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Medium voice, Piano
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Hector Berlioz: Les nuits d'été for solo voice and orchestra: Medium Voice:
Medium voice, Piano
[Sheet music]
Barenreiter
op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orch...
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op. 7 Hol. 81B / Six Songs-Hector Berlioz: Les nuits d'Ete for Solo Voice & Orchestra Op.7 Hol.81B . Version for medium voice. BA 5786-90: Vocal score voice & piano Berlioz composed these songs in 1840–41 between the composition of Roméo et Juliette and La damnation de Faust. The poems were taken from a collection entitled La comédie de la mort by Théophlie Gautier published in 1838. The songs were for mezzo-soprano or tenor with piano accompaniment and were published as a cycle under the title Les nuits d’été in 1841. The second and fourth songs Le spectre de la rose and Absence were performed a few times at that period and Absence was sung twice in February 1843 by Marie Recio on Berlioz’s first tour of Germany. For Marie who later became his second wife Berlioz at once orchestrated the song for mezzo-soprano and small orchestra. A dozen years later Berlioz orchestrated the remaining five songs of the cycle which appeared in its orchestral form in 1856. Two of these songs Le spectre de la rose and Sur les lagunes were now transposed to a lower key so that the cycle was no longer within the compass of a single voice. 1: Villanelle F major 2: Le spectre de la rose B major 3: Sur les lagunes F minor 4: Absence E-flat major 5: Au cimetière B-flat major 6: L’îsle inconnue D major Urtext of the New Berlioz Edition Full scores and parts available for hire (BA5786-72) English & German translations of the song texts printed sepatarely
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Robert Schumann: Liederkreis Op. 39: Medium Voice: Vocal Work
Medium voice, Piano
[Vocal Score]
Barenreiter
von Joseph Freiherrn von Eichendorff-Original edition for medium voice.Bilingual...
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von Joseph Freiherrn von Eichendorff-Original edition for medium voice.Bilingual Foreword (Ger/Eng) and Critical Commentary (Ger).The song texts are printed separately and include English translations taken from Richard Stokesâ?? publication The Book of Lieder.Schumannâ??s Liederkreis after poems by Joseph von Eichendorff comprises settings of twelve texts with the common motif of being far from home. This new edition presents the work in its definitive form published in the second edition of 1850 while taking into account Schumannâ??s autograph manuscript and other relevant sources. The detailed Foreword brings out the special nature of this cycle. Alternativereadings from the autograph offer valuable suggestions for a nuanced performance.Already published:Robert SchumannDichterliebe Op.48 BA 7851Liederkreis by Heinrich Heine Op.24 BA 7852Frauenliebe und Leben Op.42 BA 7854
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Geoffrey Burgon: Lunar Beauty (Medium Voice/Piano): Medium Voice: Vocal Album
Medium voice, Piano
[Sheet music]
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Intermediate
Chester
The text for this piece is taken from five poems by W.H. Auden and one by Louis ...
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The text for this piece is taken from five poems by W.H. Auden and one by Louis MacNiece.
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Gabriel Fauré: Complete Songs Volume 3: Medium Voice: Vocal Work
Medium voice, Piano
[Sheet music]
Peters
The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Faur...
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The Complete Verlaine Settings (1887–1894) Critical edition-Gabriel Fauré’s seventeen settings of the poetry of Paul Verlaine mark the biggest single stylistic leap of his compositional career and arguably one of the high points of the entire art song repertoire. The present edition contains the three individual settings Claire de lune Spleen and Prison together with the Op. 58 “Venetian” Songs and the magnificient cycle La Bonne Chanson. With its focus both practical and scholarly this new Complete Edition of songs aims to encourage creative confident and well informed performance. Founded on study of hundreds of manuscripts and printedsources it has been tested internationally in masterclasses workshops seminars concerts and recordings. In this it takes a lead from the composer who prepared his own editions on the basis fo performing experience. The edition also assimilates interpretative insights from musicians who worked with Fauré as well as from his documented performing preferences.
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César Franck: Panis Angelicus: Low Voice: Vocal Work
Medium voice, Piano
[Sheet music]
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Intermediate
Edwin Ashdown
The words for Panis Angelicus form an extract taken from St Thomas Aquinas&rsquo...
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The words for Panis Angelicus form an extract taken from St Thomas Aquinas’s hymn Sacris solemniis and frequently treated as a separate hymn. Of the many settings César Franck’s from 1872 is the best known.He included it in his Messe á Trois Voix for Tenor Harp Cello and Organ some years after that piece was written. Of all the works by Franck the Panis Angelicus with its serene meditative Vocal line and restrainedaccompaniment is the best known and certainly the most frequently recorded in all Voices and in many arrangements.
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