If you've heard jazz guitarists like Joe Pass play chord melody you may think that the style requires an encyclopedic knowledge of music theory musical super-powers or making a deal with the devil. But fear not! This bookwill show you how to create your own satisfying chord melody arrangements on the Mandolin...and will do so in a practical applicable way.'Aaron Weinstein has many musical accomplishments. I am very proud to have playeda small part with some of them. When he was only 12 he made his first recordings and asked me to play Mandolin on them. I was knocked out to encounter someone that young that was conversant in both old-time or contest fiddling andJoe Venuti style jazz. Not long after that Aaron became interested in the Mandolin and chords and he came by every so often to play and discuss voicings improvisation and the like. I showed him some of the Jethro Burns chordmelody arrangements that Jethro showed me. I've been teaching those for decades in hopes of one day playing them smoothly myself!Fast forward a few more years and Aaron has a Berklee degree traveled the worldplaying hot Violin music and is hobnobbing with the greatest NYC jazz stars. And oh yeah one other thing: he took the art of chord-melody Mandolin style to an entirely new level! The rich harmonies of the standard jazz and showtune repertoire the swinging bass lines and connecting chords and independent voice movements (doing more than one thing at a time) are all present in Aaron's style thanks to his great ear open mind and gift at locating thingson the fretboard. And now Aaron has documented explained and shared his discoveries and approach with all of us in this book. Thank you Aaron!This is truly a step-by-step method that you will enjoy. You'll findyourself saying 'oh of course!' as the author gets you playing and understanding things that sound very detailed and complex. The first section I would call the mandolinistic stuff: the how-to on getting things moving and

Par BAY MEL. With the thoroughness of a book by Mel Bay, this method presents mandolin technique and note-reading in a progressive, step-by-step fashion. Given the diverse applications of this versatile instrument, this method was carefully written to build the musicianship and technique needed to play both classical and contemporary mandolin styles. Music theory concepts and additional playing techniques are introduced as needed. Exercises and tunes are presented in all keys, many in duet format to be played by teacher and student. In notation only. / Niveau : Tous Niveaux / All Styles - Methods / Méthode / Mandoline

Par WILLIAMS STEPHEN. This book establishes a foundation for complete mandolin musicianship, both in terms of music literacy as well as having the ability to jam with other musicians without reading music. The student logically begins by learning the ?basic? fingering pattern used for the mandolin-friendly keys of A and D as shown in diagram form and standard notation. Tablature reading is lightly addressed, but not at the same time as note reading so the student avoids using tab as a crutch. A generous repertoire of progressively arranged exercises, fiddle tunes, a Bach bourrée, and folk and blues songs is included, often with online recordings and rarely seen complete lyrics. At this point, the book begins to diverge from its didactic approach to pure fun! As each new major key is introduced (G, C, F and E), the student learns the remaining principal scale finger patterns as well as a considerable amount of practical music theory covering pentatonic and modal scales and much more. Fittingly, the book closes with a dictionary of essential chords and a glossary to aid in further development as a versatile mandolinist. Includes access to online audio. / Date parution : 2022-03-05/ Méthode / Mandoline

This book sets out to teach the reader how to play the mandolin by using inspiring music from some of the great musical traditions of the world especially arranged for the instrument. Includes CD!Ideal for the complete beginner there is no need for any previous musical knowledge.Invaluable for the existing player/improver looking for fresh ideas and exciting new tunes. By working through this unique book the reader will gain a sound knowledge of the mandolin plus a large and varied repertoire of traditional music from all over the world.By drawing on the music of countries such as Venezuala Rwanda Holland Trinidad Japan andAustralia as well as the more popular traditions of Ireland and North America this book will produce a more well-rounded mandolin player - a musician who will be inspired to look further into the exciting musical traditions of the world. Rather than being an exhaustive guide to all traditional styles of the world this book is a mandolin method which uses tunes from around the world to demonstrate the various techniques required to produce a competent musician. It is the sincere hope of the author that the student will be inspired by the music contained in this book and recording to look more deeply into styles of particular interest.

The Creative Impulse. Par MAIR MARILYNN. Marilynn Mair has enjoyed a long career as a world-renowned mandolinist, esteemed for over a thousand concert performances, more than two dozen recordings and 4 previous Mel Bay books, including the first two volumes of her series, The Complete Mandolinist. In Volume 3, Marilynn steps forward as a composer, presenting over 60 of her own pieces - nearly half written during the pandemic lockdown of 2020-2021 when live music was forced off stage. Creativity didn?t take a break for Marilynn, though, and soon compositions began to sprout from those quiet days: works for solo and duo mandolin, mandolin-guitar duets, and pieces for plucked string ensembles. They fill the pages of this book with fresh ideas, playful melodies, quirky harmonies, and romantic visions. There are scores and parts for her Fantasia, Nocturnes, Études, Choro, and Ensembles, most of the music published here for the first time.Besides sheet music, the book also includes downloads of over an hour-and-a-half of Marilynn?s performances of the music, brand-new recordings of her recent works, some pieces from her earlier CDs, and a few recordings previously made but never released. This book opens the door to a new musical vision, from a musician who has already proven herself a masterful interpreter of classical and Brazilian repertoire. In her own words, ?I had friends and students in mind as I wrote, creating pieces to pass on my unique perspective on what makes classical mandolin cool.? Dive in and see what treasures you may.find.ncludes access to online audio. / Date parution : 2023-08-12/ Recueil / Mandoline

Most of the music in this book comes from editions or manuscripts from England in the late 1500’s. There are also a few French pieces. The cittern was popular in Italy England and France. Aside from various tunings there weretwo main kinds of instruments being played during the 16th and 17th centuries: the 4 course (four sets of doubled strings) and the 6 course cittern with several editions of music to go along with both. The pieces I have chosenfor this book were all written for the 4 course instrument and fall into three main categories: dance music song arrangements and free pieces. The free pieces are basically preludes that explore the melodic range of theinstrument. As the title suggests these pieces can be played very freely and need not have a very strict tempo. The dance pieces are not really meant to be danced to but rather take their form and rhythm from the popular courtdances of the time. These can be played with a wide range of overall tempo but once a tempo is chosen should be strictly adhered to. The song arrangements are settings of popular songs of the time as well as more formal vocalsettings. Care should be taken in making the melody clear and singing. Since the range of the cittern and mandolin are the same John Holenko has kept the melodies intact. Because of the difference in tuning however thevoicing of the harmonies have been changed so as to fit on the mandolin.

The book Método de Mandolina begins at the very beginning of learning to play the mandolin starting with the basic tuning of the instrument how to sit position one?s head and hold one?s hands. There are many pages of exercises that lead to easy pieces and more difficult short works all in Spanish style.In this age of the Guitar it is remarkable to know that the mandolin was the most popular instrument throughout the Western world at the turn of the last century at the time of the publication of this book. For the most part at that time the virtuosi were considered to be Italian and the best instruments from Italian makers though many other companies were involvedin the production of many forms of the mandolin. This is ironic however as it is frequently asserted that the earliest form of lute or mandolin entered Europe with the Moors onto the Iberian peninsula in the shape of the oud. In the late 19th and early 20th centuries serious composers included lute parts in their major works and wrote pieces expressly for mandolinists and for the thousands of mandolin Orchestras that sprang up throughout Europe and in the New World. That Método de Mandolina remains available is a testament to its usefulness and the expertise of its author in giving teachers and students a volume from which to teach and learn.

Par BAXTER JOHN. This encyclopedia is designed to provide mandolin players with a wide variety of chords in different voicings. This book is intended as both a starting point of learning chord voicings and patterns, as well as a dictionary of common mandolin chords. Each key section includes the first position scale for that key, as well as the chord formula and notes for each chord. If you want to learn to be a bluegrass rhythm player it helps to have a guide or 'map' to take you through the initial learning stage. This book provides a small but powerful set of starter chords used in this style of music. Once these chords are learned, you'll be able to jam with other musicians in no time. These are the same chords used by greats like Bill Monroe, Doyle Lawson, David Grisman and hundreds of other bluegrass players in this genre. While there are only a few chords presented in the 'map' section, they form the foundation of bluegrass mandolin and with them you can play literally thousands of songs in every key. Chords are presented by key. / Niveau : Débutant / All Styles - Chord Book / Etude / Mandoline

This is a high quality collection of Easy Pieces for Mandolin. If you play the mandolin this is a must have book/cd collection. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. The book comes with a CD and the guitar and mandolin are on separate tracks. You can turn the mandolin totally off and play with the CD. There are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the sounds of the pieces without it sounding like a learning CD. There arechords with the music and at the end of the book there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Allan the author plays the lute guitar and more recently mandolin and has a wealth of knowledge about the music. These pieces are particulary suited for the sound of the mandolin. The book is beautiful and scored professionally. The titles may not make a lot of sense but these are great pieces with many of them having variations to make them longer.

Description Master teachers and performers of the mandolin, Brian Wicklund and Ben Winship have crafted The American Mandolin Method based on the solid system created by Wicklund for the best-selling books, The American Fiddle Method . Using clear illustrations and lucid explanations, the authors guide beginning mandolin players through necessary skills such as efficiently holding the mandolin, fretting, picking technique, creating good tone, chop chord and open chord backup. Students learn the techniques while mastering over thirty common jam tunes, which they can practice with using the accompanying audio. Songlist Amazing Grace Angelina Baker Arran Boat Song Boil 'Em Cabbage Down Bonaparte's Retreat Buffalo Gals Cairo Camptown Races Cindy Cluck Old Hen Country Waltz Crawdad Song Cripple Creek Down In The Valley Girl I Left Behind Me Little Liza Jane Miss Mcleod's Reel Old Joe Clark Over The Waterfall Red Haired Boy Red River Valley Red Wing Sandy Boys Shady Grove Shortnin' Bread Si Beag Si Mor Southwind Stinky's Blues Sugar Hill Turkey In The Straw

Description WAYNE'S friendly and FUN approach to learning has taught tens of thousands of total beginners to play bluegrass music. Join the club! In this, his 26th book, Wayne cuts through the clutter and confusion of learning to play with his SIMPLE approach to playing the melody. He then leads the beginner down the path of being able to IMPROVISE on the melody by adding several simple rhythms. With Wayne's help, you'll soon be jamming up a storm. Guaranteed.

Par WARDE ANTHONY. Un DVD pédagogique idéal pour toute personne voulant jouer de la musique irlandaise. Comprend les turluttes, bobines, hornpipes, ainsi que les techniques de prélèvement. Anthony Warde spectacles vous étape par étape comment jouer la musique traditionnelle irlandaise sur la mandoline. Chaque solo est ensuite joué live sur scène accompagnée par certains des plus grands musiciens de l\'Irlande. Complet avec des spectacles vivants mettant en vedette... Vinnie Kilduff - whistle, Steve Cooney - guitare, Gerry o \' Connor - fiddle, Peter Browne - accordéon. / Niveau : Débutant à Intermédiaire / Celtic/Irish - Methods / Méthode / Mandoline