Mittlere Stimme / Medium Voice-As a continuation of the new Urtext edition of the Schubert lieder Walther Dürr has now edited volume five for high medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically.The lieder in volume five were composed in the years 1811 to 1814. The first 'Hagars Klage' (D 5) dated 30 March 1811 is also his first complete surviving song. Thefirst eleven lieder are evidence of his early studies (1811 1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied' D 23) which the only one of these songs was published shortly after his death in November 1830 as op. 131 3. His apprentice work as it were was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance his first complete opera ('Des Teufels Lustschloss' D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied.- Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works? compositionand transmission together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage D 5 / Leichenfantasie D 7 /Der Vatermörder D 10 / Klaglied op. post. 131 3 D 23 / Misero pargoletto D 42 (high voice only) / Totengräberlied D 44 / Die Schatten D 50 / Verklärung D 59 / Pensa che questo istante D 76 (medium and low voice only) /Der Taucher D 77 / Son fra l?onde D 78 (high voice only) /Adelaide D 95 / Trost. An Elisa D 97 /Erinnerungen D 98 / Andenken D 99 /Geisternähe D 100 / Erinnerung D 101 /Die Betende D 102 / Die Befreier Europas in Paris D 104

Robert Schumann's Complete Songs Vol.2: 87 Songs for Voice and Piano. Edition for Medium Voice edited by Friedlander.Sonntag; Der Himmel hat eine Träne geweint; DerSpielmann; Stille Liebe; Frage; Stille Tränen; Wer machte dich so krank?; Alte Laute;Ständchen; Nichts schöneres; Auf das Trinkglas eines verstorbenen Freundes; Liebesbotschaft; Sehnsucht nach der Waldgegend; O ihr Herren; Ich hab in mich gesogen; Liebste was kann denn uns scheiden?; Flügel! Flügel! um zu fliegen; Rose Meer und Sonne; O Sonn o Meer o Rose; Märzveilchen; Muttertraum; Zigeunerliedche No. 2; Dichters Genesung; Jasminenstrauch;Es treibt mich hin; Ich wandelte unter den Bäumen; Lieb Liebchen; Schöne Wiege meiner Leiden; Warte warte wilder Schiffmann; Berg' und Burgen schaun herunter; Anfangs wollt ich fast verzagen; Sag an o lieber Vogel; Wanderung; Was soll ich sagen?; VerrateneLiebe; Nur ein lächelnder Blick; Der Knabe mitdem Wunderhorn; Der Page; Der Hidalgo; Die Löwenbraut; Die Kartenlegerin; Die rote Hanne; Lust der Sturmnacht; Stirb Lieb und Freud; Dem roten Röslein; Die wandelnde Glocke; Frühlingsbotschaft; Der Soldat; Vom Schlaraffenland; Zigeunerliedchen No. 1; Des Knaben Berglied; Käuzlein; Hinaus ins Freie!; Der Sandmann; Morgens steh' ich auf undfrage; Weihnachtslied; Schmetterling; Frühlings Ankunft; Kinderwacht; Des Sennen Abschied; Er ist's; Des Buben Schützenlied; Schneeglöckchen; Lied Lynceus des Türmers; Mignon; Die Waise; Tragödie; Der Schatzgräber; Abends am Strand; Die feindlichen Brüder; Die Nonne; Sehnsucht; Auf dem Rhein; Liebeslied; Loreley; Frühlingsgruß; Das verlaßne Mägdelein; Der Abendstern; Melancholie; Geständnis; Der Kontrabandiste; Der frohe Wandersmann; Mein Garten; Geisternähe; Stiller Vorwurf; Aufträge; Belsatzar.

Edition Peters presents Felix Mendelssohn's Complete Songs for Medium voice and Piano accompaniment. This impressive collection of Mendelssohn's works includes Abendlied 'Das Tage Werk ist' (J H Voss) Op. 8 No. 9 Allnächtlich im Traume (Heine) Op. 86 No. 4 Altdeutsches Frühlingslied 'Der trübe Winter ist vorbei' Op. 86 No. 6 Altdeutsches Lied Op. 57 No. 1 An die Entfernte (Lenau) Op. 71 No. 3 Auf der Wanderschaft Op. 71 No. 5 Auf Flügeln des Gesanges Op. 34 No. 2 Bei der Wiege Op. 47 No. 6and many more!

von Joseph Freiherrn von Eichendorff-Original edition for medium voice.Bilingual Foreword (Ger/Eng) and Critical Commentary (Ger).The song texts are printed separately and include English translations taken from Richard Stokesâ?? publication The Book of Lieder.Schumannâ??s Liederkreis after poems by Joseph von Eichendorff comprises settings of twelve texts with the common motif of being far from home. This new edition presents the work in its definitive form published in the second edition of 1850 while taking into account Schumannâ??s autograph manuscript and other relevant sources. The detailed Foreword brings out the special nature of this cycle. Alternativereadings from the autograph offer valuable suggestions for a nuanced performance.Already published:Robert SchumannDichterliebe Op.48 BA 7851Liederkreis by Heinrich Heine Op.24 BA 7852Frauenliebe und Leben Op.42 BA 7854

After Schubert?s death in 1828 his brother Ferdinand passed on thirteen songs based on texts by Ludwig Rellstab and Heinrich Heine to the publisher Haslinger. Schubert had only composed them shortly before his death in August 1828. During his lifetime Schubert actually wanted to publish the two groups of Lieder separately. However the Heine and Rellstab songs are indeed closely related. Haslinger added a fourteenth Lied ?Die Taubenpost? based on a text by Johann Gabriel Seidl which Schubert had composed at the same time as ?Der Hirt auf dem Felsen? (D 965) one month before his death but which in no way bears any relation to the Rellstab and Heine Lieder. Thiscollection was published posthumously by Haslinger early in May 1829 and it was named Schwanengesang traditionally the term given to an artist?s last work before his death. This collection is here presented in an authoritative Barenreiter Urtext Edition for Medium Voice.Based on the Urtext of the ?New Schubert Edition?Foreword by Walther Dürr about the genesis and history of the works and the available sources for each individual Lied (Ger/Eng)English translations of the Lied texts by Richard Wigmore

herausgegeben von Erik Battaglia. Par . A collection of the most beautiful Lieder from Zelter to Strauss, a must on the shelves of fans and on the music stand of students and professionals, singers and pianists. With notes on performance and translation of poems. To preserve a precious tradition. / Date parution : 2021-11-03/ Recueil / Voix Medium-Grave et Piano

Song Cycle On Poems By Heine. The ups and downs of disappointed love: who could fail to sympathize with the feelings that Schumann immortalized in his song cycle Dichterliebe after Heine? The pieces range from hopeful anticipation (?Im wunderschönen Monat Mai?) to solitary grief (?Und wüssten?s die Blumen, die kleinen?) and bitter sarcasm (?Die alten bösen Lieder?). Schumann knew what he was writing about: the cycle originated in the year of his marriage to Clara Wieck, an event that took place only after years of struggle. The tried-and-tested Henle Urtext edition by the Schumann specialist Kazuko Ozawa is now also available for singers with medium voice: in close collaboration with the experienced pianist and renowned Lied accompanist Gerold Huber, we have adapted the whole cycle, including the four songs of the appendix, for medium and low voices.

Par SCHUMANN ROBERT. J'ai encore une fois composé tellement que parfois il me semble tout à fait étrange. Oh, je ne peux pas elle, j'aimerais me chanter à mort comme un Rossignol. ' 138 de ses chansons à peu près 250 ont été écrites dans le 'année de lieder' 1840. Ce fut l'année lorsque les longues années de querelles sur son mariage avec Clara Wieck est enfin entrées à une fin heureuse par ordonnance de la Cour. Mais même les années suivantes s'est avéré pour être productif pour ce qui est de la composition de lieder. L'édition actuelle contient les lieder qui font partie de ' Le oeuvre tardive ' de Schumann ou qui ont été publiés assez tard. Il est basé sur la publié récemment Vol. VI/6 (RSA 1043-10) de l'édition complète de Robert Schumann./ Répertoire / Voix Moyennes et Piano

At long last singers with a lower vocal range can also rely on Henle???s Urtext editions of Schumann: the wonderful Song Cycle op. 24 on poems by Heine now appears in a transposed version edited by Schumann expert Kazuko Ozawa. With the support of celebrated Lieder accompanist Gerold Huber Henle now offers altos carefully arranged transpositions for medium voice. This Urtext edition includes an extensive preface on the origin of the work and a detailed Critical Report on the edition. The original edition for high voice is available in HN 548.

54 Lieder Content : BEFORE AND AFTER SUMMER: Childhood among the Ferns - Before and after Summer - The Self-unseeing - Overlooking the River - Channel Firing - In the Mind's Eye - The Too Short Time - Epeisodia - Amabel - He Abjures Love EARTH AND AIR AND RAIN: Summer Schemes - When I set out for Lyonnesse - Waiting for Both - The Phantom - So I have fared - Rollicum-Rorum - To Lizbie - The Clock of the Years - In a Churchyard - Proud Songsters I SAID TO LOVE: I need not go - At Middle-Field Gate in February - Two Lips - In five-score - Summers - For Life I had never cared greatly - I said to Love LET US GARLANDS BRING: Come away, come away, death - Who is Sylvia? - Fear no more the heat o' the sun - O Mistress Mine - It was a lover and his lass LOVE'S LABOUR'S LOST: Songs for Heims and Ver (Song for Moth) - Riddle Song - False Colcolinel OH FAIR TO SEE: I say I'll seek her - Oh fair to see - As I lay in the early sun - Only the wanderer - To Joy - Harvest - Since we loved TILL EARTH OUTWEARS: Let me enjoy the earth - In years defaced - The Market-Girl - I look into my glass - It never looks like summer - At a lunar Eclipse - Life Laughs Onward TO A POET: To a Poet a Thousand Years Hence - On Parent Knees - Intrada - The Birthnight - June on Castle Hill - Ode on the rejection of St. Cecelia

Par REGER MAX. Der Hirten Lied Am Krippelein/ Répertoire / Voix Moyennes et Piano