Inside Improvisation : vol. 6 Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on the prerequisites of chord scales, approach notes to chord tones and target notes, scale motives and sequences, and lines. Part two qualifies improvisational techniques into three areas; melodic, harmonic and sonic (rhythmic devices are the focus of Vol. IV, Melodic Rhythms) and it is designed as a menu of soloing devices from which you can select your personal course of study. Over 100 specific devices are discussed and conceptualized so as to give the improviser more depth of expression and a greater well from which to draw ideas. Among the numerous topics presented are: guide tones, voice leading, chord substitutions, three tonic system for composition, tritonics, hexatonics, tonal expansions, whole tone playing, augmented symmetric scales, double diminished scales, limited range and large range playing, shapes, blues melodies, accents, comping as a soloing device, common tones, articulations, laying back on the... The CD contains twelve standard chord progressions, each played in two different tempos. Renato Chicco - piano Dave Santoro - bass Adam Nussbaum - drums

Par SUCCARI DIA. Exercices De Lecture Pour La Formation Musicale - Vol. 4 is the fourth book of a theory method in six volumes by Dia Succari. Written for upper beginners, it features 26 exercises focusing on reading notes on staves. Each exercise can be read from left to right and from right to left. The keys that feature in the book are G and F keys, with introduction to the C key. Dia Succari is a Syrian musician who studied music at the Paris Conservatoire, among musicians such as Henri Challan, Jeanine Rueff and Marcel Bitsch. Olivier Messiaen was one of his composition professors and he also learnt to conduct anOrchestra./ Solfège/Formation Musicale / Pédagogie Musicale

En clé de sol et fa mélangées sans accompagnement de piano. Par RUEFF JANINE. Jeanine Rueff (1922-1999) was a French composer and music educator. Her two combined specialisms have created accomplished studies, including Interval Studies. These Rueff studies focus on a variety of intervals including minor, major, diminished, augmented, perfect and chromatic. With exercises written in both the treble and bass clefs, Interval Studies is very accessible and ideal for all instrumentalists!/ Solfège/Formation Musicale / Solfège sans accompagnement

Par SAINDON ED. While the primary focus of Advanced Rhythms in Improvisation is on polyrhythms, the book also covers other additional important rhythms that are useful for the improviser. Extensive syncopated rhythmic figures (via the use of rests, dotted notes and ties), mixed rhythmic figures and partial subdivision are also covered which are beneficial to today's improviser. Advanced Rhythms in Improvisation offers musicians material and concepts that will help them expand their rhythmic vocabulary in improvisation. Additionally, working on this material will help improvisers fine tune their sense of time and give them many more options for rhythms whether they are improvising in 4/4 or 7/4. The use of these rhythms in improvisation as discussed in the book will enable the player to 'float over the time” and to 'disguise” the basic pulse of the time. / Méthode / Méthode / Tout Instrument

Par HARRIS PAUL / LENEHAN J.. The very thought of aural, especially in examinations, strikes fear into the heart of many young pianists and instrumentalists. But aural should not be an occasional optional extra, it's something to be developing all the time, because having a good ear will help you to improve as a musician more than any other single musical skill. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute

Par HARRIS PAUL / LENEHAN J.. Improve your Aural! Is designed to take the fear out of aural. Through fun listening activities, boxes to fill in and practice exercises, this workbook with CD focuses on all the elements of the aural test. And because all aspects of musical training are of course connected, a range of interconnected activities are included to help develop the ear including singing, clapping, playing your instrument, writing music down, improvising and composing. This new edition of this popular series supports new ABRSM syllabus requirements from 2010, ensuring success in the aural test of graded exams./ Autre FM / Test d'Ecoute

5 Simple Strategies for Developing Jazz Language and Fluency. Par GABRIC LUKAS. According to musician and musicologist Gunther Schuller, 75% of all harmonic movement in jazz consists of ii-V-I progressions. Consequently, for the jazz improvisor, it is extremely important to be capable of playing a coherent phrase based on any member note of the ii chord and its extensions, in any key. In this book, music educator and world-renowned jazz saxophonist, Lukas Gabric focuses on helping you develop this essential skill.The five strategies outlined in Jazz Course for All Instruments are specifically designed to enhance your vocabulary and fluency as a jazz improviser. In a key segment, Gabric explains how longer phrases can be generated by combining minimal source materials. He also seeks to further your transposition and memorization skills as well as instrumental technique?all of which are required for effective improvisation. For those familiar with other styles of music, this reasoned, incremental approach could well open the door to the exciting world of improvised jazz. / Date parution : 2022-02-03/ Théorie / Tout Instrument

Inside Improvisation Series Melodic Structures A step by step method for learning to play over changes for all instruments. Inside Improvisation - Melodic Structures, is the first in a series of DVDs which describe a simple and pragmatic approach to improvisation. While focussing on the jazz idiom, the techniques discussed are applicable to many styles of music and all instruments, be it rock guitar, jazz saxophone, or the solos of the fusion keyboardist. The system presented in this volume offers a tangible pathway to inside the creative imagination by getting inside harmony, inside the changes. All music composed and performed by Jerry Bergonzi Rhythm section backround: Garry Dial - piano, Dave Santoro - bass, Alan Dawson - drums Produced by Hans Gruber PART 1 Section I: Four Note Groupings 1-5 Section II: Mixing Up Permutations Section III: Visualization Section V: Editing SectionVI: Key Centers Section VII: Inversions - PART 2 Section IX: Four Note Groupings 5-9 Section X: Avoid Notes Section XI: Upper Structure Groupings 9-13 Section XII: Additional Groupings Section XIII: Mixing Groupings