foreign language. An invaluable resource for all singing students and teachers.This edition is for elementary level low voices and contains songs in French German and Italian. A detailed pronunciation guide is included using the International Phonetic Alphabet. Each song includes background information as well as technical and musical teaching points.The accompanying CD boasts a full pronunciation guide by native speakers as well as full recordings of all accompaniments for practice and performance.

With a CD of performances and accompaniments including the first publication of two early songs. Includes the first ever publication and recording of two early songs: ?Mother I cannot mind my wheel ? and ?Hey nonny no!?These songs were chosen as being especially useful for student singers. Also includes the little known ?Slumber Song of the Madonna? and ?Strings in the earth and the air ? both published in Barber: Ten Early Songs(50482014). The lovely recorded performances will help teachers and students to become familiar with these songs.

This volume brings together a collection of Donizetti's songs, some of which were published in several editions during his lifetime and in the years just following, while others have never been in print. Professor Paton has once again produced a collection that will be a valuable tool both for students of singing, and for professionals looking for fresh recital material.

Singing in French-French is a language beset with problems especially for non-native speakers. Where should there be a liaison between one word and the next? What mouth shape is needed to produce a tricky vowel sound? What about nasal vowels - or all those silent consonants? This book contains all the tricks of the trade: the singer need never fear singing in French again.The Boosey Voice Coach is an entirely new concept in vocal training. Not a self-teaching manual and not filled with off-putting diagrams this series is a wholly practical guide to singing - learning about technique and interpretation through the repertoire itself.Each volume is devoted to singing in one particularlanguage. In each volume of the series works from the vocal canon have been selected specifically by Mary King for their technical and musical challenges. Each piece is discussed at length starting with the words ('Text' - including a literal translation as appropriate) moving to general advice about how the song might be approached ('Notes') and then addressing the technical difficulties the music presents ('Skills'). Expressed in clear language Mary King's approach is direct practical and not limited to one particular teaching method. Any student will find that these books enrich and complement their vocal studies.

With diction lessons recorded by Irene Spiegelman German diction coach at the Metropolitan Opera and piano accompaniments recorded by Laura Ward this collection of the most often taught Brahms songs is an excellent introduction to lieder. The diction for each song is recorded twice: first recited as an actor would speak it showing flow of the language and mood followed by a slow deliberate lesson allowing time for the student to repeat each line. This experienced language coach adapts the ?R? in German in the slow versions as recommended for classical singers. She is also very sensitive to liaisons between word sounds in the musical settings.

Thirty-four songs from 17 composers complete with historical information. A useful sourcebook for student singers. Edited by Steven Stolen and Richard Walters.

Twelve sacred songs including The Lord's Prayer I Wonder As I Wander and The 23rd Psalm arranged for Low Voice. The accompanying CD contains piano backings and examples.