Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar

Par POWER JAMES. by James Power Thirty easy trios for flute using familiar melodies arranged in classical, folk and jazz styles. This book can be used with matching arrangements of the same material in Junior Book A- Clarinet, Violin, Saxophone, Brass. An Optional Piano Accompanimek with guitar chords is available./ Recueil / Flûte Traversière

For Flute-100 Ultimate Blues Riffs for Flute the Beginner Series by musician educator and world renowned author Andrew D. Gordon is an exhaustive guide to introduce beginner students to the various phrases or ???riffs??? that make up Flute playing both from a rhythmic and soloing standpoint.Due to the continued success of his more advanced series 100 Ultimate Blues Riffs Andrew decided to author a similar type of book for beginner students.This book is ideal for the beginner to intermediate music student with most of the examples notated in the easier keys. Besides learning how to play Blues riffs the book is a useful tool for sight readingexercises with many different rhythms.The 12 bar Blues progression and the Blues scale in Andrew???s opinion the two most important aspects of playing the Blues is explained in detail as well as ???straight??? and ???swing??? rhythms.There are five sections to the riffs in the book section 1 contains basic Blues riffs section 2 contains Rhythm and Blues influenced riffs section 3 contains Blues/Boogie Woogie riffs section 4 contains Rock influenced Blues riffs and section 5 contains Gospel influenced Blues riffs. Included with this book is an audio CD that contains all the riffs recorded twice: first sax melody piano guitar bass and drums and second just the rhythm track of piano guitar bass and drums so you can play-a-long.Review of the Sax version of the book by Skip Spratt of The Sax Shed https://saxshed.comAndrew D. Gordon of ADG Productions has recently updated and added to his popular series of books with 100 Ultimate Blues Riffs The Beginner Series. The original publication by the same title is geared toward intermediate to advanced students. Both books feature a companion CD and optional midi files that will help in the practice of these 100 blues riffs.I had the opportunity to preview the tenor saxophone books from the series; however the same books are published for other instruments as well. Saxophonist Frank Villafranca of the Super Groovers demonstrates each riff with the rhythm section first with and opportunity for play-along following each demo track. Andrew Gordon writes ???For people who want to improve their

Trevor Wye’s famous Practice Books for the Flute are invaluable to players of every grade and have received worldwide acclaim selling over 1 million copies in total. Each book concentrates on individual facets of Flute technique in concise detail. This revised edition has updated diagrams clearer musical notation and improved overall design.This latest volume in the bestselling series was regarded highly by The Flutist Quarterly: 'a concise no-nonsense collection of exercises that when practised diligently will yield excellent results' while the writing 'makes this feel like a gift to his devoted students.'Book 6 is invaluablefor both amateur and would-be professional players. It builds on knowledge gained in the earlier books whilst also breaking new ground. Tone posture technique articulation the top register breathing and intonation are all covered in depth.

Forty-Eight Studies of Virtuosity-Having studied the Flute with virtuosos Paul Taffanel Adolphe Hennebains and Philippe Gaubert at the Paris Conservatoire Marcel Moyse (1889-1984) soon became a virtuoso of the instrument himself. 48 Studies of Virtuosity for Flute is one of many popular study books by the renowned flautist. During his career Moyse frequently played solo Flute with many orchestras including performing the main concertos of the repertory. As well as performing and composing Moyse was responsible for the training of a brilliant generation of flautists at the Paris Conservatoire. Following WWI the composer moved to the UnitedStates where he continued to perform compose and teach. It is during his time in the USA that Moyse composed his extensive number of instructive books on instrumental technique including 48 Studies of Virtuosity which today remain universally accepted and popular. Moyse's book is essential to all aspiring advanced flautists.

The three books of studies which make up the Progress in Flute Playing Op.33 were intended to compliment the course of instruction in Kohler's flute method. The studies range from Grade 4 to Grade 8 and beyond. Book twocontains 12 intermediate studies which have been edited by Edward Blakeman.

The three books of studies which make up the Progress in Flute Playing Op.33 were intended to compliment the course of instruction in Kohler's flute method. The studies range from Grade 4 to Grade 8 and beyond. Book onecontains 15 easy studies and have been edited by Edward Blakeman.

Par . Graded books for Flute exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included. / Date parution : 2022-11-29/ Recueil / Flûte Traversière

Par . Graded books for Flute exams from 2023. Each book contains a selection of 12 accompanied and unaccompanied pieces for the grade, covering a range of styles and periods, with duets up to Grade 3. Performance notes for all pieces in the book give valuable insights, tips and suggestions. Downloadable demo and backing audio is included. / Date parution : 2022-11-29/ Recueil / Flûte Traversière

This book is for Flute players of all ages who wish to develop their sight-reading skills and contains a number of graded exercises which lead up to examples of tests of similar standard to those set by the major examinationboards.

The Original First and Second Books Including Dowland’s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)

With its ability to reach extremely high registers the Flute’s and especially the Piccolo’s jingle is always clearly audible over other instruments in the Orchestra. However in classical music teaching more emphasis is put on solo practice than the specific know-hows of orchestral playing. With The Orchestral Flute Practice (Book 2) Trevor Wye and Patricia Morris set out to change this habit.This volume looks at issues common to flutists in an Orchestra such as the middle and upper registers cadenzas orchestral duets and trios the Austro-German School and contemporary orchestral writing. Extracts from popular orchestral workswith Flute solos (by composers N-Z) are introduced and regular practice encouraged. The authors’ extensive orchestral experience showing in the notes practical information hints and comments included throughout the book make The Orchestral Flute Practice Book invaluable to students and professionals alike.Book 1 covers composers A-P. Book 2 covers composers R-Z.