Edited Robert SpencerANONYMOUSDrury's accords; Duncomb's Galliard; Merry moodDANIEL John

This Rondo is the 3rd movement of a piano sonata indicated to be played 'in the Turkish style' and shows Mozart in playful mood. This edition for flute and piano certainly retains all the playfulness of the original.

Flute. 15 timeless and familiar classical themes in arrangements perfect for budding instrumentalists. It features online access to audio demonstration and backing tracks for download or streaming to help you hear how the song should sound then play along and sound like a pro! Includes: Blue Danube Waltz (Strauss) ? Can Can (from Orpheus in the Underworld) (Offenbach) ? Jesu, Joy of Man's Desiring (J.S. Bach) ? Morning Mood (from Peer Gynt) (Grieg) ? Ode to Joy (from Symphony No. 9) (Beethoven) ? William Tell Overture (Rossini) ? and more.

In Classic Hymns Philip Sparke has taken 10 of the best-loved hymn tunes popular around the world and used them as the basis of a collection of short recital pieces ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.

Piano Accompagniment-Winners Galore is essentially a series for unaccompanied use but whether for use in performance or for simply enjoying the experience of ensemble playing the addition of Piano accompaniment opens up a new playing experience for the beginner player. The 30 simple Piano accompaniments have been especially arranged:...'Blackadder Theme' 'Cornish Floral Dance' 'Flintstones Theme' 'Hava Nagila' 'I Do Like to be Beside the Seaside' 'In Dulci Jubilo' 'In The Mood' 'Irish Washerwoman' 'Last of the Summer Wine' 'Linden Lea' 'Little Donkey' 'Mairi's Wedding' 'March Slav' 'Minder Theme' 'Monty Python Theme' 'Morning from Peer Gynt' 'Muppet Show Opening' 'Portsmouth' 'Puppet on a String' 'Radetzky March' 'Russian Dance' 'Spread a Little Happiness' 'Teddy Bear's Picnic' 'The Ash Grove' 'The Elephant' 'The Entertainer' 'Tie Me Kangaroo Down Sport' 'Van der Valk Theme' 'Winter from The Four Seasons' 'Wombling Song'.'... a separate Piano accompaniment which even the pianistically challenged should be able to bluff their way around ...' - 'Music Teacher'

More attractive and easy studies in technique and rhythm set in jazz and popular idioms. These books have become hugely popular and have been integrated into grades 1-3 of the new ABRSM woodwind syllabus 2003-2006. 27 melodic studies all in jazz idiom some are in swing style and three include improvisation passages.There are helpful hints at the beginning of the book and several of the studies give a written indication of the mood. Recommended. Music Teacher Magazine

5 Pieces For Flute & Pian-These delightful pieces evoke different moods and lands in song and dance. The collection opens with a thoughtful Moonlight Sarabande followed by a haunting number in a quirky five eight rhythm On the Steps of Montmartre. Roumanian Song transports us to the folk culture of the Transylvanian mountains. A passionate South American Mango Tango gives us the feel of hot lazy afternoons in Buenos Aires. In the final Jigging we are definitely back North of the Border with the swirl of the pipes and the Highland swing of the Scottish fiddle.Cover: Flute Player Spanish Ceramic Tile 18th Century.

Arranged by Oliver Ledbury Big Chillers is an eclectic collection of well-known (and not so well-known) jazz standards and original pieces for solo Flute with Piano accompaniment. The music featured in this book covers a mixture of moods styles and tempos to capture the imagination yet still provide a challenge to players of a wide range of abilities. Big Chillers For Flute includes the pieces As Time Goes By On the Sunny Side of the Street Take the A Train A Nightingale Sang in Berkley Square Chattanooga Choo-Choo and more.

Grades 5-6-New Pieces for Flute Book II A collection of pieces specifically commissioned by the Associated Board to provide useful core material for its flute syllabus. Variety of rhythms styles and moods and the progressive introduction of new technical accomplishments will provide invaluable repertoire-building material for teachers Contents: Joseph Horovitz Arabesque Stephen Dodgson Circus-Pony Christopher Brown Dance John Hall Pan Pastoral Timothy Baxter Pastorale Christopher Brown Pastorale John A.N. Lambert Perpetuum Mobile Bryan Kelly Prélude Francais Timothy Baxter RondinoRichard Stoker Scherzando

Six original melodic pieces-This is an original set of pieces consisting of six atmospheric sketches which seek to capture the quicksilver character of the flute in all its moods from wistfulness to serenity to mischievousness and so on. The melodic impulse is maintained throughout affording maximum pleasure to players and listeners alike.

Premiered by Donald Peck principal flautist of the Chicago Symphony with Sir Georg Solti conducting the orchestra on April 18 1985. This piece encompasses many moods and textures in its four movements from martial attitudesthrough impressionist calm to metrically irregular blue-note harmonies.

Par DRUEL GUILLAUME. Animaux minute, ce sont 60 pièces très courtes (1 à 2 minutes) pour flûte seule, initialement composées pour la clarinette, et pensées pour accompagner un élève dès le début de son apprentissage, et tout au long de sa progression jusqu'aux niveaux les plus avancés. Ce n'est pas une méthode d'apprentissage, mais une série de 'vignettes', dans lesquelles on pourra choisir un morceau pour une audition, un examen... ou juste pour le plaisir. Au fil des morceaux apparaissent çà et là des éléments particuliers du langage musical. Par exemple, et dès la première page, on trouvera des appoggiatures brèves, et aussi une portée sans indication de mesure... Plus loin une note piquée, une syncope, puis deux... Tiens, un quintolet, tiens, un trille... Là, une cadence, un do bémol... donc ça existe ? Il faut croire ! Et plus loin, un Flatter... quoi ? Ah ? Ici on joue à la croche, plus tard on jouera à la blanche, à la blanche pointée... Ces petites découvertes sont distillées une par une, 'tranquillamente', couche après couche, et elles sont là non pas comme un simple prétexte d'exercice, mais parce qu'elles sont nécessaires à la musique. Les animaux proposent souvent leur rythme, leur chant, leur activité frénétique ou lente ; il y a leur milieu (l'eau, l'air qui ondulent...), leur localisation (l'Orient, l'Afrique et leurs parfums...); autant de pistes que j'ai pu suivre comme sources d'inspiration. Tout ce petit monde, tous ces petits mondes organisent le temps, le remplissent et le vident. Et organiser le temps, ne serait-ce pas ça, la musique ? Nous sommes principalement des tubes où passent des aliments, avec quelques appendices autour pour organiser la collecte desdits aliments. Chez les humains, ces appendices permettent aussi de jouer des instruments de musique. Guillaume Druel/ Recueil / Flûte Traversière