Par BRITTEN BENJAMIN. 2013 marks the centenary of Benjamin Britten's birth and major celebrations are planned across the world, making this the widest ever global celebration of a British composer. The previously unpublished Six Early Songs were written during the composer's schooldays, whilst he was studying with Frank Bridge. But even at this tender age, Britten already had such accomplished works as Quatre Chansons Francaises under his belt. The songs on the one hand display Britten's school-boyish imagination (witches, owls and moths), while on the other show a more brooding side, not to mention confident piano writing and an innate understanding of vocal drama. Previously unpublished, these six songs are an important new addition to the solo song repertory./ Répertoire / Voix Moyennes et Piano

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in the order of Deutsch's Thematic Catalogue which means that in principle they are arranged chronologically. The lieder in volume five were composed in the years 1811 to 1814. The first - 'Hagars Klage' (D 5), dated 30 March 1811 - is also his first complete surviving song. The first eleven lieder are evidence of his early studies (1811-1813/14). During this period Schubert immersed himself in Johann Rudolf Zumsteeg's ballads and lieder and wrote Italian arias during his composition lessons with Antonio Salieri. He also composed a single strophic song ('Klaglied', D 23), which - the only one of these songs - was published shortly after his death in November 1830 as op. 131, 3. His apprentice work, as it were, was the major ballade 'Der Taucher' (D 77) which was composed between 1813 and roughly the beginning of 1815. Probably not by chance, his first complete opera ('Des Teufels Lustschloss', D 84) was written at the same time. He also set fourteen poems by Friedrich von Matthisson exploring the principle of the strophic lied. - Excellent new engraving based on the 'New Schubert Edition'- Foreword by Walther Dürr discussing the history the works' composition and transmission, together with a list of sources for each song (Ger/Eng)- English translation of the song texts by Richard WigmoreContents:Hagars Klage, D 5 / Leichenfantasie, D 7 /Der Vatermörder, D 10 / Klaglied, op. post. 131, 3 - D 23 / Misero pargoletto, D 42 (high voice only) / Totengräberlied, D 44 / Die Schatten, D 50 / Verklärung, D 59 / Pensa che questo istante, D 76 (medium and low voice only) /Der Taucher, D 77 / Son fra l'onde, D 78 (high voice only) /Adelaide, D 95 / Trost. An Elisa, D 97 /Erinnerungen, D 98 / Andenken, D 99 /Geisternähe, D 100 / Erinnerung, D 101 /Die Betende, D 102 / Die Befreier Europas in Paris, D 104 /Lied aus der Ferne, D 107 (1st version) / Lied aus der Ferne, D 107 (2nd version) / Der Abend, D 108 / Lied der Liebe, D 109 /Romanze, D 114 (1st version) / Romanze, D 114 (2nd version) /An Laura (als sie Klopstocks Auferstehungslied sang), D 115 / Der Geistertanz, D 116 /Appendix (lower transpositions of the songs only in high ranges):Die Schatten, D 50 / Adelaide, D 95 / Voix Moyenne(s)

for medium voice and piano. Par GRAINGER PERCY ALDRIDGE. A Song of Autumn is a setting of the poem of the same name by the Australian, Adam Lindsay Gordon. Composed in 1899, this song shares its characteristic choral accompaniment with many of the songs Grainger wrote during his period in Frankfurt. Barry Peter Ould (1999)/ Répertoire / Voix Moyenne et Piano

A selection of songs from the Associated Board of the Royal Schools of Music singing syllabus additional practice resources available online Medium Voice / Voix Et Piano

A selection of songs from the Associated Board of the Royal Schools of Music singing syllabus additional practice resources available online Medium-Low Voice / Voix Et Piano

'The most romantic of all my works? ('Schumann?)Schumann's 'Liederkreis?, after poems by Joseph von Eichendorff, comprises settings of twelve texts with the common motif of being far from home.Our new edition presents the work in its definitive form published in the second edition of 1850, while taking into account Schumann's autograph manuscript and other relevant sources. The detailed Foreword brings out the special nature of this cycle. Alternative readings from the autograph offer valuable suggestions for a nuanced performance.- Original edition for medium voice- Bilingual Foreword (Ger/Eng) and Critical Commentary (Ger)- The song texts are printed separately and include English translations taken from Richard Stokes' publication 'The Book of Lieder? / Voix Et Piano

Par BRITTEN BENJAMIN. Benjamin Britten's Eight Folk Songs for Medium Voice and Piano accompaniment. / Niveau : Moyen / Répertoire / Chant et Piano

Songs Vol.I: 92 Songs (Medium Voice). Par SCHUBERT FRANZ. Content: Die Schöne Müllerin, Winterreise, Schwanengesang, selected Lieder / Répertoire d'Examen / Répertoire / Chant et Piano

Par VAUGHAN WILLIAMS RALPH. This three volume series comprises the bulk of the solo songs which Vaughan Williams published with Oxford University Press. The songs span his whole long career- from 1869 to 1958. The majority are suitable for medium voice./ Recueil / Voix Moyennes et Piano

3 new keys. Now available in 5 keysNewly researched and engraved collections, including the original Schirmer '24? plus four additional songs. With International Phonetic Alphabet, word for word translations, and historical information on each song and composer. CDs feature accompaniments and recorded diction lessons. / Tenor Et Piano

Description Twenty-Four Italian Songs And Arias Of The 17th And 18th Centuries - Medium Low Voice (Book/CD) A standard in teaching literature, now available with both accompaniment cassette or CD. Songlist Alma Del Core (La Constanza In Amor Vince L'Inganno) [Caldara, Antonio] Amarilli, Mia Bella [Caccini, Giulio] Caro Mio Ben [Giordani, Tommaso] Che Fiero Costume [Legrenzi, Giovanni] Come Raggio Di Sol [Caldara, Antonio] Danza, Danza, Fanciulla Gentile [Durante, Francesco] Gia Il Sole Dal Gange [Scarlatti, Alessandro] Lasciatemi Morire (Adriane's Lament) [Monteverdi, Claudio] Le Violette [Scarlatti, Alessandro] Nel Cor Piu Non Mi Sento (L'Amor Contrastato) [Paisiello, Giovanni] Nina [Pergolesi, Giovanni Battista] Nina [Pergolesi, Giovanni] Non Posso Disperar [De Luca, S.] O Cessate Di Piagarmi [Scarlatti, Alessandro] O Del Mio Dolce Ardor (Paride Ed Elena) [Gluck, Christoph Willibald] Per La Gloria D'adorarvi [Bononcini, Giovanni] Pieta, Signore [Stradella, Alessandro] Pur Dicesti, O Bocca Bella [Lotti, Antonio] Se Florindo E Fedele [Scarlatti, Alessandro] Se Tu M'ami, Se Sospiri [Pergolesi, Giovanni] Sebben, Crudele [Caldara, Antonio] Tu Lo Sai [Torelli, Giuseppe] Vergin, Tutto Amor [Durante, Francesco] Vittoria, Mio Core! [Carissimi, Giacomo]

Depuis plus d'un siècle, le G. Schirmer édition du 24 Songs and Arias des 17e et 18e siècles italien a introduit des millions de commencer chanteurs à la littérature vocal grave italien. Offert en deux touches accessibles adaptés à tous les chanteurs, il est susceptible d'être la première publication d'un professeur de chant va demander à un élève pour la première fois à l'achat. Le classique Parisotti réalisations résultat dans les pays riches, accompagnements satisfaisants qui permettent chanteurs plaisir musical pur. Pour faciliter la pratique, accompagnements préparés avec soin sont également disponibles qui ont été enregistrés par John Keene, un basé à New York concert accompagnateur et coach vocal qui a joué à travers les Etats-Unis pour la radio et la télévision. Formé à l'Université de Californie du Sud, Keene a enseigné accompagnement au niveau universitaire et a collaboré avec Gian Carlo Menotti et Thea Musgrave sur les productions de leurs opéras. / Voix Haute(s)