This beginning Mandolin method book is based on the solid system created by Brian Wicklund for the best-selling books The American Fiddle Method. Master teachers and performers of the Mandolin BrianWicklund and Ben Winship use clear illustrations and lucid explanations to guide beginning Mandolin players through necessary skills such as efficiently holding the Mandolin fretting picking technique creatinggood tone chop chord and open chord backup. Students learn the techniques while mastering over thirty common jam tunes which they can practice with using the included audio online.

nes in the Bluegrass/Old Time music styles. All the books in this series are written in the same keys; they can all be played together without any problems. So get your friends or family who play guitar, mandolin, banjo, ukulele, dulcimer or Dobro together, grab these books and start jamming. Improvisation - Another idea behind writing the First Jam series was to provide a number of tunes that were easy to learn, but that are also a great to begin working on improvising. Each books offer the melody for that particular instrument as well as back-up chords for another instrument to accompany you. Each song is represented in Tab, notation and chord symbols. The accompanying CD has two tracks for each song. The first playing the song with the melody line, the second track offers just the backup so you can play the melody over it or even improvise. Tunes include: Cripple Creek, Old Joe Clark, Arkansas Traveler, Will the Circle Be Unbroken and many more.

Arranged For Mandolin. This book contains the first three of J. S. Bach's solo violin Sonatas and Partitas arranged for mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature is included throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning these pieces in the mandolin community. The pieces were originally written for violin. As a result, Bach's use of string crossing patterns and open-string pedals work brilliantly on the mandolin. Also, as solo works they are a useful addition to anyone's performingrepertoire. Lastly, even if never performed, learning all or some of these is wonderful for building mandolin technique. Violinists often say that if you can play the Bach Solo Sonatas and Partitas you can play anything-the same is certainly true for mandolinists. This book contains the first three of J. S. Bach 's solo Violin Sonatas and Partitas arranged for Mandolin. The goal of the material is to make learning these challenging pieces easier. Mandolin tablature isincluded throughout the book. Mandolinists who have little or no experience reading standard notation will find this to be an essential learning tool. For good reason, there has been widespread interest in learning thesepieces in the Mandolin community. The pieces were originally written for Violin. As a result, Bach 's use of string crossing patterns and open-string pedals work brilliantly on the Mandolin. Also, as solo works theyare a useful addition to anyone's performing repertoire. Lastly, even if never performed, learning all or some of these is wonderful for building Mandolin technique. Violinists often say that if you can play the Bach SoloSonatas and Partitas you can play anything-the same is certainly true for Mandolinists./ Recueil / Mandoline

This is a high quality collection of Easy Pieces for Mandolin. If you play the mandolin this is a must have book/cd collection. These medieval pieces sound great on the mandolin. They also lay right under the fingers. There is both notation and TAB and no page turns for any of the pieces in this book. The reason? This book is made for musicians by musicians. The book comes with a CD and the guitar and mandolin are on separate tracks. You can turn the mandolin totally off and play with the CD. There are two measures of intro with the guitar so you can sit and listen to the CD and become familiar with the sounds of the pieces without it sounding like a learning CD. There arechords with the music and at the end of the book there are examples of what the guitar is doing for many of the tunes in both tablature and notation. These tunes sound terrific and are a great addition to any repertoire. You can use them for any kind of gig or you can try doing some medieval fairs medieval feasts or medieval weddings. The bowl back mandolin looks so much like the lute most people would never know the difference. Allan the author plays the lute guitar and more recently mandolin and has a wealth of knowledge about the music. These pieces are particulary suited for the sound of the mandolin. The book is beautiful and scored professionally. The titles may not make a lot of sense but these are great pieces with many of them having variations to make them longer.

The best way to learn an instrument is to play it as often as you can with other musicians. Trading songs and interacting with other instrumentalists and singers will foster learning at a faster pace and promote development ofan ensemble sound. This play-along series encourages this kind of fun collaborative approach to learning an instrument. Aspiring Mandolinists can practice chords and rhythm singing and lyrics melodies solos licksand backup playing along with a real band! The online audio includes Dix Bruce on the Guitar Mandolin and Vocals Bill Evans on the Banjo and Vocals Julie Cline on Vocals and Cindy Browne onthe string Bass. The recorded songs are performed with introductions (kickoffs) Vocals and solos-just how they would be at jam sessions and performances. Solo sections in the recordings allow you to play chords and solos from thebook. Create your own improvised solos or sing the lyrics while the band provides accompaniment. The book includes fifteen of the most popular bluegrass old-time and gospel songs recorded at slow and regular temposfor players of any skill level. Includes Mandolin tablature chords solos backup parts and more. Great for beginning to intermediate players. We'll jam ALL night long!

Par BAXTER JOHN. This encyclopedia is designed to provide mandolin players with a wide variety of chords in different voicings. This book is intended as both a starting point of learning chord voicings and patterns, as well as a dictionary of common mandolin chords. Each key section includes the first position scale for that key, as well as the chord formula and notes for each chord. If you want to learn to be a bluegrass rhythm player it helps to have a guide or 'map' to take you through the initial learning stage. This book provides a small but powerful set of starter chords used in this style of music. Once these chords are learned, you'll be able to jam with other musicians in no time. These are the same chords used by greats like Bill Monroe, Doyle Lawson, David Grisman and hundreds of other bluegrass players in this genre. While there are only a few chords presented in the 'map' section, they form the foundation of bluegrass mandolin and with them you can play literally thousands of songs in every key. Chords are presented by key. / Niveau : Débutant / All Styles - Chord Book / Etude / Mandoline

For The Modern Mandolinist - Volume 1. Theory and Improvisation for the Modern Mandolinist is a two book series that teaches improvisation in many musical styles along with theory concepts and how they apply to the mandolin. Each book provides access to different backing tracks and solo examples to help you learn. Every chapter includes scales presented in a variety of common formats: standard notation, tablature and fretboard charts. Volume 1, Building a Foundation, only requires that the reader can play notes and simple chords. It presents basic skills necessary for improvising over chord progressions found in all types of music. Sample solos and progressions are included at the end of each chapter to practice. Whether you play bluegrass, rock, pop or jazz, this book will take your solos to the next level. Includes access to online audio./ Tablatures / Mandoline

While many extant photos of string band artists show members holding a mandolin it often can barely be heard in most period recordings because the most important instrument to capture was usually the fiddle or voice. Thiscollection provides you with the opportunity to learn over 70 old-time-music period songs recorded mostly by Ernest Stoneman or the duo Grayson