SKU: SU.80602080
Parts on rental from Theodore PresserMezzo-soprano, Piano Composed: 2010 Published by: E.B. Marks.
SKU: HL.48024511
ISBN 9783793142331. 9.0x12.0 inches.
Using four well-known poems by Else Lasker-Schüler as basis of a vocal work does not mean “setting to music†in the customary sense to the composer Lothar Voigtländer from Dresden: The colourful figure of the poetess, her unusual imageries, her (even religious) visions, as well as her close relation with renowned fine artists of her time had been on his mind for quite some time and in 2009 found their way into this composition: The dramatic, irregularly declaiming singing voice is harmonised with mystic, exotic piano farlands and the sounds of bells. At the composition competition of the Viennese Mahler Society in 2010, the songs were awarded the 1st prize.
SKU: SU.95010485
Text: Old Testament.
Mezzo-soprano, Piano Duration: 5' Text: Old Testament Composed: 1983 Published by: Subito Music Publishing The aria's biblical text, which deals with the Jews' exile into Babylonia, was set in a straight forward, atmospheric, syllabic manner. Its stark piano accompaniment and long-breathed, darkly eloquent melodic line (adapted from fragments by the Renaissance madrigalist Carlo Gesualdo) proved extremely apposite. --The Atlanta Journal Constitution.
SKU: SU.21010030
Texts by Robert BrowningMezzo-Soprano & Piano Duration: 6’ Composed: after 1996 Published by: Estate of Edward T. Cone.
SKU: OU.9780193394025
ISBN 9780193394025. 12 x 8 inches.
For mezzo-soprano and piano. Brave Guy of Warwick sets text from Lines written at Warwick by George Crabbe (1754-1832) which describes a portion of the legend of Guy of Warwick. This piece is engaging and characterful, and audiences are bound to be charmed by both the music and the story.
SKU: HL.49046386
ISBN 9781540086495. UPC: 842819111498. 9.0x12.0x0.115 inches.
In 2017 Anno Schreier composed on behalf of the Deutsche Oper Berlin and LiederAlive! this song cycle based on poems by Peter Huchelaward winner Nora Bossong. Schreier's tonal language is characterized in the song cycles by a particularly cantable design of the vocal part and thus manages to gently modernize the song genre without rejecting the typical romantic style.
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