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Music Theory
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Chanson (15)
String Quintet: 2 violins, vio… (14)
Biography (14)
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Musical Awakening (14)
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Treble (Alto) Recorder (13)
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Flute Trio: 3 flutes (5)
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Pop music (4)
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Flûte Traversière, Alto et V… (4)
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Musical (4)
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3 Clarinettes et Piano ou Orgu… (4)
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2 Cors et Piano ou Orgue (4)
2 Trombones et Piano ou Orgue (4)
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Choeur Mixte Et 8 Instruments … (3)
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Baritone Ukulele (3)
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Ukulélé Soprano (3)
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Xylophone (3)
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Choeur Mixte Et Orgue (Ou Pian… (2)
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Abromont - Abrege De La Theorie De La Musique Vol.1 Les Bases + Cd-rom
Music Theory
[Book + CD]
Fayard
Acquérir aisément les connaissances nécessaires à la pratique de la musique,...
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Acquérir aisément les connaissances nécessaires à la pratique de la musique, écouter, lire et inventer de petites pièces musicales, s'exercer efficacement à travers des jeux stimulant la compréhension et la musicalité de chacun (les premiers adaptés aux enfants dès 6-7 ans), voici quelques-unes des potentialités de ce duo: livre + cédérom. Cette formule, jusqu'alors inédite, offre l'avantage d'ouvrir des voies d'accès multiples au praticien: étude traditionnelle à l'aide d'exemples tirés des oeuvres les plus significatives d'une part, découverte intuitive et ludique grâce aux outils du multimédia d'autre part. version PC uniquement La partie livre du volume 1 synthétise les premiers chapitres du Guide de la théorie de la musique, ouvrage déjà salué par l ensemble de la profession pour la richesse et la modernité de son contenu. Le cédérom, organisé en ateliers progressifs, propose quant à lui une pédagogie musicale interactive conçue pour guider l apprenti musicien comme le mélomane, tout au long de son parcours, de la découverte à la maîtrise des bases de la musique. APERÇU DES NOTIONS ET DES OUTILS VOLUME I / LES BASES (de l'initiation à l'interprétation) Écoute et reconnaissance des hauteurs .Visualiser l'aigu et le grave, les demi-tons et les altérations .Traduire le nom des notes en anglais et en allemand .Noter les sons sur une portée dans les sept clés Exécution et notation des rythmes .Découvrir progressivement l'échelle des valeurs .Sélectionner directement les figures de notes et silences .Visualiser les durées de façon intuitive .Comprendre les valeurs pointées, liées... Développement du sens de la mesure et du tempo .Utiliser un métronome .Tester les indications de mouvement (allegro, presto, adagio...) .Changer de mesure d'un simple clic .Entrer des triolets, des duolets... Découverte de la tonalité .Se familiariser avec les intervalles .Repérer l'emplacement des demi-tons sur une gamme .Changer de tonique, de mode ou d'armure .Voyager dans le cycle des quintes... Consultation de tableaux, schémas et lexiques .Indications de mouvement et de caractère .Notation des attaques, dynamiques et ornements .Schémas des chiffrages de mesure .Lexique multilingue du vocabulaire essentiel... Mise en pratique intuitive et musicale .Exercer son oreille .Jouer et sauvegarder ses propres phrases musicales .Saisir la musique à la souris ou avec un instrument MIDI Claude Abromont enseigne l'analyse musicale au Conservatoire national supérieur de musique et de danse de Paris. Il est également co-auteur avec Eugène de Montalembert du Guide de la théorie de la musique paru dans la même collection.
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Alistair Wightman: Alistair Wightman: Writing About Music Workbook: Theory
Music Theory
Rhinegold Publishing Ltd.
Exam boards: Edexcel AQA OCR WJECThis workbook will develop students' skills ...
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Exam boards: Edexcel AQA OCR WJECThis workbook will develop students' skills in writing about music for AS A2 and undergraduate level.Exercises appear at every stage to challenge and provide examination practice for students. These range from naming musical features and spotting grammatical errors to devising essay plans and analysing sample answers.Beginning with fundamental writing requirements this workbook moves on to address how to describe the features of a musical work as well as how to make comparisons and contrasts between specified pieces.There is advice on how to approach research what to retain and reject and how to structure anessay.Detailed analytical and dissertation-style essays are addressed as well as writing programme notes.Writing About Music Workbook promotes the development of skills which will be of use in many areas of academic life: collecting information selecting relevant material presenting arguments for and against particular propositions and expressing ideas effectively and correctly in English.'Wightman has achieved just the right tone with very clear explanations... I would feel confident giving it to pupils to read in their own time as it???s very easy for them to work from it making it a useful resource to reinforce the comments I write on their essays... I think it's probably one of the most genuinely useful books of its type.'Russell MillardHead of Academic Music Charterhouse
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Eric Taylor: The AB Guide to Music Theory Part I: Theory
Music Theory
ABRSM Publishing
The AB Guide To Music Theory is intended to help people learning music to unders...
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The AB Guide To Music Theory is intended to help people learning music to understand how music is written down what the various signs and symbols denote and what is meant by the common technical words used by musicians. Arising out of this it provides an introduction to the basic elements in harmony and musical structure. In the main this book deals with the subjects of the Associated Board's theory syllabus for Grades 1-5. However for the sake of continuity the information has not been broken up to correspond with individual grades.
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Josephine Koh: Practice In Music Theory - Grade 6: Theory: Theory Workbook
Music Theory
Wells Music Publishers
Revised 4th Edition With Answers-This revised 4th edition of Practice in Music T...
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Revised 4th Edition With Answers-This revised 4th edition of Practice in Music Theory Grade 6 comes complete with detachable Model Answers! The success of its previous editions for the past two decades has prompted the need for more definitive solutions. Based on the ABRSM theory examination syllabus it is the first of three comprehensive coursebooks leading to Grade 8 and beyond. Students are guided to achieve a high theoretical standard with competent knowledge in harmony counterpoint melodic writing and score analysis. The J Koh?s instructional approach is academic and systematic; yet musically conceived with graphical layouts and selective examples. There are 2 parts to thiscoursebook. Part I ? Harmony The principles of harmony are introduced here: 4-part writing 2-part counterpoint concepts of traditional chord progression use of inversions principles of voice-leading and the use of non-harmony notes. Harmonic guidelines and rules are clearly explained with relevant examples. Exercises are progressively structured to ensure a strong grasp of the theoretical concepts. Part II ? Melodic Composition and Analysis Meloic composition is taught through an analytical approach. The concepts of phrasing use of motifs modulations and melodic contour are illustrated with authentic extracts. By taking students through the works of the great masters their technical skills are sharpened enhanced with useful tools for the creative compositional process. Skills in score analysis involve the acquisition of sound musical knowledge - the study of forms genres history of western music that spans 4 centuries along with the composers? works and styles. Appendices II and III provide guidance for basic research needed at this level. The essential and highly recommended reference texts are: Musical Forms and Terms and Understanding Orchestration The Orchestra and Its Instruments.
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D. Hilarion Eslava: Metodo De Solfeo I: Theory
Español
Music Theory
[Sheet music]
Unión Musical Ediciones
Hilarion Eslava (1807-1878) was a Spanish priest musician and pedagogue. Altho...
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Hilarion Eslava (1807-1878) was a Spanish priest musician and pedagogue. Although he was a prolific and well-known composer in his own time today he is primarily remembered for his 1846 work Metodo De Solfeo a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona the method was published while Eslava was choirmaster at the Royal Chapel in Madrid and he undoubtedly used it as he was training the choristers there.
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Solfeggi Parlati E Cantati I Corso (POZZOLI ETTORE)
Music Theory
[Sheet music]
Ricordi
Par POZZOLI ETTORE. Ettore Pozzoli (1873-1957) fu un grande didatta, uno dei mag...
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Par POZZOLI ETTORE. Ettore Pozzoli (1873-1957) fu un grande didatta, uno dei maggiori che l’Italia abbia avuto nel Novecento. Sono monumentali i suoi lavori sulla teoria e il solfeggio, il corso di studi di difficoltà graduata, l’educazione all’armonia e al contrappunto ai quali si affiancano infinite pagine di brani per la ricreazione pianistica Dodici bozzetti per pianoforte, Pagine minuscole, Impressioni, Riflessi del mare. Nonostante il trascorrere dei decenni e il succedersi di nuove tendenze, scuole, generi e modi esecutivi, molte raccolte e testi per l’insegnamento primario della musica che Pozzoli ideò e compose nei primi decenni del secoloscorso mantengono un’indiscussa validità./ Solfège/Formation Musicale / Oeuvres théoriques
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Massimo Varini Fabio Anicas: Manuale Di Armonia E Teoria... Pratica: Theory
Italiano
Music Theory
Carisch
Nel percorso formativo di ogni musicista ci si trova sempre a dover fare I conti...
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Nel percorso formativo di ogni musicista ci si trova sempre a dover fare I conti con la teoria il solfeggio e l?armonia. Chissa quanti musicisti hanno abbandonato gli studi o rinunciato ad approfondire questi argomenti solo perche ritenuti troppo complicati o addirittura superflui rispetto allo studio della tecnica strumentale. Quasi fossero un codice segreto riservato a pochi o un fastidioso ostacolo da dover superare per poter finalmente suonare. La teoria il solfeggio e l?armonia sono pero Elementi Assolutamente Necessari. Si tratta solo di cambiare approccio e il linguaggio e riuscire a spiegarli in modo pratico! Ho volute quindi realizzarein collaborazione con Fabio Anicas un manual per tutti I musicisti che potesse finalmente applicare a teoria solfeggio e armonia le stresse forme forme di comunicazione che ho utilizzato in tanti anni per spiegare in maniera pratica le techniche per la chitarra. Quale miglior Sistema quindi se non spiegare direttamente I concetti in una serie di veideo (oltre 5 ore in totale) disponibili online e raggiungibili attraverso QR code (da mobile) e link (da computer)!!! Tutte le videolezioni sono quindi gia pronte per essere caricate su dispositive portatili come iPhone iPod e altri apparati portatili per poter studiare in modo dinamico e in qualsiasi luogo. Il manual è diverso in 20 Unit (lezioni). Alla fine di ciascuna lezione troverai gli esercizi per approfondire e verificare se I concetti sono stati assimilate! Gli esercizi sono stati pensanti ed organizzati in modo vivace e dinamico per permetterti di comprendere ed interiorizzare le varie nozioni per poi svilupparle nel tuo percorso di musicista. Trovi poi le soluzioni degli esercizi per poter verificare l?esattezza di cio che hai fatto! In sostanza un metodo che possa aiutare I musicisti nel percorso formative o aiutare chi gia suona a comprendere meglio il linguaggio musicale nella sua essenza. Un nuovo modo di fare didattica: Questo manual non ha supporti multimediali allegati e quindi ha un costo decisamente piu basso della versione con DVD. Questo per andare incontro a tutte le esigenze: da quelle economiche a quelle logistiche poiche sono sempre di piu a
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Jacques Chailley Henri Challan: Théorie complète de la musique - Vol. 2:
Music Theory
[Sheet music]
Leduc, Alphonse
2ème Cycle-Théory Complète De La Musique by Jacques Chailley and Henri Cha...
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2ème Cycle-Théory Complète De La Musique by Jacques Chailley and Henri Challan is a really complete method for musician beginners. This second and final volume is following the first one and covers the eleven last chapters of the method. It features: I. Principle of chords: Consonant and Dissonant II. Natural consonant chords III. Artifical consonant chords IV. Cadenza V. Modes VI. Rhythm VII. Ornaments VIII. Rigorous intonation IX. Transcribing X. Transcribing Instruments XI.Gregorian Songs Appendix Really focused on theory and including some exercises this book will be a better fit for mature music beginners. Henri Challan was a French composer and professor at the Paris Conservatoire who won the Grand Prix de Rome and who has wrote many music analysis. Jacques Chailley was a musician and Deputy Director of the Paris Conservatoire.
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Jacques Chailley Henri Challan: Théorie complète de la musique - Vol. 1:
Music Theory
[Sheet music]
Leduc, Alphonse
1er Cycle-Théory Complète De La Musique by Jacques Chailley and Henri Challan...
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1er Cycle-Théory Complète De La Musique by Jacques Chailley and Henri Challan is a really complete method for beginning musicians. This first volume of a series of two covers the nine first chapters of the method. It features: I. Different elements of music II. Music writing and symbols III. Rhythms IV. Intervals elements V. Intervals VI. Theory of Tonality [1/2] VII. Theory of Tonality [2/2] VIII. Tonality application IX. Additional music symbols Really focused on theory and including someexercises this book will be a better fit for mature music beginners.Henri Challan was a French composer and professor at the Paris Conservatoire who won the Grand Prix de Rome and who has wrote many music analysis. Jacques Chailley was a musician and Deputy Director of the Paris Conservatoire.
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Précis Des Regles Du Contrepoint (KOECHLIN CHARLES)
Music Theory
[Sheet music]
Heugel
avec des exemples (Séries complètes) à 2, 3 et 4 parties. Par KOECHLIN CHARLE...
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avec des exemples (Séries complètes) à 2, 3 et 4 parties. Par KOECHLIN CHARLES. Precis Des Règles Du Contrepoint is a book written by Charles Koechlin in five chapters. Focusing on the counterpoint, this volume highlights all the rules related to it. It features both lessons and examples with comments, to help with understanding. The chapters are: I. Definition et Règles generales / Definition and general rules II. Contrepoint à deux parties / Counterpoint in two parts III. Contrepoint à trois parties / Counterpoint in three parts IV. Contrepoint à quatre parties / Counterpoint in four parts V. Appendice / Appendix & focus on Gregorian songs and tunes This theory book is definitely one of the most useful ones for any composition that includes counterpoints or for any composer who would like to use them in future works. Charles Koechlin (1867-1950) was a French composer, professor and writer. He composed numerous symphonies and symphonic poems, some instrument and orchestra, orchestral and chamber works as well as some songs./ Théorie / Théorie
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Eric Taylor: Guia AB de la teoria musical Parte 1: Theory
Español
Music Theory
ABRSM Publishing
Spanish edition-Spanish version of The AB Guide To Music Theory Part ILa Gu a AB...
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Spanish edition-Spanish version of The AB Guide To Music Theory Part ILa Gu a AB de la teor a musical ayudará a los estudiantes a comprender cómo se escribe la música qué denotan los distintas señales y s mbolos y qué quieren decir las palabras técnicas comunes utilizadas por los músicos. También contiene una introducción sobre los elementos básicos de la armon a la estructura musical y la instrumentación. Está publicada en dos partes: la Parte I cubre en extensión los temas teóricos que propone el Associated Board para los Grados 1-5 y la Parte II ofrece materiales para los Grados 6-8. Ambas partes están organizadas por temas con claridad y complementan lapresentación grado a grado mediante una serie de cuadernos de ejercicios llamados La teor a musical en la práctica.
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Rudolf Nelson: Flip A Rhythm 3/4: Theory
Music Theory
[Sheet music]
Boosey and Hawkes
Another fantastic Flip-A-Rhythm trainer by Sheila Nelson with books three and fo...
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Another fantastic Flip-A-Rhythm trainer by Sheila Nelson with books three and four combined! With a almost endless supply of interesting and important rhythms in 6/8 and 9/8 time signatures to clap beat and play this fabulous 2-in-i book will provide more than enough exercises to develop a full understanding of these rhythms.
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Marco Santi Vittoria Frattolillo: Lezioni Di Teoria Musicale Vol 2: Instrumental
Italiano
Music Theory
Carisch
Il metodo Lezioni di teoria musicale percezione e lettura intonata è articolat...
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Il metodo Lezioni di teoria musicale percezione e lettura intonata è articolatoin due parti ciascuna articolata in venti unità didattiche. In ogni unità viene approfondito uno specifico aspetto teorico e vengono proposti esercizi percettivi e di esecuzione intonata la cui successione obbedisce ad un principio di gradualità che persegue l?acquisizione di una adeguata consapevolezza dei meccanismi che sorreggono la costruzione melodica tonale.Il percorso didattico complessivo ? di cui è parte integrante il metodo multimediale100 dettati melodici degli stessi autori ? si costituisce quale premessaper i successivi studi di armonia e per le più complesse attività percettive afferenti alla disciplina che nel curriculum degli studi accademici è denominata ear training.Il percorso formativo proposto nella parte prima delle Lezioni approfondisce le principali problematiche metriche e ritmiche le strutture intervallari le tonalità maggiori e minori le scale e le rispettive triadi la natura fisica del suono e i modelli testurali elementari.Nella parte seconda vengono approfonditi argomenti relativi al trasporto alla modulazione al rapporto fra melodia e armonia agli abbellimenti allaforma musicale e ai principali sistemi extra-tonali. Vengono inoltre proposti con sistematicità esercizi esecutivi e percettivi (ritmici melodici e armonici) in parte da svolgere in classe in parte da realizzare individualmente utilizzando il supporto multimediale allegato a ciascun volume.Il supporto multimediale allegato alla parte prima è un CD-ROM; quello allegato alla parte seconda è invece un DVD-ROM. Ambedue sono compatibili con i sistemi operativi Windows e Mac e utilizzano il plugin Flash player (scaricabile gratuitamente dalla rete se non già presente sul computer). Realizzazione audio e informatica di Pietro Zanella
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Andrea Cappellari: Il Dettato Musicale Vol. 2: Instrumental Tutor
Italiano
Music Theory
[Sheet music + CD]
Carisch
In questa pubblicazione prosegue il percorso didattico intrapreso nel primo volu...
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In questa pubblicazione prosegue il percorso didattico intrapreso nel primo volume. Vengono proposti esercizi di educazione dell?orecchio (Ear training) destinati al riconoscimento delle tonalità delle triadi (anche in posizione di rivolto) delle settime (in stato fondamentale) per favorire e consolidare il pieno sviluppo della sensibilità musicale degli alunni. Novità rispetto al precedente lavoro sono i Dettati melodici con modulazione i Dettati armonici a due voci gli Esercizi Polifonici e quelli per il riconoscimento delle principali Cadenze (perfetta sospesa plagale d?inganno frigia).I Dettati Melodici in Tempo Semplice ein Tempo Composto sono nell'estensione di un'ottava nelle tonalità maggiori e minori fino a tre alterazioni in chiave Nei dettati Ritmici si utilizzano valori di durata fino al trantaduesimo e vengono introdotti anche i gruppi irregolari (duine terzine quintine).
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Berklee Teoria Musicale + Cd
Italiano
Music Theory
Volonte and Co
Arriva l'edizione italiana di uno straordinario metodo di Teoria Musicale della ...
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Arriva l'edizione italiana di uno straordinario metodo di Teoria Musicale della Berklee, scritto da Paul Schmeling, preside emerito del Dipartimento di Pianoforte al Berklee College of Music, grande pianista, interprete, improvvisatore e arrangiatore. La Teoria Musicale Berklee Volume 1 è un metodo essenziale per chiunque voglia suonare meglio, imparare a leggere, scrivere e comprendere gli elementi della musica, e inserirli nelle proprie composizioni e arrangiamenti. Il libro propone una serie di esercizi rigorosi e pratici, che aiutano a esplorare dall'interno il funzionamento della musica, presentando note, scale e ritmi, così come questi si presentano nel pop, nel jazz, nel blues. Un libro per comprendere i concetti fondamentali della teoria musicale, indispensabili per migliorare le proprie capacità di scrittura ed esecuzione musicale, attraverso esercizi scritti, esempi audio ed esercizi di ear training. / Opéra Théorique/Didactique
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S. Graziano Lovegrove: Oggi Si Canta - Parte I: Vocal
Music Theory
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La Voce E Il Canto Nella Didattica Musicale
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