Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

Italian composer Franceso Paolo Tosti (1846-1916) wrote more than 350 songs, among which were favorites of famous singers, from Caruso and Tetrazzini in his day to Pavarotti and Carreras in ours. With a direct and simple grace and sensual Italianate vocal lines, his works were in some ways an art music reply to the Neapolitan folk tradition. Featuring 30 Tosti songs available for the first time in two keys, these editions present excellent material for teaching the basics of classical singing as well as for the recital stage. They also include translations for study, a biography of the composer, and a select discography. / Voix Et Piano

Every vocalist will want to have a copy of this once-in-a-lifetime collection of Jay Althouse arrangements. Every song is a hit! Fresh, accomplishable arrangements to cherish forever. Includes: Anything Goes * At Last * Blues in the Night * Don't Get Around Much Anymore * Ev'ry Time We Say Goodbye * I Only Have Eyes for You / The More I See You * Lullaby of Broadway * More Than You Know * Send in the Clowns * Skylark * Someone to Watch Over Me * Together Wherever We Go.

Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Grade 6 to Grade 8, for low voice. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix Basse et Piano

- Im wunderschönen Monat Mai - Aus meinen Tränen - Die Rose, die Lilie, die Taube - Wenn ich in deine Augen seh' - Ich will meine Seele - Im Rhein, im heiligen Strome - Ich grolle nicht - Und wüssten's die Blumen - Das ist ein Flöten und Geigen - Hör ich das Liedchen klingen - Ein Jüngling liebt Mädchen - Am leuchtenden Sommermorgen - Ich hab'im Traum geweinet - Allnächtlich im Traume - Aus alten Märchen - Die alten, bösen Lieder

This volume brings together a collection of Donizetti's songs, some of which were published in several editions during his lifetime and in the years just following, while others have never been in print. Professor Paton has once again produced a collection that will be a valuable tool both for students of singing, and for professionals looking for fresh recital material.

Pieces for Trinity College London Exams from 2023. Par . Graded books for Singing exams from 2023. Each book contains a selection of 12 accompanied songs for the grade as well as downloadable demo and accompaniment audio. The repertoire covers a varied range of styles and periods including musical theatre. Performance notes are included for all pieces in the book giving valuable insights, tips, and suggestions. / Date parution : 2023-03-11/ Recueil / Voix Basse et Piano

Pieces for Trinity College London Exams from 2023. Par . Graded books for Singing exams from 2023. Each book contains a selection of 12 accompanied songs for the grade as well as downloadable demo and accompaniment audio. The repertoire covers a varied range of styles and periods including musical theatre. Performance notes are included for all pieces in the book giving valuable insights, tips, and suggestions. / Date parution : 2023-03-11/ Recueil / Voix Basse et Piano

Par STRAUSS RICHARD. New practical edition of “Two Songs” op. 26 by Richard Strauss for voice and piano. It comprises “Frühlingsgedränge“ (“Voices of Spring“) and “O wärst du mein!“ (“O, wert thou mine!“) based on poems by Nikolaus Lenau. Strauss composed these songs from 1891-1894. He often accompanied his wife, the soprano Pauline Strauss-de Ahna, on the piano and worked with her on interpretations of his piano songs. The resulting entries of the composer (e.g. performance markings) are reproduced here. Based on the text of “Richard Strauss Works” – Critical Edition (RSW), with English translations by John Bernhoff./ Répertoire / Voix Basse et Piano

This well-known collection of 21 arias, some including recitatives, is an ideal introduction to singing in Italian, as well as providing useful material for the advanced performer. The set contains a varied selection of operatic arias, movements from solo cantatas, and songs. / Voix Basses

Par NICOLAI OTTO / FLOTOW FRIEDRICH VON. Trinklied Des Falstaff Aus 'Die Lustigen Weiber Von Windsor' / Aus: 'Martha'/ Répertoire / Basse et Piano