20 Melodies Voix Moyenne Et Piano. Par HAHN. Contents: Quand la nuit n'est pas étoilée - Cantique - La Délaissée - La Chère Blessure - Théone - Le souvenir d'voir Cante - Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau - Fumée - Le printemps - Dans la nuit - Les fontaines - À Chloris - Le Rossignol des lilas - À nos morts ignorés - Ma jeunesse - Le plus beau présent - Puisque j'ai mis ma lèvre - La douce paix As Proust liked to remind us, Reynaldo Hahn (1875-1947) had a clear voice that was really appreciated in Paris at the time: he believed Hahn's mouth was a genius music instrument that was letting the most beautiful, sad yet warm voice out when he was singing. Following the first volume written in 1986, Melodies Volume 2 comprises twenty exciting songs for Voice with Piano Accompaniment, composed by Reynaldo Hahn. These twenty melodies are: Quand la nuit n'est pas etoilee & Cantique - La Delaissee - La chère blessure & Theone - Le souvenir d'voir Cante-Quand je fus pris au pavillon - Chanson au bord de la fontaine - Sur l'eau & Fumee - Le printemps - Dans la nuit - Les fontaines - A Chloris - Le rossignol des lilas - A nos morts ignores - Ma jeunesse - Le plus beau present - Puisque j'ai mis ma lèvre - La douce paix / Niveau : Moyen / Répertoire d'Examen / Répertoire / Voix Moyenne et Piano

Seven Songs For Medium Voice-Madeleine Dring (1923-1977) was an English composer and actress. She studied Violin Voice and Composition at the Royal College of Music where her teachers included Ralph Vaughan Williams Herbert Howells and Gordon Jacob. Her Vocal works were collected and posthumously published by Thames in the 1990s. Seven Songs for Medium Voice was published in 1993 as Dring Volume 4. It is a wonderful collection of songs with various compositional dates all scored for Medium Voice and Piano accompaniment.

op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orchestra Op.7 Hol.81B . Version for medium voice. BA 5786-90: Vocal score voice & piano Berlioz composed these songs in 1840–41 between the composition of Roméo et Juliette and La damnation de Faust. The poems were taken from a collection entitled La comédie de la mort by Théophlie Gautier published in 1838. The songs were for mezzo-soprano or tenor with piano accompaniment and were published as a cycle under the title Les nuits d’été in 1841. The second and fourth songs Le spectre de la rose and Absence were performed a few times at that period and Absence was sung twice in February 1843 by Marie Recio on Berlioz’s first tour of Germany. For Marie who later became his second wife Berlioz at once orchestrated the song for mezzo-soprano and small orchestra. A dozen years later Berlioz orchestrated the remaining five songs of the cycle which appeared in its orchestral form in 1856. Two of these songs Le spectre de la rose and Sur les lagunes were now transposed to a lower key so that the cycle was no longer within the compass of a single voice. 1: Villanelle F major 2: Le spectre de la rose B major 3: Sur les lagunes F minor 4: Absence E-flat major 5: Au cimetière B-flat major 6: L’îsle inconnue D major Urtext of the New Berlioz Edition Full scores and parts available for hire (BA5786-72) English & German translations of the song texts printed sepatarely

A superb collection of 24 Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries compiled for Medium to High Voice with Piano accompaniment. This is the book only edition.

Arranged for Medium-Low Voice with Piano accompaniment. Most of the arias in this collection were written in the 1600s and 1700s by composers who were intent on expressing their feelings and entertaining their listeners. They wrote for the present and didn't write many instructions for their performers as they would always be present when their music was performed. However the success of their music transcended their lifetimes and over the years editions have become nothing like their original forms. This edition seeks to return to the composers' original intentions and produce an authoritative and faithful re-production of their works.Includes an accompanying CDof professionally recorded backing tracks.

This set of spirituals presents three mini-dramas. One of revolt: 'Go down Moses' One of release: 'Deep river' and one of joyous acceptance: 'Didn’t my Lord deliver Daniel'.This work is also available for bass with orchestral full score or piano accompaniment and for or medium voice with orchestra.

Richard Strauss' Song Album 1 for Medium Voice with Piano accompaniment with English words by John Bernhoff.

A mesmerising collection of songs by English composer Sir C. Hubert H. Parry. Over the entire course of his life he wrote a vast number of works based on English Lyric poems; often concerning Love Romance; and this volume represents just a small portion of his remarkable output. This is the first book in the series and contains settings of songs for Medium Voice with Piano accompaniment.

The Fairies by William Busch for Medium Voice with Piano accompaniment. Words by Robert Herrick.

Harvest Moon by William Busch for Medium Voice with Piano accompaniment. Words by Sylvia Jones.

This is the first of two volumes of songs from Opus 5 by Alexander Zemlinsky. For Medium voice and Piano Accompaniment.

The second volume of Old American Songs by Aaron Copland for Medium Voice presented here with Piano accompaniment.

Gathered in a unique volume, all the vocalises previously published in two anthologies by Ricordi in the Thirties. - All the 16 vocalises of each volume (low voice, medium voice, high voice) have been composed by very important composers of the Nineteenth century, like Alfano, Malipiero, Respighi, Casella, Pizzetti. - With piano accompaniment for each vocalise. / Voix Moyenne(s) Et Piano