Low Voice Compiled by Joan Frey Boytim-Joan Boytim compiler of The First Book of Solos series is the most respected name in widely-used publications for the developing singer. She brings her expertise and vast knowledge of literature into the sacred genre with thiscollection which presents traditional sacred solos for classical voice and piano. The songs span from the easy to the more challenging but all are within the realm of a reasonable ?classical? solo for a churchservice. Some of the songs included have long been out of print. The 43 selections range from classics by Bach and Mozart to early 20th century favorites and rarities.

Contents: Rossini: La calunnia (Il Barbiere di Siviglia) ? A un dottor della mia sorte (Il Barbiere di Siviglia) ? Cornelius: Mein Sohn (Der Barbier von Bagdad) ? Smetana: Kezal's Aria (The Bartered Bride) ? Puccini: Vecchia zimarra (La Boheme) ? Mussorgsky: I have attained to power (Boris Godunov) ? Varlaam's Song (Boris Godunov) ? Pimen's Tale (Boris Godunov) ? Verdi: Dormiro sol nel manto mio regal (Don Carlo) ? Infelice! e tuo credevi (Ernani) ? Infin che un brando vindice (Ernani) ? Come dal ciel precipita (Macbeth) ? Il lacerato spirito (Simon Boccanegra) ? Di due figli vivea, padre beato (Il Trovatore) ? Mozart: Madamina! il catalogo e questo (Don Giovanni) ? Wer ein Liebchen hat gefunden (Die Entführung aus dem Serail) ? Solche herge laufne Laffen (Die Entfuhrung aus dem Serail) ? Se vuol ballare, signor Contino (Le Nozze di Figaro) ? Non piu andrai (Le Nozze di Figaro) ? In diesen heil'gen Hallen (Die Zauberflöte) ? O Isis und Osiris (Die Zauberflöte) ? Donizetti: Ah, un foco insolito (Don Pasquale) ? A tanto amor (La Favorita) ? Dalle stanze, ove Lucia (Lucia di Lammermoor) ? Tchaikovsky: Gremin's Aria (Eugene Onegin) ? Gounod: Vous qui faites l'endormie (Faust) ? Le veau d'or (Faust) ? Beethoven: Hat man nicht auch Gold daneben (Fidelio) ? Wagner: Mogst du, mein Kind (Der Fliegende Hollander) ? Mein Herr und Gott (Lohengrin) ? Nun hort und versteht (Pogner's Address) (Die Meistersinger) ? Tatest du's wirklich? (Tristan und Isolde) ? Ponchielli: Ombre die mia prosapia (La Gioconda) ? Meyerbeer: Piff, Paff (Les Heugenots) ? Gluck: De noirs pressentiments (Iphigenie en Tauride) ? Halvey: Si la rigueur (La Juive) ? Nicholai: Als Bublein klein (Drinking Song) (The Merry Wives of Windsor) ? Massenet: Epouse quelque brave fille (Manon) ? Flotow: Lasst mich euch fragen (Porter Song) (Martha) ? Thomas: De son coeur j'ai calme la fievre (Mignon) ? Dargomyzhsky: The Miller's Song (Rusalka).

For Low Voice & Piano-An extraordinary collection of songs by the undisputed master of the English Baroque Henry Purcell. All forty of the songs within this volume are for Low Voice and Piano and demonstrate his unique ability to marry dramatictexts and verses with delightful examples of English counterpoint. This volume has been edited and with realisations of the figured bass by Sergius Kagen.

of the 17th & 18th Centuries-Most Voice teachers and singers still prefer the pianistic wonderfully gratifying arrangements of this early Italian material made by Alessandro Parisotti in the 1880s. This new edition newly researched and engraved includesthe original Schirmer 24 plus four additional songs: Sento nel core (A. Scarlatti) O leggiadri occhi belli (Anonymous) Intorno all'idol mio (Cesti) Delizie contente che l'alma beate(Cavalli). With IPA word for word translations and historical information on each song and composer. A version with accompaniment CDs is also available: HL50485631.

Some of the most delightful, devout and dramatic arias from the sacred and secular stage works of G.F. Handel, all selected for low voice soloist. Volume 3 features 15 songs selected from such established favouritesasSamson, Julius Caesar and Alexander's Feast. Each piece includes a full Piano accompaniment derived and reduced from the original orchestral material. Edited by Sergius Kagen.
1. Affanni Del Pensier (Ottone)
2. Alma Mia (Floridante)
3. Bacchus Ever Fair And Young (Alexander's Feast)
4. Con Rauco Mormorio (Rodelinda)
5. Dank sei dir, Herr
6. Del Minacciar Del Vento
7. Dove Sei, Amato Bene? (Rodelinda)
8. D'Un Sventurato Amante (Armadigi)
9. E Pur Cosi In Un Giorno (Julius Caesar)
10. Honor And Arms (Samson)
11. Nasce Al Bosco (Ezio)
12. Pena Tiranna Io Sento (Armadigi)
13. Piangero La Sorte Mia (Julius Caesar)
14. Return, Oh God Of Hosts! (Samson)
15. Thy Glorious Deeds Inspired My Tongue (Samson)
16. Tutta Raccolta Ancor (Scipione)
/ Partitions classique / Vocale - chorale / Voix solo - piano / IMC

Good King David is tempted to sin and is humbled before God in this musical with catchy tunes and soulful ballads written for schools. The Old Testament of King David’s love for another man’s wife is the tale adapted forproduction in schools or churches. The Pupil’s Book of Bathsheba! includes all the words of the play. Contemporary British composer Sheila Wilson specializes in musicals for children havingwritten more than fifty including the popular Hosanna Rock! Her work has been performed around the world.

This collection includes new arrangements for voice and piano of six songs originally published in Ten Christmas Carols from the Southern Appalachian Mountains collected by John Jacob Niles as well as familiar classicscomposed by Niles. The recorded performances will help all become familiar with these new settings. All selections are appropriate for student singers as well as more experienced singers for use in Christmas services. Contents:The Carol of the Birds ? The Cherry Tree ? Down in yon forest ? The Flower of Jesse ? I wonder as I wander ? Jesus Jesus rest your head ? Jesus the Christ is born ? Lulle Lullay ? SeeJesus the Saviour ? The Seven Joys of Mary ? Sweet little boy Jesus ? What Songs Were Sung.

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for the original voice range) are here provided for both voices. The Notes (pp.165-170) show for which voice these were originally conceived and whether this has to do with a purely vocal facilitation or a musical variant. Unlike the Kindertotenlieder , the fifteen Wunderhorn Lieder do not form a cycle and do not even suggest a unified collection of songs such as the Rückert Lieder. They can only be organized according to their sequence of composition, which should, however, have no influence on the choice or order of a performance. As Mahler himself urged upon his singers: I ask at the very least that you determine the sequence of the Lieder yourself. (Letter to the baritone Johannes Messchaert, 1906)Langue : German / Ténor - piano / Universal Edition

Some of the most delightful devout and dramatic arias from the sacred and secular stage works of G.F. Handel all selected for low voice soloist. Volume 3 features 15 songs selected from such established favourites asSamson Julius Caesar and Alexander's Feast. Each piece includes a full Piano accompaniment derived and reduced from the original orchestral material. Edited by Sergius Kagen.

Par . This progressive method, written by Ralph Allwood and Andrew Morris, provides a carefully paced approach to the sight reading requirements of Trinity Singing exams at Grade 6 to Grade 8, for low voice. For each grade there are ten lessons, each with a clear area of focus, featuring a wide range of classical genres. Stage-appropriate sight reading tips, both general and specific to the voice, are given along the way. Official Trinity specimen sight singing tests conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. / Date parution : 2023-03-11/ Etude / Voix Basse et Piano

Singing Score Urtext edition-In spring 1827 Schubert performed the first part of his best-known song cycle ?Winterreise? for his friends for the first time. At this time he assumed that he had set all the texts belonging to the cycle to music. Only later did he come across the complete cycle of 24 songs in Müller?s volume ?Gedichte aus den hinterlassenen Papieren eines reisenden Waldhornisten? of 1824. As a result he set the twelve further poems as a separate group partly paraphrasing the songs in the first part and partly continuing them.The appendices also contain four songs ?Wasserflut? ?Rast? ?Mut? and ?Der Leiermann? in Schubert?s original keys before they were transposed downa tone by him or his publisher Haslinger .- Famous song cycle taken from the practical Complete Edition of Schubert Lieder Volume 3- Foreword by Walther Dürr discussing the history of the work?s composition and sources (Ger/Eng)- With an English translation of the song texts by Richard Wigmore