Comprend : Telemann Fantasia 1 et 2, Quantz Vivace alla Francese, Kuhlau Giga, Donjon Elégy - Etude 1 et Pasquinade - Etude 6, Sonate Karg-Elert (Appassionata) F # minor - Arvo Pärt Estländer - Victoria Borisova-Ollas quatre pièces : Je Birdy, Elegy II, III Happy Hour, IV marcher sur la Lune. Pour les intermédiaires aux joueurs de niveau avancé. Mary Karen Clardy est renommé comme enseignant et interprète non seulement dans son propre pays, les Etats-Unis, mais à l'échelle internationale. Ici, elle présente une sélection de répertoire classique pour flûte solo. Notes sur la performance des pièces et des biographies des compositeurs sont ainsi que des représentations des pièces sur le CD joint. / Flûte Traversière

The 14 Most Passionate Latin Songs. Par . Welcome to the Copacabana! Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying audio tracks (full and playalong versions) recorded by the author himself are available for download and streaming. / Niveau : facile - moyen / Date parution : 2023-10-31/ Recueil / Flûte Traversière

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière