24 Classical Songs for Young Women Age 1 to Mid-Teen Low Voice-24 Classical Songs for Young Women Age 10 to Mid-Teen Low Voice. Joan Frey Boytim a nationally recognized expert on teaching the young voice has compiled this collection especially for young women singers. The 24 songs - exellent literature for the young classical singer - have been chosen not only for the vocal ability of pre-teens and young teens but also for the tastes and sensibilities of this age group. All songs are in English. Contents: An April Girl (Fairlamb) Boats of Mine (Miller) Care Flies from the Lad That Is Merry (Arne) Daddy's Sweetheart (Lehmann) Does He Love Me or Love Me Not' (Sterling) The Fairy Pipers (Brewer) Four and Twenty Snowflakes(Stickles) Heigh-Ho! The Sunshine (Phillips) Her Dream (Waller) Ho! Mr. Piper (Curran) Kitty of Coleraine (Irish) The Leaves and the Wind (Leoni) The Linnet's Secret (Rowley) Little Maid of Arcadee (Sullivan) The Minuet (Mosenthal) Molly Malone (Irish) My Daffodils (Berwald) Nursery Rhymes (Curran) The Secret (Speaks) 'Tis Spring (Ware) To My First Love (Löhr) Violets (Woodman) The Wind (Spross) You'd Better Ask Me (Löhr).

Voice and piano (classical)-Singer's World series holds a selection of different songs for a range of voices providing a progressive repertoire that builds with you own confidence and abilities. This is Book 4 for Low Voice which includes some songs which have been selected for use in the Trinity College Grade Examinations.

Selected and edited by Richard Walters these wonderful yuletide arrangements are specially designed to be suitable for the progressing Alto or Bass voice.Christmas is an exciting time for the student singer presenting lots of opportunities for performance as the seasonal celebrations gather momentum. These songs are familiar melodious and relatively accessible adding an extra dimension to the standard repertoire. Each song has been carefully devised to remain comfortably in a middle to lower-middle tessitura ideal for the inexperienced singer.The accompaniments are suitable for the intermediate pianist but retain a fresh and contemporary flavour. A CD isalso included offering both professional performances that illustrate model interpretations and an accompaniment track for practice.

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Lyrique-Dramatique

The OperAria repertoire anthology was much applauded when it came on stage with three baritone volumes in 2015. The successful baritone debut was followed in 2017/18 by the appearance of the four soprano volumes, also conquering hearts in no time. Now, another performance: The curtain rises on the bass volumes, the foundation of the vocal family for heavier, darker voices, though nevertheless brilliant and full of radiance. The protagonists have such well-known names as Bartolo, Don Basilio, Colline, Don Pasquale, Falstaff, Figaro, Kecal, Osmin, Sarastro. Other heroes less often in the limelight, such as Dulcamara, Sancho Pansa, Phanuel, and Sir Morosus, can certainly also count on much applause. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre. ' (Peter Anton Ling) OperAria is the ideal ?vocal coach? for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria ? repertoire anthology of opera arias according to vocal criteria (range, tessitura, specifics, type of aria) with due regard to practical aspects of musical and theatrical nature (style, era, role type, national provenance) with comments on the arias information on the composer, the librettist, the work, the range and of versions or casting a short synopsis of the contents illuminating the basic dramatic constellation in the context of the opera?s plot an evaluation from the singer?s point of view with ?phonetic assistant? and ?text assistant? aria texts in the original language spoken by native speakers as an audio file (mp3) aria texts in German and English translations as a text file (pdf) available for download / Date parution : 2019-09-06/ Recueil / Basse Dramatique

Baritone Book Only-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: Everything Old Is New Again (The Boy from Oz) · She's My Love (Carnival) · Those Were the Good Old Days! (Damn Yankees) · A Jug of Wine (The Day Before Spring) · Anyone Would Love You (Destry Rides Again) · All of My Life (Do Re Mi) · After Today (Dr. Doolittle) · Gigi (Gigi) · Store-Bought Suit (The Golden Apple) · The Best Things in Life Are Free (Good News) · Where Do I Go? (Hair) · I Love My Wife (I Do! I Do!) · It's a Well Known Fact (I Do! I Do!) · No More (Into the Woods) · They Go Wild Simply Wild Over Me (Irene) · Progress Is the Root of All Evil (Lil' Abner) · Love Who You Love (A Man of No Importance) · Marriage Proposal (March of the Falsettos) · Me and My Girl (Me and My Girl) · Reviewing the Situation (Oliver!) · I Talk to the Trees (Paint Your Wagon) · Isn't It a Pity? (Pardon My English) · No One Has Ever Loved Me (Passion) · I'm Back in Circulation (Redhead) · Love's a Bond (Saturday Night) · Bless Your Beautiful Hide (Seven Brides for Seven Brothers) · I Don't Remember Christmas (Starting Here Starting Now) · Once in a Lifetime (Stop The World I Want to Get Off) · The Barber and His Wife (Sweeney Todd) · The Mansion (Two Gentlemen of Verona) · If I Were the King of the Forest (The Wizard of Oz) · A Quiet Girl (Wonderful Town).

Arias for Bass-Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations.With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it showing flow of the language and the mood. The second version is a slow deliberate lesson allowing time for the student to repeat each line. These experienced language coachesadapt the ?R? in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each aria and wordfor word translations.The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian Pierre Vallet for French Irene Spiegelman for German Kathryn LaBouff for English Yveta Synek Graff for Czech and Gina Levinson for Russian. Companion to 50481101 Arias for Bass.