Traduction Doc Rossi Compositeur : Damiani Andrea Instrumentation : Luth Publication Date: 1999 Series: Teoria e Didattica della Musica (Theoretical and Educational Texts) Pages: pp. 208 CONTENTS * Preface * Introduction * CHAPTER 1. TUNING AND TABLATURE Tuning - Tablature (French tablature - Italian tablature - Rhythm symbols - Fingering and other symbols) - Stringing and doubling - Tuning practice (Practical advice on tuning - Tuning problems) - Strings * CHAPTER 2. BASIC TECHNIQUES Posture and position of the lute - Right-hand position - Right-hand functions - Sound production (Positioning p - Forearm movement - Attack - Positioning i) - Alternating p and i - Finger articulation for polyphonic passages (Positioning p - Positioning i) - Preparatory exercises - Differences from guitar technique - Body control * CHAPTER 3. THE RIGHT HAND Forearm and accentuation - Fingering * CHAPTER 4. THE LEFT HAND General principals - Preparatory exercises - Avoiding stiffness - Differences from guitar technique - Hand coordination * CHAPTER 5. SCALES Right-hand scale technique (Forearm movement - Finger articulation - Integrating the two techniques) * CHAPTER 6. EXERCISES FOR TWO LUTES Exercises on a ground bass - Contrapuntal exercises - Articulation - Dances and ground basses * CHAPTER 7. SHIFTING LEFT-HAND POSITIONS Fundamental principals - Position changes using the same finger - Position changes by substitution - Position changes by jump * CHAPTER 8. EXERCISES FOR TWO LUTES WITH POSITION CHANGES * CHAPTER 9. RIGHT-HAND TECHNIQUE IN POLYPHONIC MUSIC p-i articulation - Positioning m - Rest stroke with p - Left-hand positions and movement - m-i articulation - Combining p, i and m - Easy pieces in two voices - Two-voice scales * CHAPTER 10. COUNTERPOINT Voice progression and intervals - The species - Florid counterpoint - Imitation - Syncopation - Suspension * CHAPTER 11. CONTRAPUNTAL PIECES IN TWO VOICES * CHAPTER 12. THREE VOICES The right hand - Combining chords and single notes - Repeated chords and monophonic passages - Arpeggios - Chords and counterpoint * CHAPTER 13. CONTRAPUNTAL PIECES IN THREE VOICES Technical aspects: three-voice scales, the barre - Contrapuntal pieces in three voices * CHAPTER 14. CHORDS OF FOUR OR MORE NOTES The ring finger (a) - Five- and six-note chords - Chords played with p * CHAPTER 15. IDIOMATIC LUTE COMPOSITIONS Chords and divisions - Characteristics of lute composition * CHAPTER 16. TRANSFORMATION OF LUTE TECHNIQUE DURING THE 16th CENTURY Evolution of right-hand position - Exercises for m-i alternation * CHAPTER 17. TECHNIQUE Scales (Full-length scales in all keys - Scales with divisions) - Speed - Left-hand legato and ornamentation - The barre (Preparatory exercises - Barre exercises) - Scales in two and more voices (Two-voice scales - Three-voice scales) - Polyphonic patterns - Right-hand exercises * CHAPTER 18. RENAISSANCE PERFORMANCE PRACTICE Interpretation (Rhetoric - Sound quality - Rhythmic inequality) - Ornamentation (16th-century sources - The first half of the 16th century - The second half of the 16th century - The first half of the 17th century - The Elizabethans) * CHAPTER 19. TEMPERAMENT Meantone temperament - Equal temperament

Restart Flute guides returning players through 12 specially selected tracks to bring them successfully back up to speed with the flute at their own enjoyable pace. With additional exercises, tips and theory reminders, latent flautists will find the learning curve engaging and rewarding yet flexible, with special focus paid to common issues such as hand position, breathing and posture, and remastering the embouchure. The Restart series of books are written by specialist practising teachers for people rediscovering the joy of playing music again. Each title comes complete with an accompanying CD of popular and classical backing tracks and online support materials. / Flûte Traversière

Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicales nécessaires à l’obtention d’une structure assez solide et complète du jeu du luth baroque. Et c’est là tout l’enjeu et le défi de l’écriture de cet ouvrage : donner, au plus grand nombre de passionnés, l’opportunité de s’exprimer à travers le luth baroque, et ce, indépendamment de leur niveau d’apprentissage. Notre livre est destiné non seulement à celui qui n’a jamais joué d’un instrument de musique, mais aussi au guitariste avisé qui veut s’initier aux mystères du luth baroque ! Mode d’emploi Notre Méthode de Luth Baroque est divisée en trois parties. La première partie, plutôt théorique, aidera à mieux comprendre la façon de jouer la musique écrite pour le luth baroque. Nous avons jugé indispensable d’avoir des connaissances élémentaires de solfège occidental mais aussi de la tablature (forme de notation musicale spécifique au luth). Ces connaissances, insuffisantes si étudiées de manière isolée, ont été enrichies d’un lexique des pièces instrumentales ainsi que de biographies de la plupart des compositeurs de musique pour luth baroque à 11 et 13 chœurs. En deuxième partie, nous avons dédié tout un chapitre à l’étude de la technique et de la production sonore du luth. Riche en photos et détails de toutes les étapes techniques que nous devrons franchir, ce chapitre est, sans aucun doute, le plus important de toute notre Méthode pour bien comprendre l’univers sonore du luth baroque ! Ensuite, nous vous proposons 21 exercices, tous d’un niveau élémentaire, mais progressifs, accompagnés de plusieurs pièces de musique. Vous allez d’abord jouer des mélodies pour ensuite ajouter les basses, et seulement après commencer à jouer les ornements. En troisième partie, nous avons choisi près de 250 pièces pour luth baroque à 11 et 13 chœurs. Ces pièces, divisées en trois niveaux, sont d’un degré de difficulté qui s’échelonne du niveau « débutant », « moyen » à « avancé ». Nous avons, tout comme à l’époque baroque, séparé ces pièces selon leurs tonalités et leur nom. Aussi, nous n’avons choisi que très peu de tonalités différentes, afin que le luthiste débutant puisse travailler l’essentiel de son instrument, au lieu de perdre son temps à essayer de s’accorder tout le temps et de jouer des morceaux bien trop complexes pour son niveau. Il n’y a pas de mauvaise musique mais, parfois, il y a de mauvais musiciens ! Faire de la musique n’est simplement pas jouer des notes et réaliser quelques acrobaties, souvent sans intérêt. Un musicien « mûr » se plaît le plus souvent à jouer une simple mélodie et à jouir des merveilles sonores de son instrument ! Nous espérons que cette méthode pourra aider ceux qui n’ont pas accès à un professeur (même si nous leur conseillons d’aller en voir un le plus régulièrement possible), mais aussi tous les professeurs n’ayant pas suffisamment de matériel pour faire travailler, d’une manière systématique, leurs élèves. Bon courage à tous ! Miguel Yisrael - formerly Miguel Serdoura, now carrying the surname of his mother - was born in Lisbon, where he began his musical and artistic career, earning his Diploma in Classical Guitar in 1994. In 1995, he moved to Paris, where he studied the lute with Claire Antonini in the Early Music Department of the Conservatoire Supérieur de Paris - CNR. He also took part in several master classes in his discipline, with Rolf Lislevand and other prestigious artists. From 1999 to 2004, he completed his musical education at the Schola Cantorum Basiliensis in Basel, Switzerland with the grand maestro Hopkinson Smith. As a soloist, Miguel Yisrael has given recitals in France, Portugal, United-Kingdom, Germany, Belgium, Switzerland, China and USA. In 2000, he took part in a television documentary devoted to the lutenist Hopkinson Smith, broadcast by Arte, Mezzo, Classica, RTBF and TSR. He currently lives and teaches baroque and renaissance lute in Paris, where he gives frequent concerts/lectures in the framework of the “Musicien au Musée” program of the Musée de la Musique - Cité de la Musique in Paris. Miguel Yisrael performs on lutes built by Cezar Mateus, Princeton, USA, and with strings from Mimmo Peruffo, Vicenza, Italy. He recorded his first solo CD for the Dutch Label Brilliant Classics in 2008.

Marcel Moyse est devenu un des grands flûtistes légendaires du XXe siècle. Comme élève de Tannanel et successeur de Gaubert au Conservatoire National de Paris, il se situe dans la tradition directe de le ' école française '. Comment je suis resté en forme est son dernier livre des études (1974), présentées ici pour la première fois dans une édition trilingue (français, allemand, anglais). Ses expériences pédagogiques et artistiques sont énoncées dans leur intégralité dans le but d'aider les joueurs de flûte professionnel qui ont peu de temps pour pratiquer, et aussi and lsquo - tous ceux qui aime la flûte, tout en oubliant ne pas la musique and rsquo-. Ce volume vise à améliorer les aspects fondamentaux de flûte jouant (formation de ton, intonation, articulation, phrasé) à l'aide d'exemples tirés du répertoire et de Moyse propre détaillée des commentaires. / Flûte Traversière

Par GORDON ANDREW D.. As playing funk styles is a passion of Andrew’s, he has written this instructional book “100 Ultimate Soul, Funk and R&B Grooves” based on the influences of the great Funk, Soul and R&B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG’s, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Saxophone part playing along with a rhythm section of guitar, bass, drums, keyboards and in many of the grooves, percussion. There is also a three minute Play-A-Long track for each of the 100 grooves Andrew D. Gordon, world renowned music educator, author of over 60 music educational products, has previously written numerous books on Flute styles such as: ; 100 Ultimate Blues Riffs for Flute, ; 100 Ultimate Jazz Riffs for Flute, ; The Blues Scale for Flute as well as another book that A. D. G. Productions publishes ; Ultimate Funk Grooves for Flute authored by Ben Tompsett which have all been well received by students, teachers and musicians all over the world. As playing funk styles is a passion of Andrew's, he has written this instructional book ; 100Ultimate Soul, Funk and R& B Grooves based on the influences of the great Funk, Soul and R& B artists such as: James Brown, Herbie Hancock, The Crusaders, Average White Band, Marvin Gaye, Miles Davis, Stevie Wonder, Parliament, Ramsey Lewis, Booker T and The MG's, MFSB, Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin, Reggae and Calypso. Each of the 100 grooves have been recorded with the Flute part playing along with a rhythm section of Guitar, Bass, Drums, Keyboards and in many of the grooves, Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the Flute part so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks./ Recueil / Flûte Traversière

The early music specialist and flautist, Annabel Knight, presents the second in a series of four volumes dedicated to flute music from the Baroque period. Featuring a variety of interesting pieces scored for flute and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 4-5 years? of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Annabel Knight and Robin Bigwood.
/ Partitions classique / Bois / Flûte traversière / SCHOTT

Full performances and Play-Along-Tracks - Piano part to print Spielbuch mit CD - Spielb+CD - flute arranger: Juchem, Dirko arranger: Brochhausen, Achim Éditeur: Schott Music Difficulté: easy to interme pages: 26 This collection presents well-known folk songs - with a twist: the tunes, newly arranged for melodic instrument and piano, are slightly jazzy and mixed with pop music elements - making traditional songs sound fresh and interesting again! All pieces are very melodic in character and work well even without piano accompaniment, which makes them particularly suitable for use in the classroom. The piano accompaniment is available on CD as a PDF file and can be printed in professional quality. The CD also contains backing tracks for each piece - which lends a live feeling in performance! This collection is perfect for all lovers of the 'crossover' between folk, jazz and pop - by Schott's best-selling author Dirko Juchem who has been active as a saxophonist, saxophone teacher and specialist author nationally and internationally for many years. Contenu - Wade In The Water - Sur Le Pont d'Avignon - Aura Lee - La Femme Qui Rit - Mexican Hat Dance - Carnival of Venice - Amazing Grace - Plaisir d'Amour - Morning Has Broken - Scarborough Fair - House Of The Rising Sun

A collection of popular movie songs arranged to be played by either full band or by individual soloists with optional accompaniment CD. Each arrangement is correlated with a specific page in the Essential Elements Band Method Books. Includes: Forrest Gump - Main Title - The John Dunbar Theme - Theme from Jurassic Park - Raiders March - Chariots of Fire - Apollo 13 - Somewhere Out There - Man from Snowy River - Star Trek - The Motion Picture - Theme from E.T. - and Back to the Future. / Flûte

Soloist: Fernando Brandão, flute Brazilian and Afro-Cuban Jazz Conception is the new exciting series of play-along books by award-winning Brazilian flutist and composer Fernando Brandão and features fifteen original tunes in various Brazilian and Afro-Cuban styles. This edition clearly aims at being more than a simple play-along collection. For each of the tunes a thorough analysis and additional exercises are given. An extensive introduction into the various styles and rhythms of Brazilian and Afro-Cuban music makes these books even more valuable. The rhythm section and soloists are among the most prestigious musicians in contemporary Brazilian music. Rhythm Section: Leandro Braga - piano, Adriano Giffoni - bass, Xande Figueiredo - drums, Zero - percussion.

Curnow Music Press proudly presents a way to enrich your quality of playing material whilst helping you administer your library efficiently and save money! THE YOUNG BAND COLLECTION is a compilation of some of our best pieces for youth band, published as individual part books. You?ll find pieces by James Curnow, James Hosay, Mike Hannickel, Brian Connery, Paul Curnow and Douglas Court. These works have all proven to be very successful as teaching material, but also will keep your students interested and guarantee a happy audience! Curnow Music Press is known for its quality music for youth bands and that?s certainly what you?ll find in this publication. / Niveau : 1.5 / Pièce de concert / Recueil / Flûte Traversière

24 Übertragungen aus Werken von J.S. Bach. Par BACH JOHANN SEBASTIAN. Our edition is based on Fritz Schindlers 24 transcriptions of works by Bach for flute solo from the year 1896. Long an essential part of every student flutists repertoire, this book features comprehensive studies in finger technique and stimulatingexercises in phrasing, articulation and dynamics thanks to the high musical quality of the pieces. Gerhard Braun has revised the musical text, eliminated the many expressive markings and slurs that had been added to editions of early music inSchindlers day, and restored their original forms. The player thus has a greater amount of interpretive freedom and a variety of different performance possibilities. Table of contents: Allegro assai from BWV 1005 Courante from BWV 1007 Courante from BWV 1009 Double from BWV 1002 Giga from BWV 1004 Prelude BWV 846 Prelude BWV 924 Prelude BWV 999 Preludio from BWV 1006 Prelude from BWV 1007 Prelude from BWV 1012 Sarabande from BWV 1007 / Répertoire d'Examen / Répertoire / Flûte Traversière

Faisant partie de la catégorie Musiques De Films et Comédies musicales cette partition Cendrillon (extraits de la bande originale du film de Walt Disney) composée par l'ingénieux Livingstone Jerry / Macl David / Al Hoffman vous coutera aux alentours de 10C. De ce fait, pour un prix qui reste plus qu'abordable, vous pourrez assouvir votre passion qui est Flûte Traversière.Grâce aux éditions Robert Martin qui ont imprimé cette partition en la référençant sous le numéro PROU04328, vous pourrez réellement vous faire plaisir. / Flûte Traversière / Partition