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Three
Musical course - Solfege
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
NARROW BY INSTRUMENTATION
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:: (14)
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Elektrische Flöte, Elektrisc… (2)
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Mallet Percussions (2)
5 Part Flexible Band et Opt. P… (2)
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Chant et Guitare (2)
Voix Moyenne Et Orchestre (2)
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3 Flûtes à Bec SAB/STB (1)
Oboe / Violin / Recorder / Fl… (1)
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Orchestre A Cordes (Première … (1)
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Bassoon / Cello (1)
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Oboe and Orchestra (1)
RECORDER TRIO, RECORDER ENSEM… (1)
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2 Clarinettes Et Plus (1)
Chant et Harpe (1)
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Trio De Batteries (1)
MEZ/PFA::Piano Accompaniment (1)
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Guitare, Banjo ou Ukulélé (1)
Instruments Divers Ad Libitum … (1)
2-6 Flûtes à Bec [Aa/St/Stt/… (1)
TPT(3)::Trompette(Trio) (1)
Piccolo (1)
SSATB et Orgue (1)
Wind Sextet - 2 Bb Clarinets,… (1)
CHAM::Chamber Group (1)
3 Flûtes à Bec [S,A,T] (1)
Choeur Ou Voix (1)
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3 Bassons (1)
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Soli, Choeur Mixte Et Orgue (1)
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2 A 4 Parties Choeur (1)
Choeur (SATB) Et Orgue (1)
3 French horns (trio) (1)
Baritone Saxophone, Piano (1)
2 Parties Voix Aigues (SA) Et … (1)
2 Trompettes, Cor (Ou Trompett… (1)
3 Parties Voix Aigües (SSA) e… (1)
Choeur A L'Unisson (Ad Libitum… (1)
Baryton Et Orchestre (1)
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Cordes (1)
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Voix de Femmes et Piano (1)
Basson Et 3 Trompettes (1)
SOP/TEN/BAR/PFA::Soprano, Teno… (1)
BRASS QUARTET, FLEXIBLE BRASS… (1)
1 Ou 2 Flûte(s) Traversière(… (1)
Trombone ou Tuba Basse Continu… (1)
3 Hautbois (1)
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Kaye Umansky: Three Tapping Teddies: Classroom Resource
Musical course - Solfege
Collins Music
Three Tapping Teddies
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Hear It, Read It, Write It! - With
Musical course - Solfege
[Sheet music + CD]
Alfred Publishing
Learning to read music is much like learning a language. There are three basic e...
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Learning to read music is much like learning a language. There are three basic elements: listening, reading, and writing. This well-organized book provides step-by-step sequential lessons for developing these skills. Rhythm, note, and interval concepts are taught in the following way: first, hear and echo a short musical example - second, read and perform a notated exercise - and third, notate musical phrases as demonstrated on the CD. Worksheet-style student pages are included as reproducible PDFs. Ten-minute activities for teaching or assessment, recommended for 4th through 9th grade ensembles or music classes. / Tout Instrument
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OCR GCSE Music Listening Tests: Solfege: Reference
Musical course - Solfege
Rhinegold Publishing Ltd.
Written by experienced teachers these tests will help to prepare you fully for ...
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Written by experienced teachers these tests will help to prepare you fully for the Listening and Appraising component of your GCSE course. This book contains: Three sample Listening and Appraising papers Guidance on how to prepare for the exam Answers to all of the questions so that you can check your work A glossary of technical terms Downloadable audio for all the questions
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Bergonzi J. - Inside Improvisation Vol. 6 - Developing A Jazz Language + Cd
Musical course - Solfege
Advance Music
Inside Improvisation : vol. 6 Learning a language requires listening on many lev...
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Inside Improvisation : vol. 6 Learning a language requires listening on many levels to the meanings, the sounds, the intentions, and the inflections or nuances of the language. The first chapters of this volume on learning the language of jazz focus on the prerequisites of chord scales, approach notes to chord tones and target notes, scale motives and sequences, and lines. Part two qualifies improvisational techniques into three areas; melodic, harmonic and sonic (rhythmic devices are the focus of Vol. IV, Melodic Rhythms) and it is designed as a menu of soloing devices from which you can select your personal course of study. Over 100 specific devices are discussed and conceptualized so as to give the improviser more depth of expression and a greater well from which to draw ideas. Among the numerous topics presented are: guide tones, voice leading, chord substitutions, three tonic system for composition, tritonics, hexatonics, tonal expansions, whole tone playing, augmented symmetric scales, double diminished scales, limited range and large range playing, shapes, blues melodies, accents, comping as a soloing device, common tones, articulations, laying back on the... The CD contains twelve standard chord progressions, each played in two different tempos. Renato Chicco - piano Dave Santoro - bass Adam Nussbaum - drums
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A.L. Dannhauser: Solf?ge des Solf?ges - Book II: Voice: Vocal Tutor
Musical course - Solfege
Schirmer
The second of three Solfege Des Solfeges books this is an excellent set of exer...
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The second of three Solfege Des Solfeges books this is an excellent set of exercises tailored towards the Solfege method of sight-singing and remains a popular method for teaching aural musicianship to beginner singers. First published in 1891 this edition has been translated into English by J.H. Cornell. Adolphe-Leopold Danhauser (1835-1896) was a French musician composer and pedagogue. His name was often Germanised to Dannhäuser. Having been appointed as Professor of Solfeggio at the Paris Conservatory he is best known for his pedagogical works such as the 1878 text book Théorie de la Musique but also composedseveral operas and other choral pieces.
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A.L. Dannhauser: Solf?ge des Solf?ges - Book III: Voice: Instrumental Tutor
Musical course - Solfege
Schirmer
The last of the three?Solfege Des Solfeges books this is an excellent set of ex...
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The last of the three?Solfege Des Solfeges books this is an excellent set of exercises tailored towards the Solfege method of sight-singing and remains a popular method for teaching aural musicianship to beginner singers. First published in 1891 this edition has been translated into English by J.H. Cornell. Adolphe-Leopold Danhauser (1835-1896) was a French musician composer and pedagogue. His name was often Germanised to Dannhäuser. Having been appointed as Professor of Solfeggio at the Paris Conservatory he is best known for his pedagogical works such as the 1878 text book Théorie de la Musique but also composedseveral operas and other choral pieces.
7.99 GBP - Sold by Musicroom UK
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Hal Leonard Perfect Pitch Method: Reference Books: Theory
Musical course - Solfege
[Sheet music + Audio access]
Hal Leonard
A Musician's Guide to Recognizing Pitches by Ear (Book/3CD with Online Audio)-Pe...
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A Musician's Guide to Recognizing Pitches by Ear (Book/3CD with Online Audio)-Perfect pitch also called absolute pitch has been a source of endless fascination for hundreds of years. The ability to recognize musical tones with no reference is often viewed as a kind of magical power a gift that only a select few musicians are born with a skill that cannot be learned. But perfect pitch is largely a misunderstood phenomenon. The Hal Leonard Perfect Pitch Method is designed to help you develop a sense of perfect pitch. In the process your overall musicianship will benefit and you'll start listening to music on a deeper level and getting more satisfaction from it. At the heart of this book is a series of 49 ear-trainingsessions one per day for seven weeks using the included CDs or the online audio. Many of the lessons include three separate drills. You can do just one and save the others for later or all three at the same time. Take your time advancing to the next session only when you're satisfied with your results on the previous session. Pretty soon you'll notice a marked improvement in your pitch acuity.
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Edexcel A Level Drama Study Guide: Reference
Musical course - Solfege
Rhinegold Publishing Ltd.
The new Edexcel AS And A Level Drama Study Guide. A definitive study guide for t...
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The new Edexcel AS And A Level Drama Study Guide. A definitive study guide for the new AS/A Level syllabus. Written by experts this comprehensive guide: covers in detail all three components of both the AS and A Level gives details of the lives and methodology of ten key practitioners works through rehearsal processes for both devising and text-work including sample stimuli and texts contains detailed coverage of all set texts with sample questions and answers for the exams covers design as well asperforming routes through the course introduces the terminology and techniques that Edexcel expects students to know. Endorsed by Edexcel
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Roger Emerson: Our House Is a Holiday House: Classroom Musical
Musical course - Solfege
Hal Leonard
A Holiday Musical for Young Voices-The welcome mat is out and everyone is invite...
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A Holiday Musical for Young Voices-The welcome mat is out and everyone is invited! From candles burning and carolers singing to a fifteen foot buffet and jingle bells ringing share the traditions of the season with this charming 15-minute holiday musical forprimary grades. Five original songs and clever rhyming narration allow for easy preparation and limited rehearsal time. The Teacher's Manual features full piano/vocal arrangements narration and staging suggestions and the handyReproducible Pak comes complete with vocal lines lyric sheets and narration ... everything your ?stars on stage? need to present a wonderful show for family and friends. Use the professionally produced orchestrationby John Higgins on the performance/accompaniment CD for extra seasonal sparkle! Receive all three components in the handy Classroom Kit for dollar-stretching value.Performance Time: 15 minutes. For Gr. K-4.
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GCSE Projects Answer Book for Books 2 3 and 4: Theory
Musical course - Solfege
[Textbook]
Novello & Co Ltd.
Trevor Webb and Nicholas Drewe. A series of books giving practical projects for ...
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Trevor Webb and Nicholas Drewe. A series of books giving practical projects for use in preparation of the GCSE examinations in music. All the books are grounded on the three major principles of the GCSE syllabuses: listening composing and performing. They may be used either as a complete series or independently. In the early stages the emphasis is on active participation the subject matter is diverse allowing scope for the teacher to introduce a broad range of musical topics. The listening and composing elements gain a greater importance within the series as it progresses although there is always integration between them. Books 1 And 2 contain a variety of projects onrhythm scales tunes chords writing a pop song composing with electronic and conventional instruments and composing with voices amongst many other ideas. Books 3 And 4 offer 22 different listening exercises which are based on the works of a wide range of composers including Bach Handel Elgar Britten Joplin McCartney and Lloyd Webber. Each piece is presented in the form of a skeleton score and questions are set to develop the pupil’s aural perception and musical literacy. The music cassette which accompanies these two books includes recordings of many of the works.
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Yves le Monnier: Lecture Simultanée pour débutants: Instrumental Work
Musical course - Solfege
[Sheet music]
Leduc, Alphonse
Volume 1 - Clé de sol et fa-Yves Le Monnier compiles Simultaneous Reading for b...
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Volume 1 - Clé de sol et fa-Yves Le Monnier compiles Simultaneous Reading for beginners in a three volume series. The first of these Simultaneous Reading of Treble and Bass Clef is a helpful aid for all instrumentalists. The understanding of reading the treble and bass clefs simultaneously is imperative to the harmonic knowledge of any musician. Simultaneous Reading of Treble and Bass Clef enables students to become confident in reading both clefs develop essential keyboard skills understand octaves recognise ascending and descending harmonies and comprehend all types of intervals among other aspects. For all beginnersto any instrument or voice Yves Le Monnier''s Simultaneous Reading of Treble and Bass Clef enables students to develop and progress in their musical understanding and knowledge.
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GCSE Projects Book 2 Let's Go On: Theory
Musical course - Solfege
[Textbook]
Novello & Co Ltd.
Trevor Webb and Nicholas Drewe. A series of books giving practical projects for ...
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Trevor Webb and Nicholas Drewe. A series of books giving practical projects for use in preparation of the GCSE examinations in music. All the books are grounded on the three major principles of the GCSE syllabuses: listening composing and performing. They may be used either as a complete series or independently. In the early stages the emphasis is on active participation the subject matter is diverse allowing scope for the teacher to introduce a broad range of musical topics. The listening and composing elements gain a greater importance within the series as it progresses although there is always integration between them. Books 1 And 2 contain a variety of projects onrhythm scales tunes chords writing a pop song composing with electronic and conventional instruments and composing with voices amongst many other ideas.
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Self: Aural Adventure Pupil's Book: Theory
Musical course - Solfege
[Sheet music]
Novello & Co Ltd.
George Self. This book recognises that aural work is essential to help pupils de...
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George Self. This book recognises that aural work is essential to help pupils derive the full benefits from class music. The 17 lessons are designed to be used with students of varied ability. Most questions are based on the comparative method; for example a short melodic shape is played pupils identify this from three or four shapes printed in their own books. Gradually structural elements are introduced and the book draws its examples from different musical periods and cultures.
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ALFRED'S INTERACTIVE MUSICIAN STUDENT VERSION
Musical course - Solfege
ALFRED PUBLISHING
For developing essential musicianship skills, no other software package can equa...
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For developing essential musicianship skills, no other software package can equal Alfred's Interactive Musician. The program features three unique sections-Pitch Training, Sight-Reading and Rhythm-and is designed to enhance recognition of intervals, chords and scales, improve ability to sight-read, and prepare for various types of rhythms. The self-paced program responds instantly to the user's actions, helping to quickly identify strengths and weaknesses. With multiple levels to choose from and the ability to customize levels, Alfred's Interactive Musician gives complete control over the content and difficulty of the program. This program may be used in a classroom setting. With the Educator and Network versions, teachers have the ability to create assessment tests that are scored electronically and have immediate access to student progress. Students work at their own pace, while the teacher sets up guidelines for the student to follow. Drills are randomized, so exercises may be played over and over without duplicating material. For Windows or Macintosh. / Méthodes et pédagogie / Formation musicale / Formation musicale - solfège / ALFRED PUBLISHING
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Gaspare Spontini: Gaspare Spontini: Metodo di Canto: Vocal
Italiano
Musical course - Solfege
Ricordi
Gesangschule-Spontini's Singing Method (original title: A Compendium of Exercise...
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Gesangschule-Spontini's Singing Method (original title: A Compendium of Exercises for the Best Way to Learn Singing and Lessons in Portamento Embellishment and Expression) focuses on dealing with the common problems met by pupils and contains the following: eight exercises for perfect intonation and confident skipping; eight exercises for flexibility; thirteen exercises for voice delivery and expression; three exercises for embellishment and cadence.
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The Songwriting Sourcebook: Reference Books: Reference
Musical course - Solfege
[Textbook]
Hal Leonard
Originally published in 2003 and now revised and updated The Songwriting Sourc...
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Originally published in 2003 and now revised and updated The Songwriting Sourcebook is the third entry in Rikky Rooksby's bestselling How to Write Songs series. This easy-to-use book will help you write better songs by explaining the art of writing effective chord sequences. It shows:How three and four chords can lay the foundation for a simple song and how to move on to progressions using five and six chordsHow to give your chord sequences additional color by adding chords that are not strictly in key including blues chordsHow to write chord sequences for songs in minor keys as well as major keys and how totake progressions into new territories by changing keyHow to fine-tune the color of your chords by understanding the emotional potential of sevenths sixths and ninthsAll examples come with easy-to-read guitar chord boxes and the accompanying 20-track audio CD features original recordings that illustrate some of the points made in the book.
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Ear Training Vol.1 (BUSCH SIGI)
Musical course - Solfege
Advance Music
Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Tra...
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Jazz - Rock - Pop. Par BUSCH SIGI. A basic ear training text for self-study. Translated by Michael Lee. CD narrated by Jerry Granelli. Each of the ten lessons is divided into three parts: Intervals/Chords, Rhythm, Melody. Examples and exercises are played by different instruments, including piano/keyboard, saxophone, trumpet, drums, percussion, and synthesizer. The answer section at the end of the book is ideal for self-study. / Méthode / Méthode / Tout Instrument
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John Holmes: Aural Training in Practice Grades 6-8: Aural
Musical course - Solfege
[Sheet music + CD]
ABRSM Publishing
New edition-Aural Training in Practice offers valuable support to teachers prepa...
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New edition-Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes covering Grades 1-3 Grades 4-5 and Grades 6-8 provide:information on what each test involves and what the examiner is looking forteaching hints and strategies including warm-up material and ideas for integrating aural into lessonsmany practice exercises to prepare students for the examCD recordings of all practice exercises and examples in two or more parts presented by an ABRSM examineranswers both recorded and printed where appropriate as a guide to the sort of responses thatwould be successful in the exam
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Denis Le Touze: Denis Le Touze: Writing Music In 30 Lessons
Musical course - Solfege
[Sheet music]
Leduc, Alphonse
Volume 1-Specialising in teaching music Denis Le Touzé currently researches th...
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Volume 1-Specialising in teaching music Denis Le Touzé currently researches the tonal system and notation of classical music. Therefore his Writing Music In 30 Lessons is very well-informed. Le Touzé's Writing Music In 30 Lessons is divided into two volumes. The first volume incorporates three types of exercises; technical exercises for the understanding of chords figured bass and composing melodies. Compiled in 1996 Writing Music In 30 Lessons is very up to date ensuring that the exercises arerelevant and clear. For all aspiring musicians seeking to improve their written notation of music Le Touzé's Writing Music In 30 Lessons will ensure successful progression.
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Alain Weber: Leçons Progressives de Lecture et Rythme: Theory
Musical course - Solfege
[Sheet music]
Leduc, Alphonse
Progressive Lessons Of Reading And Rhythm - Volume 4 is the fourth volume out o...
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Progressive Lessons Of Reading And Rhythm - Volume 4 is the fourth volume out of six of a theory book focusing on reading notes and rhythms. This complete method for reading and learning rhythms features both staves for theory explanations and exercises. This fourth volume follows the previous ones and requires some strong basics. It includes the C key fourth and first and a mix of the three keys. Alain Weber is a French musician who received the “Premier Grand Prix de Rome”. He taught music theory in many different countries and created some excellent methods.
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Edexcel GCSE Drama Study Guide: Reference
Musical course - Solfege
Rhinegold Publishing Ltd.
A definitive study guide for the reformed 9-1 Edexcel GCSE Drama syllabus. Writ...
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A definitive study guide for the reformed 9-1 Edexcel GCSE Drama syllabus. Written by experts this comprehensive guide: covers in detail the three components that make up the GCSE provides sample stimuli and texts for performance and examples of how to work through rehearsal processes contains detailed coverage of all the set texts with sample questions and answers for the exam covers design as well as performing routes introduces the terminology and techniques that Edexcel expects students toknow. Endorsed by Edexcel.
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John Holmes: Aural Training in Practice ABRSM Grades 1-3: Aural
Musical course - Solfege
ABRSM Publishing
Aural Training in Practice offers valuable support to teachers preparing student...
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Aural Training in Practice offers valuable support to teachers preparing students for ABRSM Practical exams. The three volumes covering Grades 1-3 Grades 4
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Rhythm Band Sing Along
Musical course - Solfege
[Sheet music + CD]
Alfred Publishing
Teach basic singing and rhythmic reading with this versatile and practical colle...
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Teach basic singing and rhythmic reading with this versatile and practical collection. Simply sing in unison or add optional rhythm band parts (two or three per song) for additional levels of learning. Fifteen different classroom instruments are featured on American spirituals and folk songs, seasonal highlights, songs from other lands, and well-known favorites. As educational as it is entertaining, this budget-stretching collection is perfect for both classroom instruction and concert performance. Recommended for grades 2--5. Teacher's Handbook is 100% reproducible. / Voix
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How to Read Music: Reference Books: Reference
Musical course - Solfege
Hal Leonard
Music notation is a language that has been developing for thousands of years; ev...
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Music notation is a language that has been developing for thousands of years; even the manner in which we read music today has been around for several centuries. In learning to read music we encounter basic symbols for pitch duration and timing.As we advance we learn about dynamics expression timbre and even special effects. How to Read Musicwill introduce you to the basics then provide more advanced information. As a final reward for all your hard work you´ll get a chanceto play excerpts from three classic piano pieces. Topics include: pitch • rhythm • meter • special words and symbols • plus classical piano pieces by Bach Mozart and Beethoven.
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J. Richard Dunscomb Dr. Willie L Hill: Jazz Pedagogy: Instrumental Tutor
Musical course - Solfege
Alfred Publishing
The Jazz Educator's Handbook and Resource Guide-A comprehensive guide that opens...
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The Jazz Educator's Handbook and Resource Guide-A comprehensive guide that opens the doors to the world of jazz education. Find practical solutions to challenges such as the jazz concept understanding the rhythm section jazz improvisation and jazz styles including a great section on Latin jazz. This innovative one-of-a-kind handbook incorporates the Web as an ongoing resource tool that provides the ultimate in reference information. The included DVD presents over three hours of audio/video demonstrations of rehearsal techniques how to really teach jazz improvisation and how to understand and improve the rhythm section. An essential addition to every library and/or jazz pedagogy class.
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The Beginning Improviser Vol.1 (RICKER RAMON)
Musical course - Solfege
-
Beginner
Advance Music
The Ramon Ricker Improvisation Series. Par RICKER RAMON. A new Play along system...
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The Ramon Ricker Improvisation Series. Par RICKER RAMON. A new Play along system for learning to play jazz. Each set contains a book with transposed parts for all instruments and a play along CD with Ray playing many of the book examples on his saxophone. Volume one is for the absolute beginning jazz student who knows his/her major scales. Subjects covered in this book include: VOCABULARY: Intervals, Roman Numerals, Scales, Modes, Diatonic Seventh Chords, Major, Minor, Dominant, and Suspended Chords, Chord/Scale Relationships, The Blues Progression, Using Pentatonic Scales with Blues, Pentatonic Chord/Scale Relationships, The II-V-I Progression, Rhythm Changes, The Circle of Fifths, and The Circle of Fourths, and Steps for Playing on Changes. STYLE: Swing Eighth Notes, Use of the Metronome, Scale Practice, and Scat-Singing Solos. EAR TRAINING: Specific examples and suggestions with recorded tracks for practice. REPERTOIRE: A suggested basic repertoire. This improvisation method is more than just another play-along. It is a series of books and CDs that progress step by step, offering concrete suggestions and advise that shows you how and what to practice. Drawing on twenty-five years of teachingexperience at the Eastman School of Music, Ramon Ricker uses text, recorded demonstrations by him and his students, and practice and play-along tracks that present the material in a clear and concise manner. Most of the play-along tracks feature the rhythm section of the 1980 Thad Jones/Mel Lewis Big Band with Harold Danko on piano, Rufus Reid on bass and the late, great Mel Lewis on drums. Since they performed and recorded together consistently over aperiod of several years, they played as a unit - a true jazz rhythm section. The recordings were brought up to meet todays higher CD standards and served as an inspiration for Ramon Ricker to write three entirely new books. In addition, new demonstration, ear training, and play-along tracks were added. / Niveau : Débutant / Jazz / Recueil / Tout Instrument
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Cant De Les Estrelles (Sin Particellas De Coro)
Musical course - Solfege
Boileau
(Included with the score are the organ and the piano part (there's available a p...
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(Included with the score are the organ and the piano part (there's available a pack with 20 copies of the parts for the chorus). In case the work is to be performed by more than 20 singers it will be necessary to purchase additional copies of the chorus parts, wich are available in packs of 20 copies).On 11th March 1911, the great pianist and composer Enric Granados performed this piece as an absolute premiere at Barcelona's modernista concert hall Palau de la Música Catalana.In spite of the great success achieved on the day of the premiere by this ambitious work for piano, organ and three choirs whose words in Catalan were provided by an unknown writer, the piece was never again performed or published. Its manuscript was assumed to be lost for decades and it was even thought that it might have been burnt in a fire. Finally, the pianist and Granados specialist Douglas Riva recovered it and offered it to Boileau Editorial de Música for publication.El Cant de les estrelles was performed once again on 22nd March 2007, 96 years after its first performance, in New York's Ascension Church, with Douglas Riva himself at the piano and Dennis Keene conducting. / Choeur Et Piano
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